Hello! With a strong passion for film and a proven track record in audio post production, I am eager to bring my technical expertise and creative vision to your team. After earning a First-Class BSc Honours in Audio and Music Technology in June 2021, I embarked on a professional journey that has honed my skills in audio engineering and post-production. As an Assistant Sound Designer at Spool Production in Nottingham under the mentorship of Susan Pennington, I developed a strong foundation in sound design. I subsequently took on roles at Coda Post Production and EG+WW London (Omnicom Production, where I currently serve as an Audio Coordinator. In this capacity, I manage high-profile brands, coordinate global voice-over recordings. Other responsibilities include organising music royalty licences, audio quality control, and creating purchase orders. Key strengths include: Studio Production: Coordinating events audio services for music and film. Technical Expertise: Proficient with DAWs such as Logic Pro X, ProTools, Reaper, and Adobe Audition, ensuring broadcast-quality recordings and edits. Editing software such as Premier Pro and Adobe Suite Creative suite. Project Development: Successfully coordinating new projects, leveraging both creativity and technical precision. Recording and Quality Control: Skilled in on-location and in-house recording, composing, as well as the administration and organization of audio assets. Team Collaboration: An effective communicator who engages with a wide range of stakeholders, fostering productive relationships. Deadline Management: Proven ability to efficiently oversee multiple projects and adhere to tight deadlines. Outside of my professional role, I am deeply passionate about post production and have honed my skills in producing projects for sound design and mixing for short films. Within these projects I have to both organise costs, post produce with the client and finalise all assets as an audio creative. These experiences have enriched my technical expertise and strengthened my ability to collaborate with creative teams on meaningful projects. I have included my CV for further details on my experience and accomplishments. I can be reached via email at _Email not available. Sign in: https://www.twine.net/signup_ or by phone at_Phone details not available. Sign in: https://www.twine.net/signup_. Thank you for considering my application; I look forward to the opportunity to discuss how I can contribute to this position. Sincerely, James Warren-Green

Jamie Warren-Green

Hello! With a strong passion for film and a proven track record in audio post production, I am eager to bring my technical expertise and creative vision to your team. After earning a First-Class BSc Honours in Audio and Music Technology in June 2021, I embarked on a professional journey that has honed my skills in audio engineering and post-production. As an Assistant Sound Designer at Spool Production in Nottingham under the mentorship of Susan Pennington, I developed a strong foundation in sound design. I subsequently took on roles at Coda Post Production and EG+WW London (Omnicom Production, where I currently serve as an Audio Coordinator. In this capacity, I manage high-profile brands, coordinate global voice-over recordings. Other responsibilities include organising music royalty licences, audio quality control, and creating purchase orders. Key strengths include: Studio Production: Coordinating events audio services for music and film. Technical Expertise: Proficient with DAWs such as Logic Pro X, ProTools, Reaper, and Adobe Audition, ensuring broadcast-quality recordings and edits. Editing software such as Premier Pro and Adobe Suite Creative suite. Project Development: Successfully coordinating new projects, leveraging both creativity and technical precision. Recording and Quality Control: Skilled in on-location and in-house recording, composing, as well as the administration and organization of audio assets. Team Collaboration: An effective communicator who engages with a wide range of stakeholders, fostering productive relationships. Deadline Management: Proven ability to efficiently oversee multiple projects and adhere to tight deadlines. Outside of my professional role, I am deeply passionate about post production and have honed my skills in producing projects for sound design and mixing for short films. Within these projects I have to both organise costs, post produce with the client and finalise all assets as an audio creative. These experiences have enriched my technical expertise and strengthened my ability to collaborate with creative teams on meaningful projects. I have included my CV for further details on my experience and accomplishments. I can be reached via email at _Email not available. Sign in: https://www.twine.net/signup_ or by phone at_Phone details not available. Sign in: https://www.twine.net/signup_. Thank you for considering my application; I look forward to the opportunity to discuss how I can contribute to this position. Sincerely, James Warren-Green

Available to hire

Hello!
With a strong passion for film and a proven track record in audio post production, I am eager to bring my technical expertise and creative vision to your team.
After earning a First-Class BSc Honours in Audio and Music Technology in June 2021, I embarked on a professional journey that has honed my skills in audio engineering and post-production. As an Assistant Sound Designer at Spool Production in Nottingham under the mentorship of Susan Pennington, I developed a strong foundation in sound design. I subsequently took on roles at Coda Post Production and EG+WW London (Omnicom Production, where I currently serve as an Audio Coordinator. In this capacity, I manage high-profile brands, coordinate global voice-over recordings. Other responsibilities include organising music royalty licences, audio quality control, and creating purchase orders.
Key strengths include:
Studio Production: Coordinating events audio services for music and film.
Technical Expertise: Proficient with DAWs such as Logic Pro X, ProTools, Reaper, and Adobe Audition, ensuring broadcast-quality recordings and edits. Editing software such as Premier Pro and Adobe Suite Creative suite.
Project Development: Successfully coordinating new projects, leveraging both creativity and technical precision.
Recording and Quality Control: Skilled in on-location and in-house recording, composing, as well as the administration and organization of audio assets.
Team Collaboration: An effective communicator who engages with a wide range of stakeholders, fostering productive relationships.
Deadline Management: Proven ability to efficiently oversee multiple projects and adhere to tight deadlines.
Outside of my professional role, I am deeply passionate about post production and have honed my skills in producing projects for sound design and mixing for short films. Within these projects I have to both organise costs, post produce with the client and finalise all assets as an audio creative. These experiences have enriched my technical expertise and strengthened my ability to collaborate with creative teams on meaningful projects.
I have included my CV for further details on my experience and accomplishments. I can be reached via email at Email not available. Sign in: https://www.twine.net/signup or by phone at_Phone details not available. Sign in: https://www.twine.net/signup_. Thank you for considering my application; I look forward to the opportunity to discuss how I can contribute to this position.
Sincerely,
James Warren-Green

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Language

English
Fluent

Work Experience

Audio Coordinator at EG Plus Worldwide, London
October 21, 2022 - June 14, 2024
Manage high-profile brand projects and coordinate global voice-over recordings. Responsible for scheduling and orchestrating events in post production settings, maintaining a high level of organization, and managing multiple concurrent projects with tight deadlines. Worked with internationally recognized brands such as Amazon, Mars, Sony-Playstation, Essity, and Expedia.
Junior Audio Engineer / Senior Runner at Coda Post Production Limited, London
November 8, 2021 - August 31, 2022
Supported audio post production tasks including mixing, editing, and sound design within a post production company environment. Assisted senior engineers and took responsibility for various aspects of audio work during production cycles.
Sound Designer at Macbeth Theatre Production, Nottingham
June 17, 2021 - August 8, 2021
Designed and implemented sound for theatre production. Worked closely with production staff to create an immersive auditory experience that complemented the performance.
Assistant Sound Designer at Spool, Nottingham
February 6, 2020 - March 30, 2020
Assisted in sound design tasks under the mentorship of Susan Pennington. Contributed to sound editing and design projects prior to the COVID-19 pandemic.
Podcast Editor at Nottingham Podcast Festival, Nottingham
October 2, 2020 - November 11, 2020
Edited podcasts for the festival, ensuring high quality of audio production and cohesive final output.
Audio Coordinator at EG Plus Worldwide (OMC Production)
October 21, 2022 - Present
Coordinate and QC audio production assets across projects; ensure production-ready audio deliverables and smooth cross-team communication.
Lead Sound Designer at UnMe - The Waiting Room (Short Film)
September 23, 2024 - Present
Responsible for lead sound design for the short film; crafted immersive ambience and soundscapes to support narration and visuals.
Junior Audio Engineer / Senior Runner at Coda Post Production Limited
August 31, 2022 - October 6, 2025
Supported the audio engineering team across multiple daily projects; created music EDLs, voice-over recording coordination, dialogue editing, and session setup for VO recording.
Podcast Editor at Nottingham Podcast Festival, Nottingham
November 11, 2020 - October 6, 2025
Edited festival podcast episodes, contributing to post-production workflow for podcast deliverables.
Podcast Editor & Theme Composer at Re-Flavor Town, London
March 16, 2021 - October 6, 2025
Edited podcasts and composed theme music for episodes, aligning audio branding with show narrative.
Sound Designer at Macbeth Theatre Production, Nottingham
August 8, 2021 - October 6, 2025
Contributed to a modernized theatre audio adaptation; designed and implemented electronic audio elements synced with lighting and stage actions to heighten tension and immersion.
Assistant Sound Designer at Spool, Nottingham
March 30, 2020 - October 6, 2025
Supported sound design on stage and on-location projects; assisted with Foley, atmospherics and live sound workflows.
Assistant Sound Designer at The War Below
March 30, 2020 - October 6, 2025
Collaborated as part of the sound team to craft immersive ambience for a feature film; responsibilities included background atmospheres and on-set sound support.
Audio Engineer / Freelance at Cannies Docs (Palestine Comedy Club - Trailer)
February 14, 2025 - Present
Freelance audio leveling and restoration for trailer; used iZotope RX 11 to recover and enhance location recordings and ensure production-ready audio.
Audio Coordinator at EG Plus World Wide (OMC Production)
October 21, 2022 - Present
Responsible for audio quality control across multiple projects, ensuring all provided audio assets are production-ready. Tasks include meticulous file checks for accuracy, synchronization, and identifying technical faults. Worked on briefs for brands such as Mars, Sony, Bacardi, and Essity.
Lead Sound Designer at UnMe - The Waiting Room (Short Film)
September 23, 2024 - Present
Led sound design for the short film, crafting immersive atmospherics (ATMOS) throughout the project and collaborating with the production team to realise the emotional arc.
Junior Audio Engineer / Senior Runner at Coda Post Production Limited
August 31, 2022 - October 6, 2025
Supported the audio engineering team across multiple daily projects. Responsibilities included creating music EDLs, tracklaying, VO recording, dialogue editing, and setting up sessions for VO recordings.
Podcast Editor at Nottingham Podcast Festival
November 11, 2020 - October 6, 2025
Edited podcast content for festival-related productions, coordinating with hosts and producers to deliver polished episodes.
Podcast Editor & Theme Composer at Re-Flavor Town
March 16, 2021 - October 6, 2025
Edited podcasts and composed theme music for the show, including original sound design work for various D&D-related episodes.
Sound Designer at Macbeth Theatre Production, Nottingham
August 8, 2021 - October 6, 2025
Contributed to a modernised, electrified theatrical adaptation of Macbeth, designing and implementing electronic audio elements that synchronised with lighting to heighten on-stage tension and energy.
Assistant Sound Designer at Spool, Nottingham
March 30, 2020 - October 6, 2025
Assisted the sound design team on various projects, supporting creative development and technical tasks related to live and post-production audio.
Assistant Sound Designer at The War Below (Feature Film) - Spool Studios (Nottingham) / collaboration with Susan Pennington
March 30, 2020 - October 6, 2025
Collaborated on The War Below as an Assistant Sound Designer, contributing to the film’s audio design and workflow in a professional production setting.
Lead Sound Designer at The Waiting Room (UnMe Productions) - The War Below
September 23, 2024 - Present
Audio Coordinator at EG Plus Worldwide (OMC Production)
October 21, 2022 - Present
Coordinate audio production for UK and international projects. Responsibilities include managing audio deliverables, asset QA, coordinating with post teams, and ensuring production sound quality across sessions.
Lead Sound Designer at UnMe Productions / Umbrella Audio (Freelance)
September 23, 2024 - Present
Lead sound design for UnMe’s Waiting Room short film, creating immersive atmospheres, foley, and overall sound narrative.
Junior Audio Engineer / Senior Runner at Coda Post Production Limited
August 31, 2022 - October 6, 2025
Supported the audio engineering team across multiple daily projects, created music EDLs, tracklaying, VO recording, dialogue editing, and arranging sessions for VO.
Podcast Editor at Nottingham Podcast Festival
November 11, 2020 - October 6, 2025
Edited and produced podcast segments for live festival programming, ensuring clarity and engaging sound design for episodes.
Podcast Editor & Theme Composer at Flavour Town, London
March 16, 2021 - October 6, 2025
Edited podcasts and composed themed music cues for episodes, creating cohesive audio branding for brand projects.
Sound Designer at Macbeth Theatre Production, Nottingham
August 8, 2021 - October 6, 2025
Designed electronic and dynamic soundscapes for a modernized theatrical adaptation of Macbeth, implementing calibrated effects to heighten stage tension and atmosphere.
Assistant Sound Designer at Spool, Nottingham
March 30, 2020 - October 6, 2025
Assisted in sound design for theatre projects, including creating effects and supporting the main designer across production tasks.
Assistant Sound Designer at The War Below (Feature Film)
March 30, 2020 - October 6, 2025
Collaborated with Susan Pennington and Spool Studios as an Assistant Sound Designer; crafted immersive atmospheres and supported Foley, ambience, and dialogue mixing for the film.
Assistant Sound Designer at Spool Studios (The War Below collaboration)
March 30, 2020 - October 6, 2025
Collaborated on The War Below as Assistant Sound Designer, contributing to atmospheric atmospheres and overall sound design for the Nottingham-based feature. Assistance included atmospheric texture creation, field recording support, and on-set sound coordination as needed.
Sound Designer at Macbeth Theatre Production, Nottingham
August 8, 2021 - October 6, 2025
Contributed to a modernised, electrified theatrical adaptation of Macbeth by designing and implementing immersive audio elements. Focused on dynamic, glitchy sound effects to heighten tension and energy on stage.
Assistant Sound Designer at Spool, Nottingham
March 30, 2020 - October 6, 2025
Assisted on Spool-led projects with location sound, editing support, and on-set coordination as part of the production and post-production workflow.
Podcast Editor at Nottingham Podcast Festival, Nottingham
November 11, 2020 - October 6, 2025
Edited and produced festival podcasts, coordinating with participants and post-production teams to deliver polished episodes.
Podcast Editor & Theme Composer at Re-Flavor Town, London
March 16, 2021 - October 6, 2025
Edited podcast episodes and composed theme music, contributing to the show's sonic identity and on-brand sound design.
Junior Audio Engineer / Senior Runner at Coda Post Production Limited, London
August 31, 2022 - October 6, 2025
Supported the audio engineering team across multiple daily projects, created music cues (EDLs), tracked VO, did dialogue editing, and organised VO sessions.
Audio Coordinator at EG Plus Worldwide / OMC Production
October 1, 2022 - Present
As Audio Coordinator, managed audio QA for brand assets, ensuring delivery of production-ready audio assets, checking file accuracy, synchronization, and technical integrity. Weekly review of assets for clients including Mars, Sony, Bacardi, and Essity.
Lead Sound Designer at The Waiting Room (Umbrella Audio) – Short Film
September 23, 2024 - Present
Led sound design for a short film, developing immersive atmospheres, dialogue edits, and final mix to preserve emotional depth. Project is in post-production and awaiting release.
Lead Sound Designer at The Waiting Room – Short Film (Umbrella Audio)
September 23, 2024 - Present
Lead sound design for a short film, focusing on atmosphere, sound effects, and dialogue treatment to enhance storytelling.
Audio Coordinator at EG Plus Worldwide (OMC Production)
October 21, 2022 - Present
Oversees audio assets and QA across multiple projects; ensures production-ready files and accurate metadata. Coordinates asset delivery for brands such as Mars, Sony, Bacardi, and Essity.
Lead Sound Designer at UnMe Productions
September 23, 2024 - Present
Lead sound design for The Waiting Room short film; freelance arrangement with Umbrella Audio.
Junior Audio Engineer / Senior Runner at Coda Post Production Limited, London
August 31, 2022 - October 6, 2025
Supported the audio engineering team across multiple daily projects; created music EDLs, tracklaying, VO recording, dialogue editing, and coordinated VO sessions.
Podcast Editor at Nottingham Podcast Festival, Nottingham
November 11, 2020 - October 6, 2025
Edited festival podcasts and prepared show tapes; managed VO and audio assembly as part of event output.
Podcast Editor & Theme Composer at Refla vor Town, London
March 16, 2021 - October 6, 2025
Edited podcast episodes for Refla vor Town; composed theme music and created sound design to enhance storytelling.
Sound Designer at Macbeth Theatre Production, Nottingham
August 8, 2021 - October 6, 2025
Contributed to a modernized, electrified theatrical adaptation with in-theatre audio elements synchronized to strobe lighting and on-stage energy.
Assistant Sound Designer at Spool, Nottingham
March 30, 2020 - October 6, 2025
Assisted on theatre and film projects with sound design and VO coordination.
Assistant Sound Designer at Spool Studios (The War Below)
March 30, 2020 - October 6, 2025
Collaborated on the feature film The War Below, providing assistant sound design support.
Lead Sound Designer at The Waiting Room (Short Film) - UnMe Productions
October 23, 2024 - October 6, 2025
Lead sound design for The Waiting Room short film; delivered on-set sound design and post production audio.
Audio Coordinator at EG Plus Worldwide
October 21, 2022 - Present
Support audio engineers with quality control and delivery of audio assets for advertising campaigns. Work closely with producers to manage audio workflows for clients including Mars, Amazon, Essity, and Sony. Liaise with recording studios globally, maintaining strong working relationships. Coordinate multi-session voice-over recordings for localization campaigns, requiring high levels of organisation and multitasking. Manage purchase orders and route studio voices to the finance team.
Junior Audio Engineer / Senior Runner at CODA Post Production Limited
November 8, 2021 - August 31, 2022
Progressed from Runner to Assistant Audio Engineer, managed day-to-day office operations, ensured studios and facilities were maintained, supplies stocked, and client needs met, building strong professional relationships. Supported recording sessions by preparing and maintaining studios, setting up and organizing Pro Tools sessions, and assisting with dialogue editing and sound design. Created edit decision lists for composers and supported audio post-production workflows across multiple projects.

Education

Audio and Music Technology BSC at Nottingham Trent University
September 6, 2018 - June 16, 2022
1st Class Honours
BSc at Nottingham Trent University, Confetti
September 1, 2018 - June 30, 2021
FdSc at Nottingham Trent University, Confetti
September 1, 2018 - June 30, 2020
1st Honors BSC Audio and Music Technology at Nottingham Trent University, Confetti
September 1, 2018 - June 1, 2021
FDSc Audio and Music Technology at Nottingham Trent University, Confetti
September 1, 2018 - June 1, 2020
Short Course in Songwriting at SAE London
October 1, 2017 - May 1, 2018
BSc Audio and Music Technology (1st Class Honours) at Nottingham Trent University, Confetti
September 1, 2018 - June 1, 2021
FDSc Audio and Music Technology at Nottingham Trent University, Confetti
September 1, 2018 - June 1, 2020
Short Course in Songwriting at SAE London
October 1, 2017 - May 1, 2018
BSc Audio and Music Technology (1st Hons) at Nottingham Trent University, Confetti
September 1, 2018 - June 1, 2021
Foundation Degree in Audio and Music Technology at Nottingham Trent University, Confetti
September 1, 2018 - June 1, 2020
Short Course in Songwriting at SAE London
October 1, 2017 - May 1, 2018
BSc Audio and Music Technology at Nottingham Trent University, Confetti Institute
September 1, 2018 - June 1, 2021
FDSc Audio and Music Technology at Nottingham Trent University, Confetti Institute
September 1, 2018 - June 1, 2020
BSc (Hons) Audio and Music Technology at Nottingham Trent University, Confetti
September 1, 2018 - June 1, 2021
FdSc Audio and Music Technology at Nottingham Trent University, Confetti
September 1, 2018 - June 1, 2020
Short Course in Songwriting at SAE London
October 1, 2017 - May 1, 2018
BSc Audio and Music Technology at Nottingham Trent University, Confetti
September 1, 2018 - June 1, 2021
FDSc Audio and Music Technology at Nottingham Trent University, Confetti
September 1, 2018 - June 1, 2020
Short Course in Songwriting at SAE London
October 1, 2017 - May 1, 2018

Qualifications

Short Course, Songwriting
October 1, 2017 - May 31, 2018
BSc (Hons) in Audio and Music Technology
September 1, 2018 - June 1, 2021
FdSc in Audio and Music Technology
September 1, 2018 - June 1, 2020
Short Course in Songwriting
October 1, 2017 - May 1, 2018

Industry Experience

Media & Entertainment, Professional Services, Consumer Goods, Travel & Hospitality, Other, Education