KATE IZOR

Delivered guest lectures related to photography/color/post-production processes, contributing to learning and knowledge sharing with students.

Served as a colorist for feature-length concert films and large multi-cam projects, supporting continuity by matching shot lighting and color across 20+ cameras. Balanced skin tones and maintained visual consistency across diverse lighting environments while following director/cinematographer/editing intent. Graded official Roger Waters content and music videos (including “The Last Refugee” and “Is This the Life We Really Want?”), developing the final look for trailers, promotional films, and digital campaigns. Collaborated through post-production workflows including remote review, iterative revisions, and final delivery, while managing quality control through a color pipeline. Produced/powered post workflows for broadcast and digital delivery in multiple formats, creating cohesive visuals across social/print/broadcast platforms.

Headed the photo/video department for a fast-paced food technology startup, balancing creative vision with precision, speed, and consumer-friendly clarity across digital platforms. Built and designed studio workflow systems for continuous pre-production output, managed and mentored a cross-functional team, and refined workflows to improve speed and visual accuracy. Produced high-volume stills and video assets for rapidly changing inventory while maintaining editorial standards and consistency. Developed still and video content across platforms, partnering with product, editorial, and marketing teams to align imagery with consumer expectations and product quality.