Hi, I’m Kabir Khare, a visual designer and cinematic storyteller based in Bengaluru. I specialize in stop-motion production and immersive, spatial installation design—bringing ideas to life through hands-on fabrication, frame-by-frame animation, motion graphics, and cinematic post-production. I love shaping narratives from concept to final grade: storyboarding and editorial workflows for documentary and short films, plus end-to-end delivery using tools like DaVinci Resolve, Adobe After Effects, Premiere Pro, and Dragonframe. Alongside my creative practice, I’ve coordinated large-scale festival installations and event environments, ensuring immersive experiences work smoothly for audiences and production teams.…

KABIR KHARE

Hi, I’m Kabir Khare, a visual designer and cinematic storyteller based in Bengaluru. I specialize in stop-motion production and immersive, spatial installation design—bringing ideas to life through hands-on fabrication, frame-by-frame animation, motion graphics, and cinematic post-production. I love shaping narratives from concept to final grade: storyboarding and editorial workflows for documentary and short films, plus end-to-end delivery using tools like DaVinci Resolve, Adobe After Effects, Premiere Pro, and Dragonframe. Alongside my creative practice, I’ve coordinated large-scale festival installations and event environments, ensuring immersive experiences work smoothly for audiences and production teams.…

Available to hire

Hi, I’m Kabir Khare, a visual designer and cinematic storyteller based in Bengaluru. I specialize in stop-motion production and immersive, spatial installation design—bringing ideas to life through hands-on fabrication, frame-by-frame animation, motion graphics, and cinematic post-production.

I love shaping narratives from concept to final grade: storyboarding and editorial workflows for documentary and short films, plus end-to-end delivery using tools like DaVinci Resolve, Adobe After Effects, Premiere Pro, and Dragonframe. Alongside my creative practice, I’ve coordinated large-scale festival installations and event environments, ensuring immersive experiences work smoothly for audiences and production teams.

See more

Work Experience

Creative Installation & Event Operations (Volunteer/Coordinator) at PEAKST8 FESTIVAL 2026
January 1, 2026 - January 31, 2026
Coordinated installation setup and spatial execution across multiple experiential fitness, wellness, and branded activation zones. Assisted production teams with large-scale event preparation including audience environments, sponsor installations, recovery spaces, and interactive activity areas. Managed placement and coordination of fitness equipment, branding structures, banners, and experiential installations across the festival grounds. Supported execution workflows for 30+ activation stalls, handling promotional setups and audience engagement spaces, and served as a point-of-contact across simultaneous multi-zone festival environments.
Design & Installation Team Coordinator at Echoes of the Earth Art Festival 2025
November 1, 2025 - December 31, 2025
Contributed to large-scale experiential art installations and immersive festival design environments. Assisted with installation fabrication, spatial setup, structural assembly, and on-ground execution across live audience interaction spaces. Coordinated installation workflows including environmental detailing, layout planning, fabrication logistics, and real-time festival setup execution. Supported collaborative production teams in delivering immersive spatial experiences through installation design and audience-centered environmental composition.
Art Installation Lead Intern at Echoes of the Earth Art Festival 2024 (Swordfish Entertainment)
July 1, 2024 - December 31, 2024
Led a 15-member installation team for one of India’s largest immersive music and experiential art festivals. Directed large-scale installation planning, fabrication workflows, and spatial execution across collaborative festival production environments. Designed and fabricated 70 illuminated cicada installations using wire structures, paper sculpting techniques, suspended installation methods, and integrated RGB lighting. Contributed to structural planning and on-ground execution of a 15-meter immersive dome installation. Coordinated six months of ideation, prototyping, fabrication, production scheduling, and live installation execution, producing prototypes, conceptual layouts, and structural models while solving real-time structural and fabrication challenges during high-pressure setup.
Social Media & Motion Graphics Intern at Experno Digital Pvt Ltd
June 1, 2023 - July 31, 2023
Produced 2D animations, motion graphics, and GIF assets for digital marketing campaigns, website engagement, and social media content. Developed visual communication assets for Instagram platforms including Whatnot and Cricadium, a cricket-focused digital media platform. Coordinated content production workflows with social media and marketing teams to improve audience engagement and campaign visibility. Helped increase social media audience growth from approximately 500 to 3,000 followers within six weeks through targeted visual campaigns and engagement-driven content strategies. Executed branded promotional materials, client-facing media assets, and deliverables for ongoing advertising campaigns.
Creative Production & Installation Intern at Steppinout Music Festival 2022
October 1, 2022 - December 31, 2022
Supported creative production, installation setup, and live event execution workflows for a large-scale music and cultural festival featuring 50+ artists and five performance stages. Assisted with spatial preparation, installation coordination, audience environment detailing, and production setup across multiple festival zones. Contributed to social media engagement workflows, promotional content coordination, and audience-facing digital communication during festival operations. Collaborated with production and creative teams on experiential installation support and real-time event coordination, supporting multidisciplinary installation logistics and visual environment preparation.

Education

BFA (Bachelor’s of Fine Arts in Animation) at Sristhi Manipal Institute of Art, Design and Technology, Bangalore, India
June 1, 2020 - June 1, 2024
Foundation Course of Design at GLS Institute of Design, Ahmedabad, India
January 1, 2019 - May 31, 2020
Design Entrance and Creative Foundation Program at BRDS Design Coaching Institute, Ahmedabad, India
January 1, 2019 - December 31, 2019
High School Education at MVM School, Jabalpur, India
June 1, 2018 - September 9, 2026

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education, Other
    Coffee Hero Intro - The High Note

    Coffee Hero Intro — The High Note

    For this project, I served as Art Director, Cinematographer, and Video Editor, creating the hero intro for The High Note and establishing the visual language for its website and broader brand identity.

    The main challenge was finding the right visual balance between the personality of a host and the identity of a coffee brand. We wanted the video to feel personal, expressive, and connected to the host, while still giving the coffee itself enough presence to feel like part of the brand rather than just a prop. Figuring out how the coffee, the host, the B-roll, and the overall branding could exist within the same visual world became the core creative problem.

    The hero intro was designed around coffee, ice, movement, close-up details, and the host’s eyes, using these elements to build something that felt playful but cinematic. We experimented with coffee pours, ice, reflections, textures, and macro-style B-roll to create visual moments that could carry the brand without making the video feel like a conventional coffee advertisement.

    A major part of the process was working within a very small shooting space, which created challenges with lighting, camera movement, framing, and controlling reflections. Getting the right exposure and contrast while shooting close-ups was particularly demanding, especially when working with dark tones, highlights, glass, ice, and liquid. The footage also required careful colour grading to bring consistency between the different shots and maintain the intended cinematic aesthetic.

    The editing process became equally important. Since this was the hero introduction for the website and other branding material, every cut, transition, rhythm, and visual detail had to feel intentional. The final piece needed to introduce the personality of the brand within a very short amount of time while still leaving room for curiosity.

    In the end, the project became an exercise in turning simple objects and a small space into a larger visual identity—using coffee, ice, light, eyes, texture, and editing to create an introduction that felt distinctly The High Note.