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_Website not available. Sign in: https://www.twine.net/signup_ I started out studying History at the University of Milan, where I graduated with a thesis on Marco Vipsanio Agrippa, a general from the first century BC. After graduating, I dived into the world of cinema at the Civica Scuola di Cinema Luchino Visconti, focusing on film editing. There, I wrote my thesis on Joe Walker, the Oscar-winning editor of ‘Dune’. Before I even finished my studies, I got to work on Giacomo Campiotti’s set for the film “Chiara Lubich” an experience that opened my eyes to the art of visual storytelling. After school, I moved to Rome to work with Campiotti again on the series “La Sposa” this time as assistant editor. It was a masterclass in editing from Roberto Missiroli. Back in Milan, I edited documentaries like “Giotto e il sogno del rinascimento”, “Grand Tour: alla scoperta dell'Italia” and "Banksy: Unauthorized". My latest project, “Smooth runs the water” a short film I had the honor to produce and edit, was a real culmination of all my skills and passions. Every frame I cut, every sequence I edit, every story I bring to light, is a piece of my personal journey through the world of cinema, where stories come alive and dreams turn into visual realities.…_Website not available. Sign in: https://www.twine.net/signup_ I started out studying History at the University of Milan, where I graduated with a thesis on Marco Vipsanio Agrippa, a general from the first century BC. After graduating, I dived into the world of cinema at the Civica Scuola di Cinema Luchino Visconti, focusing on film editing. There, I wrote my thesis on Joe Walker, the Oscar-winning editor of ‘Dune’. Before I even finished my studies, I got to work on Giacomo Campiotti’s set for the film “Chiara Lubich” an experience that opened my eyes to the art of visual storytelling. After school, I moved to Rome to work with Campiotti again on the series “La Sposa” this time as assistant editor. It was a masterclass in editing from Roberto Missiroli. Back in Milan, I edited documentaries like “Giotto e il sogno del rinascimento”, “Grand Tour: alla scoperta dell'Italia” and "Banksy: Unauthorized". My latest project, “Smooth runs the water” a short film I had the honor to produce and edit, was a real culmination of all my skills and passions. Every frame I cut, every sequence I edit, every story I bring to light, is a piece of my personal journey through the world of cinema, where stories come alive and dreams turn into visual realities.

Simone Brassini

Video Editor, Graphic Designer, Motion Graphic Designer

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_Website not available. Sign in: https://www.twine.net/signup_ I started out studying History at the University of Milan, where I graduated with a thesis on Marco Vipsanio Agrippa, a general from the first century BC. After graduating, I dived into the world of cinema at the Civica Scuola di Cinema Luchino Visconti, focusing on film editing. There, I wrote my thesis on Joe Walker, the Oscar-winning editor of ‘Dune’. Before I even finished my studies, I got to work on Giacomo Campiotti’s set for the film “Chiara Lubich” an experience that opened my eyes to the art of visual storytelling. After school, I moved to Rome to work with Campiotti again on the series “La Sposa” this time as assistant editor. It was a masterclass in editing from Roberto Missiroli. Back in Milan, I edited documentaries like “Giotto e il sogno del rinascimento”, “Grand Tour: alla scoperta dell'Italia” and "Banksy: Unauthorized". My latest project, “Smooth runs the water” a short film I had the honor to produce and edit, was a real culmination of all my skills and passions. Every frame I cut, every sequence I edit, every story I bring to light, is a piece of my personal journey through the world of cinema, where stories come alive and dreams turn into visual realities.…_Website not available. Sign in: https://www.twine.net/signup_ I started out studying History at the University of Milan, where I graduated with a thesis on Marco Vipsanio Agrippa, a general from the first century BC. After graduating, I dived into the world of cinema at the Civica Scuola di Cinema Luchino Visconti, focusing on film editing. There, I wrote my thesis on Joe Walker, the Oscar-winning editor of ‘Dune’. Before I even finished my studies, I got to work on Giacomo Campiotti’s set for the film “Chiara Lubich” an experience that opened my eyes to the art of visual storytelling. After school, I moved to Rome to work with Campiotti again on the series “La Sposa” this time as assistant editor. It was a masterclass in editing from Roberto Missiroli. Back in Milan, I edited documentaries like “Giotto e il sogno del rinascimento”, “Grand Tour: alla scoperta dell'Italia” and "Banksy: Unauthorized". My latest project, “Smooth runs the water” a short film I had the honor to produce and edit, was a real culmination of all my skills and passions. Every frame I cut, every sequence I edit, every story I bring to light, is a piece of my personal journey through the world of cinema, where stories come alive and dreams turn into visual realities.

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I started out studying History at the University of Milan, where I graduated with a thesis on Marco Vipsanio Agrippa, a general from the first century BC. After graduating, I dived into the world of cinema at the Civica Scuola di Cinema Luchino Visconti, focusing on film editing. There, I wrote my thesis on Joe Walker, the Oscar-winning editor of ‘Dune’.
Before I even finished my studies, I got to work on Giacomo Campiotti’s set for the film “Chiara Lubich” an experience that opened my eyes to the art of visual storytelling.
After school, I moved to Rome to work with Campiotti again on the series “La Sposa” this time as assistant editor. It was a masterclass in editing from Roberto Missiroli.
Back in Milan, I edited documentaries like “Giotto e il sogno del rinascimento”, “Grand Tour: alla scoperta dell’Italia” and “Banksy: Unauthorized”.
My latest project, “Smooth runs the water” a short film I had the honor to produce and edit, was a real culmination of all my skills and passions.
Every frame I cut, every sequence I edit, every story I bring to light, is a piece of my personal journey through the world of cinema, where stories come alive and dreams turn into visual realities.