I'm an audio engineer and producer with nearly four years of podcast experience across interview, narrative, and branded formats. Fluent in Pro Tools, I'm skilled in editing, mixing, mastering, and dialogue repair for clean, compelling, fast-turnaround audio. My creative approach is rooted in years of independent music production and leading my own projects. I'm collaborative, organized, and genuinely love helping stories come to life through sound.

Julia Fedec

I'm an audio engineer and producer with nearly four years of podcast experience across interview, narrative, and branded formats. Fluent in Pro Tools, I'm skilled in editing, mixing, mastering, and dialogue repair for clean, compelling, fast-turnaround audio. My creative approach is rooted in years of independent music production and leading my own projects. I'm collaborative, organized, and genuinely love helping stories come to life through sound.

Available to hire

I’m an audio engineer and producer with nearly four years of podcast experience across interview, narrative, and branded formats.

Fluent in Pro Tools, I’m skilled in editing, mixing, mastering, and dialogue repair for clean, compelling, fast-turnaround audio. My creative approach is rooted in years of independent music production and leading my own projects. I’m collaborative, organized, and genuinely love helping stories come to life through sound.

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Language

English
Fluent
Spanish; Castilian
Intermediate

Work Experience

Audio Editor at The Being Method Podcast
December 1, 2022 - Present
Prepare, clean, and enhance dialogue; manage remote recordings; ensure consistent quality across episodes.
Audio Editor at Quill Inc. / Independent Projects
January 1, 2022 - Present
Edited multiple podcasts for Quill Inc.; main editor for Fissionary Podcast; edited The Hedge; edited chapters of The Clear Quran audiobook; managed deadlines.
Recording Engineer / Live Sound Engineer at Tibet Street Records
September 1, 2022 - February 28, 2023
Coordinated full equipment setup for live shows (mics, cabling, Pro Tools sessions). Engineered live recordings and handled all post‑performance mixing. Independent private studio sessions: mics setup, routing, recording, editing, artist direction, and feedback.
Producer, Songwriter & Engineer at Independent Projects
September 1, 2022 - February 28, 2023
Produced two full‑length albums and one EP; engineered tracks for local artists; wrote hooks for international collaborators; managed a band for nearly four years: scheduling, rehearsals, creative direction, and production logistics.
Audio Editor at The Being Method
December 1, 2022 - Present
Full-cycle editing for The Being Method Podcast: prepare, clean, and enhance dialogue; edit, mix, and master episodes; manage remote recordings; ensure consistent quality across episodes; upload and schedule finalized episodes for release.
Independent Producer, Songwriter & Engineer
September 1, 2022 - February 28, 2023
Produced, wrote, and co-engineered two full-length albums and one EP. Engineered tracks for local artists; wrote hooks for international collaborators. Managed a band for nearly four years: scheduling, rehearsals, creative direction, and production logistics.
Recording Engineer at Tibet Street Records
September 1, 2022 - February 28, 2023
Coordinated full equipment setup for live shows (mics, cabling, Pro Tools sessions). Engineered live recordings and handled all post-performance mixing.
Audio Editor (Freelance) at Quill Inc. + Independent Projects
January 1, 2022 - Present
Edited multiple podcasts for Quill Inc., including interview and branded content formats. Main editor for Fissionary Podcast. Audio editor for The Hedge (2022–2023). Edited several chapters of The Clear Quranaudio book. Managed multiple concurrent deadlines with fast turnaround and strong attention to detail.
Independent Producer, Songwriter & Engineer at Independent Projects / Freelance
September 1, 2022 - February 1, 2023
Produced two full-length albums and one EP; wrote hooks; engineered tracks for local artists and collaborated with international artists. Managed scheduling, rehearsals, creative direction, and production logistics.
Audio Editor at SickBird Productions
January 1, 2022 - December 31, 2023
Primary editor for Petty Crimes and Rebranding podcasts. Condensed long-form recordings into engaging narrative episodes; repaired challenging dialogue; balanced multi-voice sessions; created clean, cohesive mixes. Remote work with client coordination.

Education

BA, Creative Industries (Music Business Specialization) at Toronto Metropolitan University
January 1, 2017 - April 12, 2026
Performance Art Intensive at AADK Spain
August 1, 2023 - August 1, 2023
Master class in Recording & Mixing at Angel Studios London
June 1, 2022 - June 1, 2022
200-Hour Hatha Yoga Teacher Training at Ananda Yoga, California
January 1, 2018 - January 1, 2018
BA, Creative Industries (Music Business Specialization) at Toronto Metropolitan University
January 1, 2018 - January 1, 2025
BA in Performing Arts (Music Business Specialization) at Toronto Metropolitan University
January 1, 2018 - January 1, 2025
200-Hour Hatha Yoga Teacher Training at Ananda Yoga, California
January 1, 2018 - December 31, 2018
Certificate - Abbey Road Institute Amsterdam program in Audio Engineering at Abbey Road Institute Amsterdam
January 1, 2020 - January 1, 2021
Masterclass in Recording & Mixing at Angel Studios London (Hayden Bendall)
June 1, 2022 - June 30, 2022

Qualifications

200-hour Hatha Yoga Teacher Training
January 1, 2018 - April 12, 2026
Master Class in Recording & Mixing
June 1, 2022 - April 12, 2026
Performance Art Intensive
August 1, 2023 - August 1, 2023
BA in Performing Arts (Music Business Specialization)
January 1, 2018 - January 1, 2025
Abbey Road Institute Amsterdam – Audio Engineering Certificate
January 1, 2020 - January 1, 2021
Masterclass in Recording & Mixing
June 1, 2022 - June 30, 2022
200-Hour Hatha Yoga Teacher Training
January 1, 2018 - December 31, 2018

Industry Experience

Media & Entertainment, Professional Services, Education
    Petty Crimes Podcast - Lead Editor

    As Lead Editor for the Petty Crimes Podcast, I oversaw the full post-production process for a high-volume, story-driven show over a two-year period. I was responsible for editing, mixing, and mastering each episode, shaping pacing and comedic timing to enhance the show’s distinct voice and listener experience.

    Working closely with the team, I helped refine episode structure and maintain consistency across releases while meeting demanding production schedules. During my time on the team, the podcast experienced significant growth and was recognized as a Time 100 Podcast, reflecting its expanding audience and cultural impact.

    This role required both technical precision and a strong editorial instinct, ensuring each episode was engaging, polished, and true to the tone of the show.

    The Being Method Podcast

    On The Being Method Podcast, I take a hands-on role in both the creative and technical development of each episode. In addition to editing, mixing, and mastering, I work closely with the host to refine content, strengthen storytelling, and ensure each conversation flows with clarity and intention.

    I provide ongoing feedback on episode structure, pacing, and delivery, helping to shape a cohesive and engaging listener experience. I also support in streamlining the production workflow—creating more efficient systems for recording, asset management, and post-production—so the process feels sustainable and aligned as the podcast grows.

    This role blends technical execution with creative collaboration, allowing me to contribute not just to how the podcast sounds, but to how it connects with its audience.

    Fissionary Podcast - Podcast Editor

    For the Fissionary Podcast, I manage the full post-production process from raw audio to final delivery. Working with provided recordings and assets, I edit, mix, and master each episode to ensure clarity, consistency, and a polished listening experience.

    My role includes refining pacing and structure, cleaning up audio, balancing levels, and enhancing overall sound quality while maintaining the integrity of the conversation. I deliver completed episodes efficiently and collaborate closely with the client to incorporate feedback and revisions—often working within tight turnaround times.