I’m a Berlin-based Spatial composer and sound artist creating immersive sound for film, installation, and live performance. My work begins with listening. I often record environmental sounds and transform them through synthesis, spatial audio, and electroacoustic composition, creating soundscapes that support emotion rather than simply accompany images. While my artistic practice explores perception and immersive listening, I also enjoy collaborating with filmmakers and creative teams. I believe the most memorable soundtracks are those that quietly shape how a scene is felt. I’m available for original music composition, sound design, spatial audio projects, and interdisciplinary collaborations.

Shinichiro Ikeda

I’m a Berlin-based Spatial composer and sound artist creating immersive sound for film, installation, and live performance. My work begins with listening. I often record environmental sounds and transform them through synthesis, spatial audio, and electroacoustic composition, creating soundscapes that support emotion rather than simply accompany images. While my artistic practice explores perception and immersive listening, I also enjoy collaborating with filmmakers and creative teams. I believe the most memorable soundtracks are those that quietly shape how a scene is felt. I’m available for original music composition, sound design, spatial audio projects, and interdisciplinary collaborations.

Available to hire

I’m a Berlin-based Spatial composer and sound artist creating immersive sound for film, installation, and live performance.

My work begins with listening. I often record environmental sounds and transform them through synthesis, spatial audio, and electroacoustic composition, creating soundscapes that support emotion rather than simply accompany images.

While my artistic practice explores perception and immersive listening, I also enjoy collaborating with filmmakers and creative teams. I believe the most memorable soundtracks are those that quietly shape how a scene is felt.

I’m available for original music composition, sound design, spatial audio projects, and interdisciplinary collaborations.

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Experience Level

Expert

Language

English
Advanced
Japanese
Fluent

Work Experience

Add your work experience history here.

Education

Music theory, Keyboard and Piano at SHOBI Music college Tokyo
March 2, 2006 - March 2, 2008

Qualifications

Add your qualifications or awards here.

Industry Experience

Other
    Art and Sound installation "Empty set" collaboration project with Runa Ikeda
    Empty set extends Shinichiro Ikeda’s ongoing dialogue with Runa Ikeda, exploring the concept of repetition—an eternal theme mirrored in the loops of life. Across five tracks, both artists created independently, later discovering surprising synchronicities within their work. Incorporating organic recordings such as breathing, heartbeats, and process-generated sounds, this project blurs the line between body and sound, presence and absence. In February 2025, this project evolved into the joint exhibition “Empty set – Art and Sound Installation” at Mommsen35 in Berlin. Shinichiro Ikeda presented “Empty set – zero”, an immersive Dolby Atmos (7.1.4) installation integrated with Runa Ikeda’s visual environment, with Atmos mixing handled by Ikeda himself. This marks a bold intersection of sonic architecture and spatial art. music instrumental installation ambient fieldrecording composer producer
    Natural Immersive Sonic

    Natural Immersive Sonic (2026–Present)
    Creator | Sound Artist | Spatial Composer

    An ongoing audiovisual series exploring immersive listening through field recordings, spatial composition, and environmental perception.

    Each work explores how sound can reshape the relationship between memory, place, and coexistence through moving image and spatial listening.

    Daniel Kujawa Berlin fashion week 2025 -Urge for Solitude-
    In 2025, I composed the original soundtrack for Urge for Solitude, a runway presentation by fashion designer Daniel Kujawa at Berlin Fashion Week. The music was conceived as an integral part of the show’s narrative, shaping the emotional pacing and spatial atmosphere of the collection. Rather than functioning as background, the composition acted as a sonic framework that supported movement, texture and presence on the runway. The score was developed using a vintage Pianet electric piano, analog and digital synthesizers, field recordings and fragments of Daniel Kujawa’s voice. These elements were layered to create a restrained yet immersive sonic environment that reflected the introspective tone of the collection. Created in close dialogue with the visual direction, the work contributed to a cohesive and contemplative live experience. music instrumental soundtrack master experimental ambient runway fashion fashion week

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