I'm a seasoned game music producer and composer currently based in Wellington, New Zealand, with extensive experience in producing orchestral and various other styles of music for video games. I’ve contributed music to projects like Azur Lane, and have a proven track record of delivering high-quality work on tight schedules. My expertise spans from music composition and sound design to audio integration using Wwise. I’m open to remote work or contractor opportunities worldwide.  🎧 Portfolio link: _Website not available. Sign in: https://www.twine.net/signup_  🎧 Professional Experience Emage Cultural Development Co., Ltd. (Wuhan) Game Music Composer | Oct 2016 – Oct 2021 (5 Years)  • Composed and produced original music and sound effects for video games and advertising videos  • Responsible for post-production audio, mixing, mastering  • Collaborated closely with teams to revise music based on feedback efficiently Composer | Sep 2025 - Present  🕹️ Projects Azur Lane (Bilibili Mobile Game) _Website not available. Sign in: https://www.twine.net/signup_ Oct 2016 – Oct 2021 • Created original game soundtrack • Adapted compositions based on real-time feedback from the dev team Warship Girls R (Mobile Game) Jul 2018 – Jul 2019 • Produced diverse musical themes and arrangements • Focused on orchestral and hybrid styles In Her Eyes (Steam Indie Game) _Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ Aug 2019 – Aug 2020 • Composed original soundtrack and theme song • Performed sampling, editing, and full audio post-production Far Away (Steam Game) _Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ Apr 2020 – Apr 2021 • Delivered in-game background music and worked on revisions swiftly based on gameplay requirements Noah’s Fantasy 2 (Mobile Game – Unreleased) Apr 2020 – Apr 2021 • Composed the majority of the game’s original orchestral score • Delivered 13 high-quality orchestral tracks within 1 month, all of which were accepted or revised on request. Sayonara Golden Days (Steam Indie Game) _Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ Apr 2021 – Apr 2022 • Produced in-game soundtrack and managed full audio post-production • Integrated Wwise middleware for dynamic in-game audio  Hytopia (web3 game) _Website not available. Sign in: https://www.twine.net/signup_ Jun 2023- July 2024 • Delivered in-game background music and worked on revisions swiftly based on gameplay requirements • Composed the theme for the website…I'm a seasoned game music producer and composer currently based in Wellington, New Zealand, with extensive experience in producing orchestral and various other styles of music for video games. I’ve contributed music to projects like Azur Lane, and have a proven track record of delivering high-quality work on tight schedules. My expertise spans from music composition and sound design to audio integration using Wwise. I’m open to remote work or contractor opportunities worldwide.  🎧 Portfolio link: _Website not available. Sign in: https://www.twine.net/signup_  🎧 Professional Experience Emage Cultural Development Co., Ltd. (Wuhan) Game Music Composer | Oct 2016 – Oct 2021 (5 Years)  • Composed and produced original music and sound effects for video games and advertising videos  • Responsible for post-production audio, mixing, mastering  • Collaborated closely with teams to revise music based on feedback efficiently Composer | Sep 2025 - Present  🕹️ Projects Azur Lane (Bilibili Mobile Game) _Website not available. Sign in: https://www.twine.net/signup_ Oct 2016 – Oct 2021 • Created original game soundtrack • Adapted compositions based on real-time feedback from the dev team Warship Girls R (Mobile Game) Jul 2018 – Jul 2019 • Produced diverse musical themes and arrangements • Focused on orchestral and hybrid styles In Her Eyes (Steam Indie Game) _Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ Aug 2019 – Aug 2020 • Composed original soundtrack and theme song • Performed sampling, editing, and full audio post-production Far Away (Steam Game) _Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ Apr 2020 – Apr 2021 • Delivered in-game background music and worked on revisions swiftly based on gameplay requirements Noah’s Fantasy 2 (Mobile Game – Unreleased) Apr 2020 – Apr 2021 • Composed the majority of the game’s original orchestral score • Delivered 13 high-quality orchestral tracks within 1 month, all of which were accepted or revised on request. Sayonara Golden Days (Steam Indie Game) _Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ HYPERLINK "_Website not available. Sign in: https://www.twine.net/signup_ Apr 2021 – Apr 2022 • Produced in-game soundtrack and managed full audio post-production • Integrated Wwise middleware for dynamic in-game audio  Hytopia (web3 game) _Website not available. Sign in: https://www.twine.net/signup_ Jun 2023- July 2024 • Delivered in-game background music and worked on revisions swiftly based on gameplay requirements • Composed the theme for the websiteWWWW…