I'm a Director of Photography and videographer from South Florida. Briefly, I have worked with a video camera, seemingly all my life and as a professional for over 7 years. I am very familiar with the various tools, systems, and software that come with the enhancement and best use of the video process; and have worked over the years in video production for large-scale events, corporate, and broadcasting clients. I’ve used various lighting techniques to capture interviews that fit the story clients were trying to tell. I’ve assisted in scriptwriting, location scouting, and other coordinating efforts.

I'm a Director of Photography and videographer from South Florida. Briefly, I have worked with a video camera, seemingly all my life and as a professional for over 7 years. I am very familiar with the various tools, systems, and software that come with the enhancement and best use of the video process; and have worked over the years in video production for large-scale events, corporate, and broadcasting clients. I’ve used various lighting techniques to capture interviews that fit the story clients were trying to tell. I’ve assisted in scriptwriting, location scouting, and other coordinating efforts.

Available to hire

I’m a Director of Photography and videographer from South Florida.

Briefly, I have worked with a video camera, seemingly all my life and as a professional for over 7 years. I am very familiar with the various tools, systems, and software that come with the enhancement and best use of the video process; and have worked over the years in video production for large-scale events, corporate, and broadcasting clients.

I’ve used various lighting techniques to capture interviews that fit the story clients were trying to tell. I’ve assisted in scriptwriting, location scouting, and other coordinating efforts.

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Work Experience

Director of Photography at Gabe Sheffield Media
May 5, 2014 - Present
Visual Storytelling & Aesthetics: Partner closely with directors to establish the look, tone, and emotional arc of each project; construct detailed lookbooks, shot lists, and storyboards during pre-production. Crew Leadership & Safety: Recruit, supervise, and direct camera, grip, and electric departments (crews ranging from 3 to 25+ members), fostering a highly efficient, collaborative, and safe set environment. Technical Supervision: Determine and select optimal camera packages (e.g., ARRI Alexa, RED, Sony Venice), anamorphic/spherical lens sets, and lighting arrays tailored to the unique aesthetic and technical requirements of each shoot. Logistics & Tech Scouting: Conduct comprehensive location tech scouts to analyze natural light patterns, power availability, and rigging constraints, proactively solving potential production bottlenecks. Budget & Resource Management: Oversee the camera and lighting department budgets; negotiate competitive rates with rental houses and crew members to maximize production value without sacrificing creative quality. Adaptability & Client Retention: Maintain a robust network of repeat clients by consistently delivering high-caliber footage, adapting seamlessly to changing environments, and navigating high-pressure sets with professionalism.

Education

Bachelors of Science at Florida Atlantic University
August 18, 2008 - May 14, 2012

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment
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