"SOUND brings audiences into another realm and delivers the emotions; which are pivotal in filmmaking. Understanding the balance between art and science of sound empowers us to create unimaginable soundscapes for the imaginative worlds." Jesper is a Supervising Sound Editor with close to two decades of experience in audio post-production and a co-founder of Sound Post Lab (SPL). An honours graduate of the School of Audio Engineering (SAE), he is known for his meticulous attention to detail and his commitment to crafting emotionally resonant, technically precise work. Over the years, he has built a broad and diverse portfolio across feature films, drama series, documentaries, and international productions. His approach is guided by a clear philosophy that sound must always serve story, emotion, and truth. His credits include HBO Asia’s Invisible Stories, the Golden Horse–nominated films Number 1 (《男儿王》) and A Good Child (《好孩子》), as well as entertainment projects such as Bolt of Talent featuring Michael Bolton. Jesper has also overseen ADR for major titles including Mortal Kombat, Shotgun Wedding, and Disney+’s American Born Chinese. Rather than creating sound for its own sake, Jesper treats audio as a narrative dimension—shaping perspective, emotional tone, and audience immersion with precision and intention. With a strong foundation in music, he often blurs the line between sound design and scoring, merging musicality and sonic texture into a unified storytelling voice across the film’s soundtrack. His technical experience is strengthened by international collaboration with engineers at Bangkok’s Kantana Sound Studio, known for films such as The Grandmaster and Ong Bak. He has also contributed to the refinement of industry tools and standards, including development feedback for the Netflix-recommended Youlean Loudness Meter plugin and updates to Mediacorp’s broadcast audio specifications. At Sound Post Lab, Jesper continues to refine his craft while mentoring aspiring sound engineers, nurturing not only technical skill but also the discipline, clarity, and integrity that shape SPL’s philosophy. 🎬 Selected Film Credits: A Good Child (Singapore) – Supervising / Sound Design – 2026 Number 2 (Singapore) – Supervising / Sound Design – 2025 Number 1 (Singapore) – Supervising / Sound Design – 2020 One Headlight (Singapore/Taiwan) – Supervising – 2019 3 Peas in a Pod (Singapore) – Supervising / Sound Design – 2013 Judgment Day (Singapore) – Supervising / Sound Design – 2013 Already Famous (Singapore) – Supervising / Sound Design – 2011 📺 Worked With Netflix, HBO Asia, Disney+, Amazon Prime Video, Mediacorp, National Geographic, Discovery Channel, Al Jazeera, NHK, AXN, History Channel, Fox Sports, and more. 🎙️Specialise In Audio Post-Production | Supervising Sound Editing | Sound Design | ADR Supervision…"SOUND brings audiences into another realm and delivers the emotions; which are pivotal in filmmaking. Understanding the balance between art and science of sound empowers us to create unimaginable soundscapes for the imaginative worlds." Jesper is a Supervising Sound Editor with close to two decades of experience in audio post-production and a co-founder of Sound Post Lab (SPL). An honours graduate of the School of Audio Engineering (SAE), he is known for his meticulous attention to detail and his commitment to crafting emotionally resonant, technically precise work. Over the years, he has built a broad and diverse portfolio across feature films, drama series, documentaries, and international productions. His approach is guided by a clear philosophy that sound must always serve story, emotion, and truth. His credits include HBO Asia’s Invisible Stories, the Golden Horse–nominated films Number 1 (《男儿王》) and A Good Child (《好孩子》), as well as entertainment projects such as Bolt of Talent featuring Michael Bolton. Jesper has also overseen ADR for major titles including Mortal Kombat, Shotgun Wedding, and Disney+’s American Born Chinese. Rather than creating sound for its own sake, Jesper treats audio as a narrative dimension—shaping perspective, emotional tone, and audience immersion with precision and intention. With a strong foundation in music, he often blurs the line between sound design and scoring, merging musicality and sonic texture into a unified storytelling voice across the film’s soundtrack. His technical experience is strengthened by international collaboration with engineers at Bangkok’s Kantana Sound Studio, known for films such as The Grandmaster and Ong Bak. He has also contributed to the refinement of industry tools and standards, including development feedback for the Netflix-recommended Youlean Loudness Meter plugin and updates to Mediacorp’s broadcast audio specifications. At Sound Post Lab, Jesper continues to refine his craft while mentoring aspiring sound engineers, nurturing not only technical skill but also the discipline, clarity, and integrity that shape SPL’s philosophy. 🎬 Selected Film Credits: A Good Child (Singapore) – Supervising / Sound Design – 2026 Number 2 (Singapore) – Supervising / Sound Design – 2025 Number 1 (Singapore) – Supervising / Sound Design – 2020 One Headlight (Singapore/Taiwan) – Supervising – 2019 3 Peas in a Pod (Singapore) – Supervising / Sound Design – 2013 Judgment Day (Singapore) – Supervising / Sound Design – 2013 Already Famous (Singapore) – Supervising / Sound Design – 2011 📺 Worked With Netflix, HBO Asia, Disney+, Amazon Prime Video, Mediacorp, National Geographic, Discovery Channel, Al Jazeera, NHK, AXN, History Channel, Fox Sports, and more. 🎙️Specialise In Audio Post-Production | Supervising Sound Editing | Sound Design | ADR SupervisionWWWW…