Hi, I’m Igor Rajić. I’m a digital artist specialized in sonic arts, sound design, and audio production. I love turning ideas into immersive audio-visual pieces and have a track record of working on broadcast and social media content, as well as freelance video and sound editing. Currently based in Utrecht, I study Sonic Design at HKU University of the Arts Utrecht, developing hands-on skills in multimedia technologies, teamwork, and problem-solving while exploring how sound shapes storytelling.

Igor Rajić

Hi, I’m Igor Rajić. I’m a digital artist specialized in sonic arts, sound design, and audio production. I love turning ideas into immersive audio-visual pieces and have a track record of working on broadcast and social media content, as well as freelance video and sound editing. Currently based in Utrecht, I study Sonic Design at HKU University of the Arts Utrecht, developing hands-on skills in multimedia technologies, teamwork, and problem-solving while exploring how sound shapes storytelling.

Available to hire

Hi, I’m Igor Rajić. I’m a digital artist specialized in sonic arts, sound design, and audio production. I love turning ideas into immersive audio-visual pieces and have a track record of working on broadcast and social media content, as well as freelance video and sound editing.

Currently based in Utrecht, I study Sonic Design at HKU University of the Arts Utrecht, developing hands-on skills in multimedia technologies, teamwork, and problem-solving while exploring how sound shapes storytelling.

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Language

Serbian
Fluent
English
Fluent

Work Experience

Video Editor at Radio Television of Serbia
February 8, 2024 - January 11, 2026
One of my proudest moments so far has been contributing to a national TV broadcast show in Serbia, reaching thousands of viewers every week. It taught me what it means to produce creative work in a high-pressure and fast-paced environment. I thrive on transforming ideas into cohesive and resonant experiences - whether it’s a music-driven visual, a cinematic edit, or a perfectly timed soundscape.
Video Editor, Sound Designer at Freelance
January 1, 2020 - Present
I've been a freelancer for the past 6 years! Over the time, I've worked for commercials, music videos, animations and short-form social media content. Freelancing allows me to get connected to various other creatives which is the most exciting part of this job!

Education

Bachelor’s in Digital Arts at Faculty of Media and Communication Belgrade
January 1, 2020 - January 1, 2025
Master’s in Sonic Design at HKU University of Arts Utrecht
January 1, 2025 - October 28, 2025
Bachelor's in Digital Arts at Faculty of Media and Communication, Belgrade
January 1, 2020 - January 1, 2025
Bachelor's at Faculty of Media and Communication, Belgrade
January 1, 2020 - January 1, 2025
Master's at HKU University of Arts Utrecht
January 1, 2025 - December 12, 2025
Bachelor's in Digital Arts at Faculty of Media and Communication, Belgrade
January 1, 2020 - January 1, 2025
Master’s in Sonic Design at HKU University of the Arts Utrecht
January 1, 2025 - February 16, 2026

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education, Professional Services
    paper Fantastic Planet

    Fantastic Planet is a documentary TV show broadcasted on Radio Television of Serbia every Tuesday. Created and hosted by journalist Vladimir Banić, the program takes viewers on a journey across the globe, exploring the lives and stories of people from diverse ethnic, social, and cultural backgrounds. Each episode centers on a specific theme, presented through three distinct perspectives from different parts of the world. The series aims to highlight the shared human experience and the deep sense of connection that unites people worldwide—despite the oceans and distances that divide us.
    As a video editor and music supervisor, I have contributed to over 20+ episodes, gaining comprehensive experience in the full production cycle of a television season from concept to final delivery.

    I specialized in turning footage gathered from across the globe into emotionally charged, hour-long stories. By playing with the pace, rhythm, and energy of both sound and image, I worked to keep audiences deeply immersed and connected to the narrative.