I’ve spent the past 6 months building a music brand from the ground up. FWY started as an idea — a 100% female-led hip-hop community in Hong Kong — and grew into a live event series that sold out 5 shows at Shuffle Club (500 attendees), Migas, and Bamboo Club. We also brought international DJs to the city for the first time, and generated over 800K views across social platforms.
That journey taught me exactly what this role is about: turning artist potential into real commercial outcomes.
As founder, I booked and managed international artists, negotiated venue partnerships, analyzed ticket sales data, and produced content across Instagram and Douyin. I learned how to build campaigns that connect with audiences while delivering measurable results.
What I didn’t expect was how much I’d enjoy the business side of music. Tracking streaming performance, identifying growth opportunities through data, and positioning artists in a crowded market — those are the parts that excite me most. I want to take that grassroots experience and apply it at scale, with a roster of artists who deserve to be heard globally.
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