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I’m a Compositor passionate about crafting the final look of live-action and CG projects. I blend technical precision with a strong creative eye, focusing on seamless integration, color, and storytelling. I’m highly proficient in Nuke (with scripting) and use After Effects, Mocha Pro, PFTrack, Maya, Unreal Engine, and Substance to deliver polished, cinematic shots. My CG pipeline understanding, from rendering to texturing, helps me problem-solve quickly and work efficiently with teams.…I’m a Compositor passionate about crafting the final look of live-action and CG projects. I blend technical precision with a strong creative eye, focusing on seamless integration, color, and storytelling. I’m highly proficient in Nuke (with scripting) and use After Effects, Mocha Pro, PFTrack, Maya, Unreal Engine, and Substance to deliver polished, cinematic shots. My CG pipeline understanding, from rendering to texturing, helps me problem-solve quickly and work efficiently with teams.

Tam Nguyen

Visual Effects Artist, Video Editor, 3D Modeler, +2

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I’m a Compositor passionate about crafting the final look of live-action and CG projects. I blend technical precision with a strong creative eye, focusing on seamless integration, color, and storytelling. I’m highly proficient in Nuke (with scripting) and use After Effects, Mocha Pro, PFTrack, Maya, Unreal Engine, and Substance to deliver polished, cinematic shots. My CG pipeline understanding, from rendering to texturing, helps me problem-solve quickly and work efficiently with teams.…I’m a Compositor passionate about crafting the final look of live-action and CG projects. I blend technical precision with a strong creative eye, focusing on seamless integration, color, and storytelling. I’m highly proficient in Nuke (with scripting) and use After Effects, Mocha Pro, PFTrack, Maya, Unreal Engine, and Substance to deliver polished, cinematic shots. My CG pipeline understanding, from rendering to texturing, helps me problem-solve quickly and work efficiently with teams.

Available to hire

I’m a Compositor passionate about crafting the final look of live-action and CG projects. I blend technical precision with a strong creative eye, focusing on seamless integration, color, and storytelling.

I’m highly proficient in Nuke (with scripting) and use After Effects, Mocha Pro, PFTrack, Maya, Unreal Engine, and Substance to deliver polished, cinematic shots. My CG pipeline understanding, from rendering to texturing, helps me problem-solve quickly and work efficiently with teams.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Intermediate

Language

English

Fluent

Work Experience

Compositor — Beauty & Retouching at Lady Gaga × Dolce & Gabbana – Runway Music Video

January 1, 2025 - Present

Delivered beauty compositing and skin retouching in Nuke for the official Lady Gaga × Dolce & Gabbana Runway music video. Performed frame-by-frame cleanup and paint work within a professional studio pipeline under tight delivery schedules.

Compositor — Beauty Retouching at Undisclosed Client (NDA)

January 1, 2025 - Present

Executing beauty compositing and skin retouching in Nuke for a high-profile commercial currently under active NDA. Performing detailed frame-by-frame cleanup and paint work within a professional studio pipeline.

Compositor — Beauty Retouching at Haus Labs (Lady Gaga) Commercial

January 1, 2025 - Present

Delivered beauty and skin retouching composites in Nuke for a commercial campaign for Haus Labs, Lady Gaga's makeup brand. Maintained photorealism and colour accuracy across multiple shots, working within an ACES colour pipeline.

Compositor at Studio V1

November 1, 2024 - December 1, 2024

Composited 11 shots in Nuke, integrating CG assets with live-action plates to commercial broadcast standards. Managed multi-channel EXR / AOV workflows and used Nuke's 3D system to position CG environments with accurate light matching. Executed 2D/3D tracking and rig removal (mechanical tape-pulls) with 2-hour turnaround per shot; delivered within 8-hour windows. Modeled and textured hero assets in Maya and Substance Painter (4K) for a 30-person production team.

VFX Artist — Virtual Production at Full Sail University

January 1, 2024 - Present

On-set with LED volume and Unreal Engine 5 to deliver real-time background environments for a Halloween trailer production. Supported compositing and environment integration across in-camera VFX captures.

Compositor at Full Sail University – Cyborg Project

November 1, 2024 - December 1, 2024

Integrated biomechanical CG chest assets into 4K live-action plates using multi-channel EXR workflows. Applied Mocha Pro planar tracking for 1:1 CG-to-actor movement; used localised warping to simulate realistic skin deformation. Built a custom extraction pipeline using HSV tools and Keyer nodes to overcome non-standard grey-screen plates.

Compositor at Full Sail University – Keying & Environment Replacement

September 1, 2024 - October 1, 2024

Employed a double-key methodology (Keylight + IBK Gizmos) for core matte extraction and edge preservation on high-frequency green screen edges. Managed complex despill, manual masking, and hair detail recovery; performed a full 3D camera solve in Nuke to integrate a CG environment into moving footage. Executed high-detail paint-outs to remove tracking markers within intricate hair detail.