I considered myself as a methodical and organized person, always looking for progress and learning something new everyday. I think a well done job always shows a hard work, including all the details behind the making of a sound and, of course, the integrity of ideas between the musician and art deparment. I´m excited to be on the team, and make good memories with everyone. Works i´ve done: ·Jingle Composser: La Pirada LATAM (2022 - present); Musical Director: Eduardo Blacher. Jingle for radio y TV, advertising campaing, "Hojas Éxito" (january 2023; Argentina). Musical Director: Eugenio Dolera. Jingle for Internet advertising campaing, for air conditioner “Electra” (Nov, 2023, Argentina). Musical Director: Eugenio Dolera ·Sound Design & Archivist: Orquesta Corear (2023 - Present). Storage of PDF files in the cloud (Google Drive), organization of orchestral parts according to the instrument in question (STRINGS, WOODS, METALS AND PERCUSSION) and making ambient music while the audience is entering the theatre hall My actual objective is continue exploring new sounds, making new and exciting music, and of course, try to make a music/sound design carrer out of my experience so far. Instruments: King Korg Synthesizer (Keyboard), Yamaha P105 (Digital Piano). Equipment: Audio Board: Audio Box USB96 (Presonus) 2 plug-plug cables, 3 MIDI cables and a canon microphone cable. Lenovo laptop: Windows 11; Processor: 12th Gen Intel(R) Core(TM) i7- 12700H 2.30 GHz; RAM memory: 32.0 GB. Video card: NVIDIA Ge Force RTX 3050 Ti laptop. Programs I use: Ableton Live 12 Suite, Kontakt 7, Melodyne.…

Juan Cruz Giangiobbe

I considered myself as a methodical and organized person, always looking for progress and learning something new everyday. I think a well done job always shows a hard work, including all the details behind the making of a sound and, of course, the integrity of ideas between the musician and art deparment. I´m excited to be on the team, and make good memories with everyone. Works i´ve done: ·Jingle Composser: La Pirada LATAM (2022 - present); Musical Director: Eduardo Blacher. Jingle for radio y TV, advertising campaing, "Hojas Éxito" (january 2023; Argentina). Musical Director: Eugenio Dolera. Jingle for Internet advertising campaing, for air conditioner “Electra” (Nov, 2023, Argentina). Musical Director: Eugenio Dolera ·Sound Design & Archivist: Orquesta Corear (2023 - Present). Storage of PDF files in the cloud (Google Drive), organization of orchestral parts according to the instrument in question (STRINGS, WOODS, METALS AND PERCUSSION) and making ambient music while the audience is entering the theatre hall My actual objective is continue exploring new sounds, making new and exciting music, and of course, try to make a music/sound design carrer out of my experience so far. Instruments: King Korg Synthesizer (Keyboard), Yamaha P105 (Digital Piano). Equipment: Audio Board: Audio Box USB96 (Presonus) 2 plug-plug cables, 3 MIDI cables and a canon microphone cable. Lenovo laptop: Windows 11; Processor: 12th Gen Intel(R) Core(TM) i7- 12700H 2.30 GHz; RAM memory: 32.0 GB. Video card: NVIDIA Ge Force RTX 3050 Ti laptop. Programs I use: Ableton Live 12 Suite, Kontakt 7, Melodyne.…

Available to hire

I considered myself as a methodical and organized person, always looking for
progress and learning something new everyday.
I think a well done job always shows a hard work, including all the details behind
the making of a sound and, of course, the integrity of ideas between the musician
and art deparment. I´m excited to be on the team, and make good memories with
everyone.

Works i´ve done:

·Jingle Composser:
La Pirada LATAM (2022 - present); Musical Director: Eduardo Blacher.
Jingle for radio y TV, advertising campaing, “Hojas Éxito” (january 2023;
Argentina). Musical Director: Eugenio Dolera.

Jingle for Internet advertising campaing, for air conditioner “Electra” (Nov, 2023,
Argentina). Musical Director: Eugenio Dolera

·Sound Design & Archivist:
Orquesta Corear (2023 - Present). Storage of PDF files in the cloud (Google
Drive), organization of orchestral parts according to the instrument in question
(STRINGS, WOODS, METALS AND PERCUSSION) and making ambient music
while the audience is entering the theatre hall

My actual objective is continue exploring new sounds, making new and exciting
music, and of course, try to make a music/sound design carrer out of my
experience so far.

Instruments: King Korg Synthesizer (Keyboard), Yamaha P105 (Digital
Piano).

Equipment: Audio Board: Audio Box USB96 (Presonus) 2 plug-plug cables, 3
MIDI cables and a canon microphone cable.

Lenovo laptop: Windows 11; Processor: 12th Gen Intel® Core™ i7-
12700H 2.30 GHz; RAM memory: 32.0 GB. Video card: NVIDIA Ge Force RTX
3050 Ti laptop.

Programs I use: Ableton Live 12 Suite, Kontakt 7, Melodyne.

See more

Skills

Experience Level

Beats
Expert
Mix
Intermediate
Beat
Intermediate
Music Video
Intermediate

Language

English
Fluent
Spanish; Castilian
Fluent

Work Experience

Add your work experience history here.

Education

Degree In Popular Music at Universidad Católica Argentina
March 1, 2017 - February 22, 2022
Music Course (Informal) at Taller del Cencerro, Buenos Aires.
March 6, 2008 - April 2, 2013
Introduction to Counterpoint and Orchestration Course in Popular Music at SADAIC: Society of Authors & Composers from Argentina
February 22, 2023 - November 22, 2023

Qualifications

Audio Editing Course
February 21, 2023 - January 1, 2023
IMPRONTA Course, Buenos Aires. Teachers: Maximiliano Forestieri and Nahuel Palladino.

Industry Experience

Media & Entertainment, Other
    paper Eu Sei Que Vou Te Amar (Cover + Impro)

    My piano version from the Bossa Nova song, Eu Sei Que Vou Te Amar by Antônio Carlos Jobim.

    uniE608 BeatMaking Demo 5 (Getting Dirty -DOOM VERSION-)
    This is my reimagining of a "copyright-free" song from YouTube (by the name Getting Dirty, composed and produced by @silent-partner in the musical style of the 2016 DOOM video game (inspired by the work of musician and composer @ MickGordon and looking for a chaotic air coming from the Metal genre. Credits to the songwriters and producers/musicians behind this project: @MickGordon and @silent-partner)…
    uniE608 BeatMaking Demo 2 (Now its the time)
    Jazz with real Bass and Drums.…
    uniE608 THE AMAZING DIGITAL CIRCUS - WHAT IF MUSIC SCENARIOS.
    hese two compositions are a tribute to the web series The Amazing Digital Circus, and their respective creators: @gooseworx and @GLITCH . From here, the respective respects and credits are sent to the original creators of this story that remains to be explored. For both songs, samples from video games between 1995 and 2006 were used, as well as copyright-free whisper samples: Donkey Kong Country & Yoshi's Island (Bongos and monkey sounds; extracted from: https://www.williamkage.com/snes_soundfonts/smk_soundfont) Earthbound / Mother 3 (EB boris america; Retrieved from: https://www.williamkage.com/snes_soundfonts/smk_soundfont) Whispers taken from: SampleFocus (https://samplefocus.com/samples?search=whispers+horror) and Freesound (https://freesound.org/people/ashleyxxpiano/sounds/205628/) They are musical compositions that represent possible scenarios about the history of the aforementioned, and here a brief explanation of their "context" within this crazy universe will be given: Another 90's Reception Theme (0:00): Pomni returns to the space between cyberspace (to the company headquarters, C&A), perhaps looking for an answer from someone with much more knowledge, of all this madness created by an A.I. without any sanity. While she gets on an elevator, and think about what may lie ahead for her from now on: let's enjoy a Bossa Nova that's a little chilled and ambient! Musical References/Influences: Dead Rising - Mall Music 2 ( https://www.youtube.com/watch?v=INEGfgDs9oA ) & Yoshis Island - Flower Garden ( https://www.youtube.com/watch?v=DTpksvCChg) Exploring THE VOID (2:47): After a long journey through the entire digital terrain that CAINE had created for all its new digital inhabitants (in a vain attempt to save all life that entered its domain, in its bombastic way), POMNI had reached the limit that separates THE GROUNDS and THE VOID. Knowing that THE VOID is a MetaData cemetery collected from Internet users of this premature Internet (among which lies the data of the C1RC0S Project, from the company C&A), Pomni is determined to discover not only what is happening in this world and why it is here, but also the real reason why there is no way out of this "digital world", and each digital copy of each human being irremediably loses sanity.…

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