I am a creative and technically adept Post-Production Specialist with over 15 years of experience working across film, television, and animation. I have contributed to more than 40 projects including notable titles like NBC's The Blacklist, CW's Charmed, and Mortal Kombat Legends. My work is characterized by bridging artistic vision with broadcast standards, ensuring high quality while meeting tight deadlines. Throughout my career, I have gained deep expertise in editorial workflows, VFX compositing, and cross-department coordination from ingest to final delivery. I have worked closely with directors and producers to align creative intent with technical specifications, while also streamlining project timelines and reducing costs. I am passionate about supporting the post-production process and continuously improving workflows through collaboration and innovation.

Robert Ehrenreich

I am a creative and technically adept Post-Production Specialist with over 15 years of experience working across film, television, and animation. I have contributed to more than 40 projects including notable titles like NBC's The Blacklist, CW's Charmed, and Mortal Kombat Legends. My work is characterized by bridging artistic vision with broadcast standards, ensuring high quality while meeting tight deadlines. Throughout my career, I have gained deep expertise in editorial workflows, VFX compositing, and cross-department coordination from ingest to final delivery. I have worked closely with directors and producers to align creative intent with technical specifications, while also streamlining project timelines and reducing costs. I am passionate about supporting the post-production process and continuously improving workflows through collaboration and innovation.

Available to hire

I am a creative and technically adept Post-Production Specialist with over 15 years of experience working across film, television, and animation. I have contributed to more than 40 projects including notable titles like NBC’s The Blacklist, CW’s Charmed, and Mortal Kombat Legends. My work is characterized by bridging artistic vision with broadcast standards, ensuring high quality while meeting tight deadlines.

Throughout my career, I have gained deep expertise in editorial workflows, VFX compositing, and cross-department coordination from ingest to final delivery. I have worked closely with directors and producers to align creative intent with technical specifications, while also streamlining project timelines and reducing costs. I am passionate about supporting the post-production process and continuously improving workflows through collaboration and innovation.

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Work Experience

Ingest & Delivery Coordinator at SDFX Studios
December 31, 2015 - August 4, 2025
Managed and tracked all incoming production assets to ensure conform accuracy and timely editorial handoffs. Promoted within 3 months to lead quality control and 3D delivery for high-profile feature films including Guardians of the Galaxy, X-Men: Days of Future Past, and Godzilla. Partnered with pipeline developers to streamline ingest workflows and reduce processing time by 40%.
Assistant Chief Engineer at Studiopolis Inc.
December 31, 2014 - August 4, 2025
Oversaw operations across 6 studios and 15 editors, optimizing network and file systems to support a 400% increase in studio bookings. Designed and implemented post-production training programs that reduced support requests by 50%. Supported productions including WB Animation, Final Fantasy, Marvel Animation, and CSI:NY among others.
Editor, VFX, and Animator at Freelance / Contract Roles
January 1, 2012 - Present
Collaborated with directors and producers to deliver high-quality edits meeting creative intent and technical specifications. Delivered post-production work on over 40 titles including NBC’s The Blacklist, CW’s Charmed, Scooby-Doo!, and Mortal Kombat Legends. Coordinated handoffs across editorial, color, sound, and mastering departments to streamline project timelines and reduce budget overruns.
Field Technician & Mix Stage Assistant at Absolute Rentals & Post
December 31, 2008 - August 4, 2025
Provided on-site post-production tech support for major studio titles including Iron Man, Bolt, and Tropic Thunder. Engineered system redesigns that cut rental system turnaround time by 25%.

Education

Audio Engineering Program Honors Graduate at The Los Angeles Recording School
January 1, 2007 - January 1, 2007
Emphasis in History & Business at University of Missouri - Columbia
January 1, 2006 - January 1, 2006
High School Diploma at Chaminade College Preparatory
January 1, 2002 - January 1, 2002

Qualifications

PCEP-30-02: Certified Entry-Level Python Programmer (Python Institute)
January 11, 2030 - August 4, 2025

Industry Experience

Media & Entertainment, Software & Internet
    Little Hurt “It’s Ok Not To Be OK” music video

    Editor, Vosual Effects and Color Correction for the It’s Ok Not To Be OK music video by Little Hurt available here:

    Bellman’s Map Logo Animation

    Modeled, textured, and animated all elements in a short 3D animation available here: