• Award-winning creative work in a variety of production and post-production environments. • Accomplished Editor and Motion artist using Adobe Creative Suite, Nuke and DaVinci Resolve. • 25 years in roles of essential Project Management, ensuring accuracy and timely delivery. • Instructor and Mentor in digital media production, focused on best practices and analysis. • Media production specialist in studio and field, including writing, directing and photography. ShadowMachine ~ Visual Effects Artist, June 2018 – June 2025. Composited for stop-motion animation using After Effects to deliver shows and sequences for film and television. Resident Evil (Capcom, 2025); The Tiny Chef Show (Nickelodeon, 2024); In The Know (Peacock, 2023); Booksmart (Annapurna Pictures, 2019); The Shivering Truth (Adult Swim, 2018); Happy Honda Days (2018). Acted as Artist and Lead, removing rigs, keying, adding visual elements, designing and animating motion graphic elements, providing QC for hundreds of shots. Benchmade ~ Editor, Motion graphics designer, November 2022 – February 2023. Edited a short-form documentary covering the history of the world’s most famous knife company, handling the sensitive topic of the founder’s death. Transformed an unwieldy 90 minutes of a partially finished project into a compact 22 minutes, using Adobe Premiere for editing and After Effects for motion graphics. Netflix ~ Lead Visual Effects Data Wrangler, February 2019 – August 2022. In-person liaison for MPC Toronto (Visual Effects), for Guillermo Del Toro’s stop-motion animated film Pinocchio. Photographed and documented camera and lighting conditions on-set. Scanned 500+ character models, miniature props and sets using Artec 3D Leo and Spider LIDAR scanners. Provided QC and oversaw deliveries for all survey assets. Managed two direct reports. Amazon Disc on Demand ~ Digital Media Specialist, June 2014 – September 2017. Managed digital video ingestion for Amazon's Disc on Demand business, including project planning and management for dozens of top-tier clients including and Warner Brothers, CBS and internal Amazon teams. National level Graphic design using Adobe Photoshop and Illustrator. Arizona Public Media ~ Senior Editor, October 2008 – October 2011. Edited nationally recognized long form content including the 2010 PBS documentary Unforgettable: The Korean War. Contributed short form material to the nightly news magazine, including Emmy-Award winning story-driven news, community profiles and special fund-raising projects. Served on a Strategic Plan Committee as part of a multi-year reorganization. Bent Image Lab ~ Editorial Supervisor, February 2005 – July 2008. Oversaw the editorial department for this award-winning animation studio, finishing and delivering over 60 broadcast spots, short films and music videos. Supervised a small team of direct reports and managed a $30k annual budget.…• Award-winning creative work in a variety of production and post-production environments. • Accomplished Editor and Motion artist using Adobe Creative Suite, Nuke and DaVinci Resolve. • 25 years in roles of essential Project Management, ensuring accuracy and timely delivery. • Instructor and Mentor in digital media production, focused on best practices and analysis. • Media production specialist in studio and field, including writing, directing and photography. ShadowMachine ~ Visual Effects Artist, June 2018 – June 2025. Composited for stop-motion animation using After Effects to deliver shows and sequences for film and television. Resident Evil (Capcom, 2025); The Tiny Chef Show (Nickelodeon, 2024); In The Know (Peacock, 2023); Booksmart (Annapurna Pictures, 2019); The Shivering Truth (Adult Swim, 2018); Happy Honda Days (2018). Acted as Artist and Lead, removing rigs, keying, adding visual elements, designing and animating motion graphic elements, providing QC for hundreds of shots. Benchmade ~ Editor, Motion graphics designer, November 2022 – February 2023. Edited a short-form documentary covering the history of the world’s most famous knife company, handling the sensitive topic of the founder’s death. Transformed an unwieldy 90 minutes of a partially finished project into a compact 22 minutes, using Adobe Premiere for editing and After Effects for motion graphics. Netflix ~ Lead Visual Effects Data Wrangler, February 2019 – August 2022. In-person liaison for MPC Toronto (Visual Effects), for Guillermo Del Toro’s stop-motion animated film Pinocchio. Photographed and documented camera and lighting conditions on-set. Scanned 500+ character models, miniature props and sets using Artec 3D Leo and Spider LIDAR scanners. Provided QC and oversaw deliveries for all survey assets. Managed two direct reports. Amazon Disc on Demand ~ Digital Media Specialist, June 2014 – September 2017. Managed digital video ingestion for Amazon's Disc on Demand business, including project planning and management for dozens of top-tier clients including and Warner Brothers, CBS and internal Amazon teams. National level Graphic design using Adobe Photoshop and Illustrator. Arizona Public Media ~ Senior Editor, October 2008 – October 2011. Edited nationally recognized long form content including the 2010 PBS documentary Unforgettable: The Korean War. Contributed short form material to the nightly news magazine, including Emmy-Award winning story-driven news, community profiles and special fund-raising projects. Served on a Strategic Plan Committee as part of a multi-year reorganization. Bent Image Lab ~ Editorial Supervisor, February 2005 – July 2008. Oversaw the editorial department for this award-winning animation studio, finishing and delivering over 60 broadcast spots, short films and music videos. Supervised a small team of direct reports and managed a $30k annual budget.WWWW…