I’m a director and AI-native digital production pipeline designer with twenty-five years of filmmaking across live-action, stop-motion/miniatures, and deep CG workflows. From early digital tools through ILM-level production, I’ve spent my career translating technical detail into story and performance decisions. I co-invented the Trioscope hybrid method—fusing live-action performance with stylized CG—and have directed and supervised end-to-end episodic AI/visual pipelines. I build character and environment consistency from 3D geometry and reference control (not prompt-only output), with directing choices shaping camera movement, lensing, blocking, and cut points from the start.…

GREG JONKAJTYS

Pro

I’m a director and AI-native digital production pipeline designer with twenty-five years of filmmaking across live-action, stop-motion/miniatures, and deep CG workflows. From early digital tools through ILM-level production, I’ve spent my career translating technical detail into story and performance decisions. I co-invented the Trioscope hybrid method—fusing live-action performance with stylized CG—and have directed and supervised end-to-end episodic AI/visual pipelines. I build character and environment consistency from 3D geometry and reference control (not prompt-only output), with directing choices shaping camera movement, lensing, blocking, and cut points from the start.…

Available to hire

I’m a director and AI-native digital production pipeline designer with twenty-five years of filmmaking across live-action, stop-motion/miniatures, and deep CG workflows. From early digital tools through ILM-level production, I’ve spent my career translating technical detail into story and performance decisions.

I co-invented the Trioscope hybrid method—fusing live-action performance with stylized CG—and have directed and supervised end-to-end episodic AI/visual pipelines. I build character and environment consistency from 3D geometry and reference control (not prompt-only output), with directing choices shaping camera movement, lensing, blocking, and cut points from the start.

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Language

English
Fluent
Polish
Fluent

Work Experience

Director at Takeover (Trioscope Studios)
January 1, 2026 - Present
Directed the theatrical action thriller. Led the visual concept and supervised post production for a stylized graphic-novel look built entirely in post, including live-action photography direction and overall integration of CG and grade/delivery decisions.
Director (Executive Producer) at Netflix’s The Liberator / A+E Studios
January 1, 2020 - December 31, 2020
Directed all four episodes and served as executive producer. Adapted from Alex Kershaw’s book with Jeb Stuart. Co-invented and applied the Trioscope hybrid method—hybridizing live-action performance with stylized CG—to drive story, performance, and the complete visual pipeline while maintaining international review of the form.
Director, Co-writer, Editor, VFX Supervisor at The 3rd Letter (Short)
January 1, 2010 - December 31, 2010
Directed, co-wrote, and edited the short while also serving as VFX supervisor. Contributed to a production that achieved Best Director at HollyShorts, with additional jury and audience awards across Nevada City and Los Angeles New Wave.
Director, Writer (Animated Shorts) at Legacy (Animated Short) / Mantis (Animated Short)
January 1, 2008 - December 31, 2008
Directed and wrote animated shorts including Legacy and Mantis. Mantis received industry recognition and was the early career starting point (including BAF and independent talent award recognition).
Lead Digital Artist / CG Sequence Supervisor at Industrial Light & Magic (Lucasfilm)
January 1, 2008 - December 31, 2017
Lead digital artist across major feature productions. Specific leadership includes lead digital artist on The Revenant and CG sequence supervisor on Battleship, supporting look development, in-shot work including digital makeup, R&D, and concept work.
Director, Writer, VFX Supervisor (Hybrid Production Lead) at Ark (Animated Short)
January 1, 2007 - December 31, 2007
Directed and wrote an award-nominated animated short using a hybrid workflow: practically shot miniatures fused with CG. Beyond creative leadership, operated/animated the Milo motion-control rig, built and lit miniatures, and composited with the production team.
Lead Animator / Lead Digital Artist at CafeFX
January 1, 2003 - December 31, 2008
Lead animator and digital artist on high-profile animation and creature work, including Pan’s Labyrinth where he animated creature performances (Pale Man, faeries, stick insect). Also lead animator on multiple features, contributing animation leadership and pipeline execution.
Lead Animator / Digital Artist at Platige Image
January 1, 2000 - December 31, 2002
Lead animator and digital artist for film and commercial animation. Worked across CGI/animation pipelines and supported projects through periods that included work at related studios (e.g., Digital Kitchen, Syndicate).

Education

MFA, Graphic Arts at Academy of Fine Arts, Warsaw
January 11, 2030 - August 7, 2026

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment
    The Liberator, Netflix series
    The Liberator is an American war drama television mini-series created and written by Jeb Stuart. It is based on the book The Liberator: One World War II Soldier’s 500-Day Odyssey by Alex Kershaw. Directed by Greg Jonkajtys, the miniseries was released on November 11, 2020, on Netflix. https://www.youtube.com/watch?v=5UJiDfpK4c0…
    TAKEOVER

    Feature film TAKEOVER. ( hybrid, live action and CG)

    "Wanted" music video
    Animated music video for album 'Wanted" by Pawel Blaszczak https://www.youtube.com/watch?v=Tnww-CZejLs…