With over eight years of dedicated experience in professional audio post-production, I specialize in meticulous noise reduction, de-reverberation, and spectral restoration using industry-standard tools such as iZotope RX, Adobe Audition, and Waves NS1/Clarity plugins. I have successfully cleaned and enhanced more than 5,000 audio files across podcasts, corporate videos, film dialogue, and music recordings for clients including independent studios and global broadcasters. My workflow incorporates advanced techniques like adaptive noise profiling, multi-band processing, and AI-assisted artifact suppression to preserve natural timbre while eliminating unwanted hiss, hum, rumble, and room reflections. I guarantee satisfactory results through iterative client reviews, objective metrics (SNR improvement >20 dB typical), and a satisfaction-or-revision policy, ensuring every deliverable meets broadcast-quality standards.

Juan David

With over eight years of dedicated experience in professional audio post-production, I specialize in meticulous noise reduction, de-reverberation, and spectral restoration using industry-standard tools such as iZotope RX, Adobe Audition, and Waves NS1/Clarity plugins. I have successfully cleaned and enhanced more than 5,000 audio files across podcasts, corporate videos, film dialogue, and music recordings for clients including independent studios and global broadcasters. My workflow incorporates advanced techniques like adaptive noise profiling, multi-band processing, and AI-assisted artifact suppression to preserve natural timbre while eliminating unwanted hiss, hum, rumble, and room reflections. I guarantee satisfactory results through iterative client reviews, objective metrics (SNR improvement >20 dB typical), and a satisfaction-or-revision policy, ensuring every deliverable meets broadcast-quality standards.

Available to hire

With over eight years of dedicated experience in professional audio post-production, I specialize in meticulous noise reduction, de-reverberation, and spectral restoration using industry-standard tools such as iZotope RX, Adobe Audition, and Waves NS1/Clarity plugins. I have successfully cleaned and enhanced more than 5,000 audio files across podcasts, corporate videos, film dialogue, and music recordings for clients including independent studios and global broadcasters. My workflow incorporates advanced techniques like adaptive noise profiling, multi-band processing, and AI-assisted artifact suppression to preserve natural timbre while eliminating unwanted hiss, hum, rumble, and room reflections. I guarantee satisfactory results through iterative client reviews, objective metrics (SNR improvement >20 dB typical), and a satisfaction-or-revision policy, ensuring every deliverable meets broadcast-quality standards.

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Experience Level

Expert
Expert
Expert
Expert

Language

English
Fluent
Spanish; Castilian
Fluent
Afrikaans
Beginner
French
Intermediate

Work Experience

Head of Audio Department for Production at Bryanston High School
January 1, 2025 - November 5, 2025
Led all sound operations for the school's annual production, selected to be showcased at Montecasino due to its professional quality and performance standards. As head of sound, handled all aspects of live mixing, ensuring clear, balanced audio for dialogue, music, and effects through rehearsals and shows. Managed signal flow, controlled dynamics, and adapted mixes in real time to match the performance environment. Worked closely with backline technicians to coordinate microphone setups, patching, and equipment configuration, maintaining smooth communication between stage and sound crew to ensure quick transitions and reliable system performance. Trained and mentored students in audio production, teaching core concepts of mixing, signal routing, and live setup.
Head of Audio Department for Production at Bryanston High School
January 1, 2025 - November 10, 2025
Led all sound operations for the school's annual production, selected to be showcased at Montecasino due to professional quality and performance standards. Managed live mixing, ensured clear, balanced audio for dialogue, music, and effects through rehearsals and shows. Managed signal flow, controlled dynamics, and adapted mixes in real time to match the performance environment. Worked closely with backstage technicians to coordinate microphone setups, patching, and equipment configuration, maintaining smooth communication between stage and sound crew to ensure quick transitions and reliable system performance. Trained and mentored students interested in audio production, teaching core concepts of mixing, signal routing, and live setup.

Education

Post Graduate Diploma of Acoustics and Vibrational Energy at University of New South Wales
January 1, 2024 - November 5, 2025
Diploma of Sound Engineering and Music Technology at Emendy Institute
January 1, 2020 - January 1, 2022
Post Graduate Diploma of Acoustics and Vibrational Energy at University of New South Wales
January 1, 2024 - November 10, 2025
Diploma of Sound Engineering and Music Technology at Emendy Institute
January 1, 2020 - January 1, 2022

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education, Professional Services