I'm a video editor based in Madrid with three years of professional post-production experience at Movistar+ — Spain's leading premium broadcast platform. I've cut feature-length narrative documentaries for national TV, including Luis Enrique: You Have No F*ing Idea and A Team Called Spain: The Road to the Fourth, and led post on a scripted fiction short produced for Madrid Destino / Fitur 2025. I work in Avid Media Composer, DaVinci Resolve (BlackMagic certified), and Adobe Premiere. Colour grading is something I genuinely care about — I trained at 709 MediaRoom and it shows up in everything I cut. On the side, I make my own films. The Tarkovsky Run (2026) and Nadja (2024) are author pieces I wrote, shot, edited, graded, and scored solo. I also direct and edit narrative music videos. Where I'm heading: the editing room of a fiction production — feature film, short, or prestige TV. I want to work with story and character, not just footage.…I'm a video editor based in Madrid with three years of professional post-production experience at Movistar+ — Spain's leading premium broadcast platform. I've cut feature-length narrative documentaries for national TV, including Luis Enrique: You Have No F*ing Idea and A Team Called Spain: The Road to the Fourth, and led post on a scripted fiction short produced for Madrid Destino / Fitur 2025. I work in Avid Media Composer, DaVinci Resolve (BlackMagic certified), and Adobe Premiere. Colour grading is something I genuinely care about — I trained at 709 MediaRoom and it shows up in everything I cut. On the side, I make my own films. The Tarkovsky Run (2026) and Nadja (2024) are author pieces I wrote, shot, edited, graded, and scored solo. I also direct and edit narrative music videos. Where I'm heading: the editing room of a fiction production — feature film, short, or prestige TV. I want to work with story and character, not just footage.WWWW…