Audio post-production professional with nearly two decades of experience leading and executing high-quality audio for broadcast, podcasts, and digital media. As an Audio Post Production Supervisor, I have overseen end-to-end workflows—from dialogue editing and sound design to final mix delivery—ensuring projects meet both creative and technical standards under tight deadlines. My background includes extensive work in dialogue clarity, storytelling through sound, and mix translation across platforms, making me well-suited for fast-paced production where consistency, efficiency, and listener experience are critical.

Jacob P. Howard

PRO

Audio post-production professional with nearly two decades of experience leading and executing high-quality audio for broadcast, podcasts, and digital media. As an Audio Post Production Supervisor, I have overseen end-to-end workflows—from dialogue editing and sound design to final mix delivery—ensuring projects meet both creative and technical standards under tight deadlines. My background includes extensive work in dialogue clarity, storytelling through sound, and mix translation across platforms, making me well-suited for fast-paced production where consistency, efficiency, and listener experience are critical.

Available to hire

Audio post-production professional with nearly two decades of experience leading and executing high-quality audio for broadcast, podcasts, and digital media. As an Audio Post Production Supervisor, I have overseen end-to-end workflows—from dialogue editing and sound design to final mix delivery—ensuring projects meet both creative and technical standards under tight deadlines. My background includes extensive work in dialogue clarity, storytelling through sound, and mix translation across platforms, making me well-suited for fast-paced production where consistency, efficiency, and listener experience are critical.

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Experience Level

Language

English
Fluent

Work Experience

Re-Record Mixer at Crunchyroll
April 1, 2022 - Present
Mix English adaptation versions of anime episodes across various series. Create immersive 5.1 mixes using original SFX and music stems.
Audio Post Production Supervisor at Daystar Television Network
May 1, 2006 - October 1, 2023
Supported executive producers and production leadership across daily and weekly television programming. Coordinated with pre-production, production, and post-production to meet broadcast schedules and quality standards. Served as broadcast mix engineer for in-studio and remote productions; led sound design and re-recording of network specials; supervised an audio post-production team handling 10+ TV series, network specials, promotions, and podcasts. Managed 8 Pro Tools 5.1 mix/edit suites, VO booths, and recording studios. Led the budget, design, and installation of audio systems including PA, large-format digital consoles, RF infrastructure and Dante network.
Re-Recording Mixer at Studio Nano
March 1, 2025 - Present
Mix episodic content for films and various series for distribution via Blu-Ray, Netflix, and other streaming platforms. Collaborate with producers, editors, and localization teams to ensure accurate creative execution.
Post Production Instructor at Media Tech Institute
December 1, 2023 - Present
Teach post-production courses, covering ADR, foley, sound design and surround mixing workflows. Train & mentor students in industry best practices, software proficiency, and real-world applications. Increase students’ speed and proficiency by teaching Pro Tools shortcuts and proper file management.
Broadcast Audio Editor (Contract) at Life Outreach International
September 1, 2025 - Present
Operate Pro Tools for audio processing, mixing, and editing. Manage multiple projects simultaneously while meeting tight deadlines. Maintain and organize audio files, project documentation, and archives. Troubleshoot and resolve audio issues to ensure seamless production.
Instructor at Media Tech Institute
November 30, 2023 - Present
Develop curriculum and teach post-production courses, covering ADR, foley, sound design and surround mixing workflows. Train and mentor students in industry best practices, software proficiency, and real-world applications. Increase students’ speed and proficiency by teaching Pro Tools shortcuts and proper file management.
Broadcast Audio Editor (Contract) at Life Outreach International
September 1, 2015 - Present
Operate Pro Tools for audio processing, mixing, and editing; manage multiple projects simultaneously; maintain and organize audio files, project documentation, and archives; troubleshoot and resolve audio issues to ensure seamless production.
Broadcast Audio Editor at Life Outreach International
September 1, 2025 - Present
Operate Pro Tools for audio processing, mixing, and editing; manage multiple projects; organize audio files and archives; troubleshoot audio issues to ensure seamless production.

Education

Associate of Applied Science – Commercial Music, Audio Engineering at Collin College
November 30, 0002 - May 16, 2008
Professional Game Audio Design & Production Certificate at Berklee College of Music
November 30, 0002 - October 14, 2024
Associate of Applied Science – Commercial Music, Audio Engineering at Collin College
January 11, 2030 - March 31, 2026
Professional Game Audio Design & Production at Berklee School of Music
January 11, 2030 - March 31, 2026
Associate of Applied Science – Commercial Music, Audio Engineering at Collin College
January 11, 2030 - April 13, 2026
Professional Game Audio Design & Production at Berklee School of Music
January 11, 2030 - April 13, 2026

Qualifications

Lone Star Emmy Award
November 30, 0002 - October 14, 2011
National Daytime Emmy Nomination
November 30, 0002 - October 14, 2014

Industry Experience

Media & Entertainment, Professional Services, Other, Education, Telecommunications, Non-Profit Organization