I’m Svyat Sudakov, a multidisciplinary graphic designer specializing in branding, web design, motion, and 3D. Over the past five years, I’ve helped brands express themselves through thoughtful visual identities and digital experiences.
I collaborate closely with agencies and international clients, partnering with developers, marketers, project managers, and copywriters to deliver cohesive, high-quality visual solutions—from initial concept through production and final delivery.
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Eyes on Ukraine is a research and exhibition project tracing the evolution of Ukrainian visual culture from the early twentieth century to the present day. By placing key historical moments alongside contemporary graphic design, the project introduces Ukraine’s cultural heritage through the lens of visual communication.
The research formed the basis of an exhibition presented at the 2021 Graphic Days Touch Festival. As co-curator and exhibition designer, I contributed to the project from its initial concept through to its final presentation, shaping both the curatorial narrative and the visual experience.
The exhibition brought together work by Pictoric Illustrators Club, Telegraf.Design, KULTURA Studio, and selected publications from the Best Book Design competition at Kyiv’s Book Arsenal Festival, revealing the continuity and diversity of Ukrainian graphic culture across generations.
LIFE TraiN2K is a European initiative created to strengthen the management of Natura 2000 sites by addressing the fragmentation of knowledge and professional skills across the sector. Through a hybrid training programme, the project aims to support a more connected community of professionals working to protect and restore Europe’s biodiversity.
Starting from the client brief, I developed the project’s visual identity, including the logo, colour palette, and wider graphic system. Inspired by structures and recurring patterns found in nature, the identity balances institutional credibility with a more approachable and contemporary character.
Designed as a flexible visual language, the system was applied across digital communication, educational materials, printed publications, and public outreach, giving the programme a consistent presence across different audiences and formats.
Full case study at https://www.twine.net/signin
Eyes on Ukraine is a research and exhibition project tracing the evolution of Ukrainian visual culture from the early twentieth century to the present day. By placing key historical moments alongside contemporary graphic design, the project introduces Ukraine’s cultural heritage through the lens of visual communication.
The research formed the basis of an exhibition presented at the 2021 Graphic Days Touch Festival. As co-curator and exhibition designer, I contributed to the project from its initial concept through to its final presentation, shaping both the curatorial narrative and the visual experience.
The exhibition brought together work by Pictoric Illustrators Club, Telegraf.Design, KULTURA Studio, and selected publications from the Best Book Design competition at Kyiv’s Book Arsenal Festival, revealing the continuity and diversity of Ukrainian graphic culture across generations.
Full case study at https://www.twine.net/signin
Eyes on Ukraine is a research and exhibition project tracing the evolution of Ukrainian visual culture from the early twentieth century to the present day. By placing key historical moments alongside contemporary graphic design, the project introduces Ukraine’s cultural heritage through the lens of visual communication.
The research formed the basis of an exhibition presented at the 2021 Graphic Days Touch Festival. As co-curator and exhibition designer, I contributed to the project from its initial concept through to its final presentation, shaping both the curatorial narrative and the visual experience.
The exhibition brought together work by Pictoric Illustrators Club, Telegraf.Design, KULTURA Studio, and selected publications from the Best Book Design competition at Kyiv’s Book Arsenal Festival, revealing the continuity and diversity of Ukrainian graphic culture across generations.
Full case study at https://www.twine.net/signin
Abracadabra is a cultural initiative that transforms illustration into environmental action. Featuring sixty donated works by internationally renowned illustrators, the project raises funds for the City of Turin’s Gift a Tree programme, supporting the planting of new trees while promoting the value of art as a driver of positive change in public space. The collection continues to live beyond the publication through exhibitions and cultural events across the city.
The visual identity builds upon the triangle sign traditionally associated with the word Abracadabra, transforming it into a stylized tree that symbolizes the project’s environmental purpose. Starting from this simple graphic gesture, I developed the logotype and a cohesive communication system spanning editorial, exhibition, and promotional applications, creating a recognizable visual language that ties together every touchpoint of the initiative.
Full case study at https://www.twine.net/signin
Since 2011, MoscaPartners has curated exhibitions and cultural events that have become an established part of Milano Design Week. Working at the intersection of architecture, design, and contemporary culture, the studio brings together international designers, institutions, and emerging voices.
The new identity drew on the founders’ affinity for Milanese modernism and the rationalist principles associated with figures such as Massimo Vignelli. The result was a visual system that combined editorial precision with a bold, contemporary character.
As part of the core design team, I took part in development of the logo, logotype, and modular identity system. Designed to remain recognisable while adapting across different formats, the system extended across the studio’s exhibitions, events, and wider cultural programme.
Full case study at https://www.twine.net/signin
Teatro Regio Torino is one of Europe’s leading opera houses and a defining presence in Turin’s cultural life. Each season introduces a distinct artistic direction, calling for a visual language that can evolve in character while remaining recognisably part of the theatre.
Beginning in 2023, I worked with the team at Undesign on the visual communication for four consecutive seasons—Passaggi (2022/23), Amour Toujours (2023/24), La Meglio Gioventù (2024/25), and Rosso (2025/26)—as well as the 2024 off-season festival Manon Manon Manon.
Working closely with the theatre’s social media and print teams, I translated each seasonal identity across digital campaigns, editorial materials, street posters, and in-theatre signage. The challenge was not simply to repeat a fixed system, but to preserve a clear sense of Teatro Regio across different formats, scales, and artistic narratives.
Full case study at https://www.twine.net/signin
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