Mauro Colombo is an Italo-Panamenian filmmaker, director, director of photography, and editor based in Panama, working across a wide range of video formats including documentary, auteur cinema, and commissioned projects. His practice explores the relationship between humans, memory, and landscape through an intimate and immersive approach shaped by over fifteen years of fieldwork across Latin America. He collaborates with NGOs, foundations, and international organizations, creating films on social, cultural, and environmental issues, often in remote territories and in close dialogue with Indigenous and rural communities. Moving fluidly between directing, cinematography, and editing, he develops projects of different scales and formats, from independent films to institutional and impact-driven audiovisual productions.

Mauro Colombo

Mauro Colombo is an Italo-Panamenian filmmaker, director, director of photography, and editor based in Panama, working across a wide range of video formats including documentary, auteur cinema, and commissioned projects. His practice explores the relationship between humans, memory, and landscape through an intimate and immersive approach shaped by over fifteen years of fieldwork across Latin America. He collaborates with NGOs, foundations, and international organizations, creating films on social, cultural, and environmental issues, often in remote territories and in close dialogue with Indigenous and rural communities. Moving fluidly between directing, cinematography, and editing, he develops projects of different scales and formats, from independent films to institutional and impact-driven audiovisual productions.

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Mauro Colombo is an Italo-Panamenian filmmaker, director, director of photography, and editor based in Panama, working across a wide range of video formats including documentary, auteur cinema, and commissioned projects. His practice explores the relationship between humans, memory, and landscape through an intimate and immersive approach shaped by over fifteen years of fieldwork across Latin America.
He collaborates with NGOs, foundations, and international organizations, creating films on social, cultural, and environmental issues, often in remote territories and in close dialogue with Indigenous and rural communities. Moving fluidly between directing, cinematography, and editing, he develops projects of different scales and formats, from independent films to institutional and impact-driven audiovisual productions.

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Language

English
Fluent
Spanish; Castilian
Fluent
Italian
Fluent

Work Experience

Director and editor at Apertura Films / Bastian Films (Wild Gleaming Space)
December 31, 2023 - Present
Director of Photography and editor for the feature film Wild Gleaming Space (Luminoso Espacio Salvaje); World Premiere at Hot Docs 2024; US Premiere at Santa Barbara International Film Festival 2025; Latin American Premiere at IFF Panama 2025.
Director of Photography at Invasión – Abner Bennaim
January 1, 2013 - Present
Director of Photography for Invasión, directed by Abner Bennaim; screened at IFF Panama, SXSW, True/False, and others.
Director at TVN Panama (The Life of an Embera)
January 1, 2012 - Present
Director for The Life of an Embera, a documentary produced for TVN Panama.
Director, Cinematographer at Hasankeyf Waiting Life
January 1, 2009 - Present
Documentary on the ancient town of Hasankeyf threatened by dam construction; directed and photographed.
Director and editor at Apertura films
October 28, 2016 - Present
El Cruce (director, cinematographer), Apertura Films — documentary on the environmental future of Panama and the Ngäbe-Buglé struggle against large-scale mining.
Directo and director of photography at Norwegian Red Cross
February 18, 2015 - Present
Health Care and Danger in El Salvador and Colombia (documentary, director / DoP), Norwegian Red Cross. Maternal and Child Health in Guatemala and Honduras (documentary, director / DoP), Norwegian Red Cross.
Director of Photography at apertura films
April 17, 2012 - Present
Invasión (director of photography), directed by Abner Benaim — IFF Panamá, SXSW, True/False, Cartagena IFF, among others; multiple international awards.

Education

Master's degree in Modern Literatures at UNIVERSITÁ Cittá degli Studi - Milano
May 19, 1994 - June 16, 1994
Theisis research conducted in Australia on the territorial perception of Aboriginal peoples, his work is characterized by a human and intimate approach to complex and often controversial themes.

Qualifications

Master's degree in Modern Literatures
January 11, 2030 - February 19, 2026
Master's degree in Modern Literatures
January 11, 2030 - February 19, 2026
Master's degree in Modern Literatures
January 11, 2030 - February 19, 2026
Master's degree in Modern Literatures
January 11, 2030 - February 19, 2026
Master's degree in Modern Literatures
January 11, 2030 - February 19, 2026

Industry Experience

Media & Entertainment, Non-Profit Organization, Education, Professional Services, Other
    paper Wild Gleaming Space

    A documantary feature film.
    After the death of his father, filmmaker Mauro Colombo encounters a lifeless man on a road deep in the jungle. He revives him with chest compressions—until the man’s gaze once again drifts off into the infinite.
    This transient moment becomes the film´s impulse, drawing us into its exploration of the unknown.
    The film invites us into a meditative and intimate journey through the fragile threshold between life and death. His path winds through remote landscapes and inner territories, guided by the eyes and stories of those who have touched the edge of what we call reality.
    Rather than chase answers, the film drifts gently toward something more elusive: a felt sense of consciousness as an open, living landscape—untranslatable, vast, and pulsing just beyond the reach of language.

    paper INLAND - TIERRA ADENTRO

    In his documentary feature debut, filmmaker Mauro Colombo immerses himself in the Darién Gap, a dense and mysterious jungle that divides Panama and Colombia. At the dangerous border between these two countries, guerrillas, immigrants, indigenous people, farmers, drug traffickers, local police and wild animals cross paths.
    Colombo approaches the jungle and its characters from an anthropological perspective. He focuses on finding meaning in this no man´s land, as a metaphor for the wilderness within us. Tierra Adentro is an urgent, political film, recording deforestation of this area, which affects not only the people living there, but also the whole world. It transports the spectator to the heart of the conflict and allows us to experience the intensity of the jungle itself. An invitation to enter an unknown world and to find a way to relate to it.