I am a producer, composer, and sound designer from London. I thrive on delving into a wide array of genres and styles ranging from intricate music and immersive soundscapes to mainstream tracks crafted for music libraries and commercial purposes such as releases or advertising.
I am also proficient in the Recording, Mixing and Mastering of music and have the expertise to use SSL Mixing Desks and other Studio Standard equipment - as well as knowledge of live sound and live music setup from my former studies.
I have worked on: Public installations, including lighting and immersive experiences, Production libraries, Film and theatre scores, Orchestral compositions as well as Sound design for digital designers, festivals, and short films.
I have also released my own music under the name ‘olterior’ and am in the process of releasing and marketing an EP alongside my current studies at the GSMD.
For a full breakdown of my work, please visit olteriormusic.com
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I began to release music under the moniker ‘olterior’, beginning with the release of a track called APOGEE and then followed by the release of a Mixtape showcasing some of my favourite works from my first year of studies. In future, I hope to release more work under this identity and push my creativity further.
I was one of the Orchestrators and Arrangers for the live performance of OrchestRAVE 2024 in the Barbican Concert Hall. I handled the track Liquor and Cigarettes by Chase & Status. This involved part writing for a full sized orchestra excluding percussion, as well as scoring for performers and working closely with the creative leads to ensure the show went smoothly.
I was also tasked with mixing an initial recording of my arrangement in case of a potential release, although for problems with copyright; this was ditched.
I created a piece of library music to be used by my place of study in order to advertise the Acting department on social media platforms. I went with a softer sound with elements of London’s Drill and Grime scene inspired by artists like Knucks. This allowed the music to be marketable whilst also retaining elements of London’s vibrant culture and music scene.
I was one of the composers and sound designers assigned to create the backing for a piece of electronic orchestral music to be featured on a released album. This also meant working with the creative lead and electronic performers to ensure the backing track fit the overall theme and concept of the album.
I was the lead of my school’s informal Recording & AV department, specialising in audio in Music Production/Post-Production. This meant heading live performances and recording sessions with multiple artists and performers. At the end of my time there, I led the recording of an album showcasing the talent of the young artists - involving an SATB choir, Pop/Rock bands and classical performances.
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