I am a composer and pianist working in the genre of modern classical music. As a composer, I've released 5 studio albums and written for tv/film and ad production libraries.
I am a composer and pianist working in the genre of modern classical music.
As a composer, I’ve released 5 studio albums and written for tv/film and ad production libraries. I am drawn to telling stories that move people by writing to picture and composing scores to the ordinary and extraordinary moments of the world.
I presently work with 11/One Music, Bigger Story, Howling Music and Peach & Plum Music in Nashville.
As a filmmaker, you are the chief storyteller. It’s my job to help support you and help you to tell the story you want to tell. The music is at the service of the narrative and you, the director, the maker.
I’m located in Franklin, TN where I work in a studio connected to my home.
I would love to help tell your story.
This cue was composed to scene of an arduous climb. It begins in uncertainty and ends with determination and drive with emotional orchestral swells and builds. This is one of the cues composed for the Orchestral Drama project Magical Adventure for 11/One.
This album was composed for 11/One Music. An orchestral approach to dramedy and light mystery that is light and whimsical at times, mysterious at others. This is a solid collection of cues composed to story and perfectly adaptable for film.
This piece was composed for solo piano in the style of French neoclassical composer Erik Satie for the Pulitzer Prize winning story All The Light We Cannot See by Anthony Doerr.
This piece was composed as a love letter to the loss of one's children. Solitary. Somber. Lifting at moments. Energetic at times. A composition that winds the listener and storyteller through the bittersweetness of life's journey. Composed for piano and orchestra.
This cue begins with solo oboe and finishes with moving, lush strings telling the story of emotion-filled journey. This cue was included in my 2023 studio album for 11/One, Magical Adventure.
This piece was composed in the theme of becoming. It begins with solo piano, but slowly becomes an orchestral movement. Then it becomes something else entirely with its own raucous energy and energetic finish. Written for piano and full orchestra.
This cue was written for a title sequence. Reminiscent of Thomas Newman. Energetic. Moving. A good example of title sequence composing.
This short film cue embodies drama, mystery, and light moments using a sound pallet of piano, low strings, and light woodwinds.
Orchestral instruments combine with synth elements to score this action sequence from Westworld's 3rd Season. This score was composed for the 2020 Film Composer's Competition that was run by HBO and Spitfire Audio. filmcomposer musicproducer musicomposer musician instrumental soundtrack
A cinematic bicycle ride through a quaint, French village and out into the countryside's sweeping landscape. String pizzicatos and light orchestral movement support allegro piano to create a first movement that is lively, light, and cheerful, traveling into a second movement which has the lush, sweeping feel of la campagne de France. cinematic filmcomposer orchestral composer pianocomposer soundtrack
Guitar textures, glass bottles, and metal fence posts are used in this expressive work by composer Jonathan Grow. filmscore instrumental instrumental soundtrack piano cinematic orchestral
Orchestra, trumpet, timpani, and electric baritone participate in this modern telling of the classic spaghetti western. From the Epic Textures album by American composer Jonathan Grow. filmscore instrumental instrumental soundtrack piano cinematic orchestral
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