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"SOUND brings audiences into another realm and delivers the emotions; which are pivotal in filmmaking. Understanding the balance between art and science of sound empowers us to create unimaginable soundscapes for the imaginative worlds." I started my journey in 2009 with HOME STUDIO, shortly after graduating from the School of Audio Engineering (SAE). Since then, I have worked on a wide range of projects across film, television, and streaming platforms—handling sound editing, sound design, ADR supervision, and overseeing the complete soundscape as a Supervising Sound Editor. My credits include HBO Asia’s Invisible Stories, the Golden Horse-nominated Number 1, and Bolt of Talent featuring Michael Bolton. Other work includes Number 2 (2025), 3 Peas in a Pod, Judgment Day, Already Famous, Mr. Unbelievable, One Headlight, and the upcoming A Good Child. I have supervised ADR sessions for Hollywood productions such as Mortal Kombat, Shotgun Wedding, and American Born Chinese (Disney+), and collaborated with engineers at Kantana Sound in Bangkok—known for The Grandmaster and Ong Bak. With a strong foundation in music, I often blur the lines between music and sound design, creating audio experiences that support storytelling on a deeper level. Outside of production work, I have collaborated with Julijan Nikolic, creator of the Netflix-recommended Youlean Loudness Meter plugin, to help improve its functionality from a post-production perspective. I also enjoy mentoring young and aspiring sound engineers, and often share what I have learned over the years to help them grow in their craft. 🎬 Selected Film Credits: A Good Child (Singapore) – Supervising / Sound Design – TBA Number 2 (Singapore) – Supervising / Sound Design – 2025 Number 1 (Singapore) – Supervising / Sound Design – 2020 One Headlight (Singapore/Taiwan) – Supervising – 2019 Lulu The Movie (Singapore) – Additional Music – 2016 Mr. Unbelievable (Singapore) – Supervising – 2015 3 Peas in a Pod (Singapore) – Supervising / Sound Design – 2013 Judgment Day (Singapore) – Supervising / Sound Design – 2013 Already Famous (Singapore) – Supervising / Sound Design – 2011 Decadence: The Decline of the Western World (Australia) – Sound Editor – 2010 📺 Worked With Netflix, HBO Asia, Disney+, Amazon Prime Video, Mediacorp, National Geographic, Discovery Channel, Al Jazeera, NHK, AXN, History Channel, Fox Sports, and more. 🎙️Specialise In Audio Post-Production | Supervising Sound Editing | Sound Design | ADR Supervision…"SOUND brings audiences into another realm and delivers the emotions; which are pivotal in filmmaking. Understanding the balance between art and science of sound empowers us to create unimaginable soundscapes for the imaginative worlds." I started my journey in 2009 with HOME STUDIO, shortly after graduating from the School of Audio Engineering (SAE). Since then, I have worked on a wide range of projects across film, television, and streaming platforms—handling sound editing, sound design, ADR supervision, and overseeing the complete soundscape as a Supervising Sound Editor. My credits include HBO Asia’s Invisible Stories, the Golden Horse-nominated Number 1, and Bolt of Talent featuring Michael Bolton. Other work includes Number 2 (2025), 3 Peas in a Pod, Judgment Day, Already Famous, Mr. Unbelievable, One Headlight, and the upcoming A Good Child. I have supervised ADR sessions for Hollywood productions such as Mortal Kombat, Shotgun Wedding, and American Born Chinese (Disney+), and collaborated with engineers at Kantana Sound in Bangkok—known for The Grandmaster and Ong Bak. With a strong foundation in music, I often blur the lines between music and sound design, creating audio experiences that support storytelling on a deeper level. Outside of production work, I have collaborated with Julijan Nikolic, creator of the Netflix-recommended Youlean Loudness Meter plugin, to help improve its functionality from a post-production perspective. I also enjoy mentoring young and aspiring sound engineers, and often share what I have learned over the years to help them grow in their craft. 🎬 Selected Film Credits: A Good Child (Singapore) – Supervising / Sound Design – TBA Number 2 (Singapore) – Supervising / Sound Design – 2025 Number 1 (Singapore) – Supervising / Sound Design – 2020 One Headlight (Singapore/Taiwan) – Supervising – 2019 Lulu The Movie (Singapore) – Additional Music – 2016 Mr. Unbelievable (Singapore) – Supervising – 2015 3 Peas in a Pod (Singapore) – Supervising / Sound Design – 2013 Judgment Day (Singapore) – Supervising / Sound Design – 2013 Already Famous (Singapore) – Supervising / Sound Design – 2011 Decadence: The Decline of the Western World (Australia) – Sound Editor – 2010 📺 Worked With Netflix, HBO Asia, Disney+, Amazon Prime Video, Mediacorp, National Geographic, Discovery Channel, Al Jazeera, NHK, AXN, History Channel, Fox Sports, and more. 🎙️Specialise In Audio Post-Production | Supervising Sound Editing | Sound Design | ADR Supervision

Jesper Zeng

Sound Designer, Sound Editor, Sound Engineer

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"SOUND brings audiences into another realm and delivers the emotions; which are pivotal in filmmaking. Understanding the balance between art and science of sound empowers us to create unimaginable soundscapes for the imaginative worlds." I started my journey in 2009 with HOME STUDIO, shortly after graduating from the School of Audio Engineering (SAE). Since then, I have worked on a wide range of projects across film, television, and streaming platforms—handling sound editing, sound design, ADR supervision, and overseeing the complete soundscape as a Supervising Sound Editor. My credits include HBO Asia’s Invisible Stories, the Golden Horse-nominated Number 1, and Bolt of Talent featuring Michael Bolton. Other work includes Number 2 (2025), 3 Peas in a Pod, Judgment Day, Already Famous, Mr. Unbelievable, One Headlight, and the upcoming A Good Child. I have supervised ADR sessions for Hollywood productions such as Mortal Kombat, Shotgun Wedding, and American Born Chinese (Disney+), and collaborated with engineers at Kantana Sound in Bangkok—known for The Grandmaster and Ong Bak. With a strong foundation in music, I often blur the lines between music and sound design, creating audio experiences that support storytelling on a deeper level. Outside of production work, I have collaborated with Julijan Nikolic, creator of the Netflix-recommended Youlean Loudness Meter plugin, to help improve its functionality from a post-production perspective. I also enjoy mentoring young and aspiring sound engineers, and often share what I have learned over the years to help them grow in their craft. 🎬 Selected Film Credits: A Good Child (Singapore) – Supervising / Sound Design – TBA Number 2 (Singapore) – Supervising / Sound Design – 2025 Number 1 (Singapore) – Supervising / Sound Design – 2020 One Headlight (Singapore/Taiwan) – Supervising – 2019 Lulu The Movie (Singapore) – Additional Music – 2016 Mr. Unbelievable (Singapore) – Supervising – 2015 3 Peas in a Pod (Singapore) – Supervising / Sound Design – 2013 Judgment Day (Singapore) – Supervising / Sound Design – 2013 Already Famous (Singapore) – Supervising / Sound Design – 2011 Decadence: The Decline of the Western World (Australia) – Sound Editor – 2010 📺 Worked With Netflix, HBO Asia, Disney+, Amazon Prime Video, Mediacorp, National Geographic, Discovery Channel, Al Jazeera, NHK, AXN, History Channel, Fox Sports, and more. 🎙️Specialise In Audio Post-Production | Supervising Sound Editing | Sound Design | ADR Supervision…"SOUND brings audiences into another realm and delivers the emotions; which are pivotal in filmmaking. Understanding the balance between art and science of sound empowers us to create unimaginable soundscapes for the imaginative worlds." I started my journey in 2009 with HOME STUDIO, shortly after graduating from the School of Audio Engineering (SAE). Since then, I have worked on a wide range of projects across film, television, and streaming platforms—handling sound editing, sound design, ADR supervision, and overseeing the complete soundscape as a Supervising Sound Editor. My credits include HBO Asia’s Invisible Stories, the Golden Horse-nominated Number 1, and Bolt of Talent featuring Michael Bolton. Other work includes Number 2 (2025), 3 Peas in a Pod, Judgment Day, Already Famous, Mr. Unbelievable, One Headlight, and the upcoming A Good Child. I have supervised ADR sessions for Hollywood productions such as Mortal Kombat, Shotgun Wedding, and American Born Chinese (Disney+), and collaborated with engineers at Kantana Sound in Bangkok—known for The Grandmaster and Ong Bak. With a strong foundation in music, I often blur the lines between music and sound design, creating audio experiences that support storytelling on a deeper level. Outside of production work, I have collaborated with Julijan Nikolic, creator of the Netflix-recommended Youlean Loudness Meter plugin, to help improve its functionality from a post-production perspective. I also enjoy mentoring young and aspiring sound engineers, and often share what I have learned over the years to help them grow in their craft. 🎬 Selected Film Credits: A Good Child (Singapore) – Supervising / Sound Design – TBA Number 2 (Singapore) – Supervising / Sound Design – 2025 Number 1 (Singapore) – Supervising / Sound Design – 2020 One Headlight (Singapore/Taiwan) – Supervising – 2019 Lulu The Movie (Singapore) – Additional Music – 2016 Mr. Unbelievable (Singapore) – Supervising – 2015 3 Peas in a Pod (Singapore) – Supervising / Sound Design – 2013 Judgment Day (Singapore) – Supervising / Sound Design – 2013 Already Famous (Singapore) – Supervising / Sound Design – 2011 Decadence: The Decline of the Western World (Australia) – Sound Editor – 2010 📺 Worked With Netflix, HBO Asia, Disney+, Amazon Prime Video, Mediacorp, National Geographic, Discovery Channel, Al Jazeera, NHK, AXN, History Channel, Fox Sports, and more. 🎙️Specialise In Audio Post-Production | Supervising Sound Editing | Sound Design | ADR Supervision

Available to hire

“SOUND brings audiences into another realm and delivers the emotions; which are pivotal in filmmaking. Understanding the balance between art and science of sound empowers us to create unimaginable soundscapes for the imaginative worlds.”

I started my journey in 2009 with HOME STUDIO, shortly after graduating from the School of Audio Engineering (SAE). Since then, I have worked on a wide range of projects across film, television, and streaming platforms—handling sound editing, sound design, ADR supervision, and overseeing the complete soundscape as a Supervising Sound Editor.

My credits include HBO Asia’s Invisible Stories, the Golden Horse-nominated Number 1, and Bolt of Talent featuring Michael Bolton. Other work includes Number 2 (2025), 3 Peas in a Pod, Judgment Day, Already Famous, Mr. Unbelievable, One Headlight, and the upcoming A Good Child.

I have supervised ADR sessions for Hollywood productions such as Mortal Kombat, Shotgun Wedding, and American Born Chinese (Disney+), and collaborated with engineers at Kantana Sound in Bangkok—known for The Grandmaster and Ong Bak.

With a strong foundation in music, I often blur the lines between music and sound design, creating audio experiences that support storytelling on a deeper level.

Outside of production work, I have collaborated with Julijan Nikolic, creator of the Netflix-recommended Youlean Loudness Meter plugin, to help improve its functionality from a post-production perspective. I also enjoy mentoring young and aspiring sound engineers, and often share what I have learned over the years to help them grow in their craft.

🎬 Selected Film Credits:

A Good Child (Singapore) – Supervising / Sound Design – TBA

Number 2 (Singapore) – Supervising / Sound Design – 2025

Number 1 (Singapore) – Supervising / Sound Design – 2020

One Headlight (Singapore/Taiwan) – Supervising – 2019

Lulu The Movie (Singapore) – Additional Music – 2016

Mr. Unbelievable (Singapore) – Supervising – 2015

3 Peas in a Pod (Singapore) – Supervising / Sound Design – 2013

Judgment Day (Singapore) – Supervising / Sound Design – 2013

Already Famous (Singapore) – Supervising / Sound Design – 2011

Decadence: The Decline of the Western World (Australia) – Sound Editor – 2010

📺 Worked With
Netflix, HBO Asia, Disney+, Amazon Prime Video, Mediacorp, National Geographic, Discovery Channel, Al Jazeera, NHK, AXN, History Channel, Fox Sports, and more.

🎙️Specialise In
Audio Post-Production | Supervising Sound Editing | Sound Design | ADR Supervision