Graphic Designer (Motion + Branding) | Trained in Paris & based in Taipei

Louise Touron

Graphic Designer (Motion + Branding) | Trained in Paris & based in Taipei

Available to hire

Graphic Designer (Motion + Branding) | Trained in Paris & based in Taipei

Language

English
Fluent
French
Fluent
Chinese
Advanced

Work Experience

Graphic Designer / Art Director at Self-employed
January 1, 2023 - Present
- Motion design video and digital assets for social media and editorial for the Institute for Economical and Social Innovation (2IES) - Visual identity projects for the Foundation of Universal Inheritance; product illustration and packaging design for Bellerose - Multi-format branding, scenography and signage ; illustration.
Graphic Designer at We Are MYC
January 1, 2025 - April 1, 2025
- Production of social media content (stills, animated posts, stories, reels) for Grohe, Shoreline and Emy - Collaboration with marketing and production teams in a multicultural environment.
Junior Art Director at Dsides Mutations
January 1, 2021 - January 1, 2023
- Full visual identity and production management for a Chanel R&D international event - Visual identity and exhibition materials and print design for L’Occitane en Provence - Motion design training video for INSERM; visual identity and web series (filming and post-production) for Valeo - 360° internal communication campaign for BNP Paribas (print, digital, scenography).
Motion Designer at Dsides Mutations
January 1, 2020 - January 1, 2021
- Visual identity and motion design teaser for the Dior e-learning platform - Post-production of training videos for Chanel.
Graphic Designer at Dsides Mutations
January 1, 2019 - January 1, 2020
- Illustration and motion design for EDF - Packaging design for a training kit for Vivea employees.
Art Director Assistant at Dsides Mutations
May 13, 2018 - July 15, 2018
- Visual universe and asset production for a Chanel workshop - Scenography and signage for the Technostreet convention for Vinci Group.

Education

Bachelor at Gobelins, Paris
January 1, 2020 - January 1, 2021
HND at ENSAAMA, Paris
January 1, 2017 - January 1, 2019

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Retail, Financial Services, Education, Real Estate & Construction, Healthcare, Travel & Hospitality, Professional Services
    paper Occitane En Provence

    Communication campaign (writing, design and installation) to promote a new co-sharing space agencement in the Occitane Factory in the South of France, involving a series of installations and an exhibition.

    While ensuring coherence with the client’s style guide, a more vibrant blue was selected to create a standout effect and differentiate it from typical internal communications, while maintaining the brand’s iconic yellow. A stencil typeface, inspired by original industrial signage, was also chosen, allowing for the laser cutting of all materials on eco-friendly paper made from potato starch, resulting in a sustainable campaign.

    Check all the picture on https://www.twine.net/signin

    paper Valeo's got talent

    Visual identity for an internal campaign called Valeo’s got talent at Valeo, to communicate about recruitment, management and career evolution in the company.
    Adaptation on print support (poster and flyer) and for templates (Powerpoint, Word).
    Animation of the logo and launch of a webserie.

    The design was developed in accordance with the style guide, with a strong emphasis on movement. This campaign, centered on professional evolution at Valeo, an automotive company, uses elements like lines and italic typography to convey a sense of forward momentum, symbolizing progress and a focus on the future.

    See more at https://www.twine.net/signin

    paper Provision State - 2IES (Institute for Economical and Social Innovation)

    Art Direction for a motion design video to promote the proposition of an alternative solution to the Welfare State called “Provision State“.

    Given the complexity of the subject, which involved politics and economics, I opted for a ‘collage’ aesthetic a more handmade, tactile approach to make the content feel less cold and more accessible, aligning with its informative purpose. Collage also offers an elegant way to introduce a sense of playfulness. To maintain consistency with the style guide, I chose a colorful yet classic design, striking a balance between vibrancy and sophistication.

    Video and image at https://www.twine.net/signin