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Freelance colorist specializing in cinematic color grading in DaVinci Resolve, working across RAW and Log footage from major camera systems. I build manual, scopes-driven CST node pipelines and use LUTs selectively as a creative tool for consistent, monitor-independent results. I work on look development, primary/secondary grading, skin tone isolation, tracking, and shot-to-shot matching for filmmakers, ads and commercials, music videos, and social media content. I’m currently pursuing a B.Tech in Civil Engineering at NIT Kurukshetra while running an independent grading practice through direct client outreach and freelance platforms.…Freelance colorist specializing in cinematic color grading in DaVinci Resolve, working across RAW and Log footage from major camera systems. I build manual, scopes-driven CST node pipelines and use LUTs selectively as a creative tool for consistent, monitor-independent results. I work on look development, primary/secondary grading, skin tone isolation, tracking, and shot-to-shot matching for filmmakers, ads and commercials, music videos, and social media content. I’m currently pursuing a B.Tech in Civil Engineering at NIT Kurukshetra while running an independent grading practice through direct client outreach and freelance platforms.

Sarvesh Shakya

Colourist, Filmmaker, Post-Production, +2

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Freelance colorist specializing in cinematic color grading in DaVinci Resolve, working across RAW and Log footage from major camera systems. I build manual, scopes-driven CST node pipelines and use LUTs selectively as a creative tool for consistent, monitor-independent results. I work on look development, primary/secondary grading, skin tone isolation, tracking, and shot-to-shot matching for filmmakers, ads and commercials, music videos, and social media content. I’m currently pursuing a B.Tech in Civil Engineering at NIT Kurukshetra while running an independent grading practice through direct client outreach and freelance platforms.…Freelance colorist specializing in cinematic color grading in DaVinci Resolve, working across RAW and Log footage from major camera systems. I build manual, scopes-driven CST node pipelines and use LUTs selectively as a creative tool for consistent, monitor-independent results. I work on look development, primary/secondary grading, skin tone isolation, tracking, and shot-to-shot matching for filmmakers, ads and commercials, music videos, and social media content. I’m currently pursuing a B.Tech in Civil Engineering at NIT Kurukshetra while running an independent grading practice through direct client outreach and freelance platforms.

Available to hire

Freelance colorist specializing in cinematic color grading in DaVinci Resolve, working across RAW and Log footage from major camera systems. I build manual, scopes-driven CST node pipelines and use LUTs selectively as a creative tool for consistent, monitor-independent results.

I work on look development, primary/secondary grading, skin tone isolation, tracking, and shot-to-shot matching for filmmakers, ads and commercials, music videos, and social media content. I’m currently pursuing a B.Tech in Civil Engineering at NIT Kurukshetra while running an independent grading practice through direct client outreach and freelance platforms.

Skills

DaVinci Resolve Studio

Video Advert

Filmora

Experience Level

DaVinci Resolve Studio

Expert

Video Advert

Expert

Filmora

Beginner

Work Experience

Freelance Colorist at Independent / Direct Clients

January 1, 2026 - Present

Delivered cinematic color grades for independent filmmakers, content creators, and small production houses using manual, scopes-driven CST pipelines in DaVinci Resolve. Structured service offerings into a tiered rate card (Basic / Standard / Premium) to align with client budgets, ranging from social content to short-form commercial work. Handled end-to-end client acquisition through cold outreach and project scoping across varied camera formats and delivery specs. Resolved format-specific technical issues (e.g., RED R3D metadata decoding) to ensure correct flat log exposure prior to grading.