Looks like you have JavaScript disabled. For the full Twine experience, you will need to re-enable it.

As a music composer and mixing engineer, my work is defined by a deep exploration of ambient, drone, jazz, and experimental soundscapes—genres where space and atmosphere are just as important as melody. I don't just fill silence; I sculpt it, using sound to create immersive environments that challenge the listener’s perception of time and emotion. In the world of short films, I’ve found that the unconventional is often the most effective. My experience scoring short films has taught me how to use the slow-burning tension of a drone or the harmonic unpredictability of jazz to underscore complex narratives. Whether it’s an ethereal ambient wash for a dream sequence or a dissonant experimental piece for a psychological thriller, I specialize in providing films with a sonic soul that feels both avant-garde and deeply human. My technical approach to mixing is specifically tailored to these nuanced genres. Mixing a drone track requires a surgical mastery of the low-end to prevent mud while maintaining power, whereas jazz demands a transparent, organic touch that honors the natural dynamics of the performance. I treat the mixing desk as an instrument itself, ensuring that even the most chaotic experimental layers find their place in the stereo field. My goal is to deliver a mix that feels vast and cinematic, maintaining professional clarity without ever sacrificing the raw, "left-field" edge of the original vision.…As a music composer and mixing engineer, my work is defined by a deep exploration of ambient, drone, jazz, and experimental soundscapes—genres where space and atmosphere are just as important as melody. I don't just fill silence; I sculpt it, using sound to create immersive environments that challenge the listener’s perception of time and emotion. In the world of short films, I’ve found that the unconventional is often the most effective. My experience scoring short films has taught me how to use the slow-burning tension of a drone or the harmonic unpredictability of jazz to underscore complex narratives. Whether it’s an ethereal ambient wash for a dream sequence or a dissonant experimental piece for a psychological thriller, I specialize in providing films with a sonic soul that feels both avant-garde and deeply human. My technical approach to mixing is specifically tailored to these nuanced genres. Mixing a drone track requires a surgical mastery of the low-end to prevent mud while maintaining power, whereas jazz demands a transparent, organic touch that honors the natural dynamics of the performance. I treat the mixing desk as an instrument itself, ensuring that even the most chaotic experimental layers find their place in the stereo field. My goal is to deliver a mix that feels vast and cinematic, maintaining professional clarity without ever sacrificing the raw, "left-field" edge of the original vision.

Rodrigo Ari

Mixing Engineer, Film Composer, Game Composer





As a music composer and mixing engineer, my work is defined by a deep exploration of ambient, drone, jazz, and experimental soundscapes—genres where space and atmosphere are just as important as melody. I don't just fill silence; I sculpt it, using sound to create immersive environments that challenge the listener’s perception of time and emotion. In the world of short films, I’ve found that the unconventional is often the most effective. My experience scoring short films has taught me how to use the slow-burning tension of a drone or the harmonic unpredictability of jazz to underscore complex narratives. Whether it’s an ethereal ambient wash for a dream sequence or a dissonant experimental piece for a psychological thriller, I specialize in providing films with a sonic soul that feels both avant-garde and deeply human. My technical approach to mixing is specifically tailored to these nuanced genres. Mixing a drone track requires a surgical mastery of the low-end to prevent mud while maintaining power, whereas jazz demands a transparent, organic touch that honors the natural dynamics of the performance. I treat the mixing desk as an instrument itself, ensuring that even the most chaotic experimental layers find their place in the stereo field. My goal is to deliver a mix that feels vast and cinematic, maintaining professional clarity without ever sacrificing the raw, "left-field" edge of the original vision.…As a music composer and mixing engineer, my work is defined by a deep exploration of ambient, drone, jazz, and experimental soundscapes—genres where space and atmosphere are just as important as melody. I don't just fill silence; I sculpt it, using sound to create immersive environments that challenge the listener’s perception of time and emotion. In the world of short films, I’ve found that the unconventional is often the most effective. My experience scoring short films has taught me how to use the slow-burning tension of a drone or the harmonic unpredictability of jazz to underscore complex narratives. Whether it’s an ethereal ambient wash for a dream sequence or a dissonant experimental piece for a psychological thriller, I specialize in providing films with a sonic soul that feels both avant-garde and deeply human. My technical approach to mixing is specifically tailored to these nuanced genres. Mixing a drone track requires a surgical mastery of the low-end to prevent mud while maintaining power, whereas jazz demands a transparent, organic touch that honors the natural dynamics of the performance. I treat the mixing desk as an instrument itself, ensuring that even the most chaotic experimental layers find their place in the stereo field. My goal is to deliver a mix that feels vast and cinematic, maintaining professional clarity without ever sacrificing the raw, "left-field" edge of the original vision.

Available to hire

As a music composer and mixing engineer, my work is defined by a deep exploration of ambient, drone, jazz, and experimental soundscapes—genres where space and atmosphere are just as important as melody. I don’t just fill silence; I sculpt it, using sound to create immersive environments that challenge the listener’s perception of time and emotion.

In the world of short films, I’ve found that the unconventional is often the most effective. My experience scoring short films has taught me how to use the slow-burning tension of a drone or the harmonic unpredictability of jazz to underscore complex narratives. Whether it’s an ethereal ambient wash for a dream sequence or a dissonant experimental piece for a psychological thriller, I specialize in providing films with a sonic soul that feels both avant-garde and deeply human.

My technical approach to mixing is specifically tailored to these nuanced genres. Mixing a drone track requires a surgical mastery of the low-end to prevent mud while maintaining power, whereas jazz demands a transparent, organic touch that honors the natural dynamics of the performance. I treat the mixing desk as an instrument itself, ensuring that even the most chaotic experimental layers find their place in the stereo field. My goal is to deliver a mix that feels vast and cinematic, maintaining professional clarity without ever sacrificing the raw, “left-field” edge of the original vision.