3D artist and art director with twenty years of experience across brand installations, experiential environments and immersive exhibitions, based in Sydney after ten years working from Berlin.
I build 3D visualizations and renderings for branded spaces from creative brief through to delivery: Cinema 4D, Redshift and Houdini for modelling, simulation and look development, and custom AI production pipelines when a project needs generated content that still has to look art directed rather than random. Work has included a permanent 360 degree installation for Viega, a motor show environment for Mercedes Benz at IAA Frankfurt, a visitor centre for OMV, and an AI generated campaign for Gucci that ran on the Times Square screens.
I am used to advising directly on materials, lighting and spatial design
alongside designers and project leads, working to fixed launch dates and brand guidelines, and managing more than one project at a time without losing craft. Comfortable working fully remote and communicating clearly on scope, timeline and pricing.
Clients and collaborators include Google, Amazon, Mercedes-Benz, YouTube, Gucci, OMV, Viega and Red Bull.
Portfolio: michaeltan.name
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Client: Peaq (via Koto Agency, Berlin)
A modular character system for the Peaq platform: a recombinable library of
character models, accessories and background art generated procedurally in
Houdini, with final rendering and character animation driven through custom
AI pipelines.
Using the 3D assets as structured inputs kept generated output art directed
rather than random, and let the library scale to volume while holding a
consistent look.
Client: Gucci (via Sub Global, Berlin) 2026
AI generated stills and video for the Gucci Cruise fashion show, presented on
the screens of Times Square, New York.
Campaign imagery and moving image produced entirely through generative
pipelines. Ran prompt strategy, iteration and selection, and art directed the
generated output to a luxury brand’s quality bar across both stills and video,
delivering high volume against a fixed show date for a public facing
placement at scale.
Watch: ](
A permanent 360 degree immersive theatre where visitors stand within a fully
enclosing circular screen. The film moves between photoreal natural
environments and abstract technical visualisation, making infrastructure
legible to a non technical audience.
Role: concept, CGI, 360 film production.
More at monomango.de](https://www.twine.net/signin
Exhibition on megastructures pairing digital visualisation with physical
models, taking the same digital assets through to fabricated printed objects
to make structural engineering tangible to a general museum audience.
Motor show environment for the Vision EQS world premiere at the IAA
International Motor Show, Frankfurt. Content spanned very large format
projection, suspended screens and floor to ceiling LED as one continuous
visual world around the vehicles, running to cue in a live reveal.
Role: concept, 3D animation, motion design.
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