I am a Film, TV, and media composer based in Germany with a specialization in orchestral and hybrid-orchestral scores. I pride myself on my thematic writing, textural depth, and precise narrative timing. Whether working with boutique chamber ensembles or large-scale hybrid productions, I combine live orchestra, sound design, and modern electronics to create production-ready stems delivered on time and on budget. My core strengths include orchestral and hybrid writing, orchestration, mockups and MIDI programming, score preparation, and session producing both remotely and in-studio. I excel at cue architecture and leitmotif design, stem management and delivery in stereo or 5.1 formats, music editing and conforming, and enjoy collaborative spotting and narrative development. I am comfortable joining projects at any stage, from early tone tests to last-minute additional music, across feature documentaries, series, narrative features, and game cues.

Alexander Detig

I am a Film, TV, and media composer based in Germany with a specialization in orchestral and hybrid-orchestral scores. I pride myself on my thematic writing, textural depth, and precise narrative timing. Whether working with boutique chamber ensembles or large-scale hybrid productions, I combine live orchestra, sound design, and modern electronics to create production-ready stems delivered on time and on budget. My core strengths include orchestral and hybrid writing, orchestration, mockups and MIDI programming, score preparation, and session producing both remotely and in-studio. I excel at cue architecture and leitmotif design, stem management and delivery in stereo or 5.1 formats, music editing and conforming, and enjoy collaborative spotting and narrative development. I am comfortable joining projects at any stage, from early tone tests to last-minute additional music, across feature documentaries, series, narrative features, and game cues.

Available to hire

I am a Film, TV, and media composer based in Germany with a specialization in orchestral and hybrid-orchestral scores. I pride myself on my thematic writing, textural depth, and precise narrative timing. Whether working with boutique chamber ensembles or large-scale hybrid productions, I combine live orchestra, sound design, and modern electronics to create production-ready stems delivered on time and on budget.

My core strengths include orchestral and hybrid writing, orchestration, mockups and MIDI programming, score preparation, and session producing both remotely and in-studio. I excel at cue architecture and leitmotif design, stem management and delivery in stereo or 5.1 formats, music editing and conforming, and enjoy collaborative spotting and narrative development. I am comfortable joining projects at any stage, from early tone tests to last-minute additional music, across feature documentaries, series, narrative features, and game cues.

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Language

English
Fluent
German
Fluent

Work Experience

Composer at Terra X history – Barbarossa (ZDF/ARTE/SWR)
December 31, 2022 - August 28, 2025
Composed a hybrid-orchestral score blending strings and brass with processed analog textures for a feature documentary. Delivered 45 minutes of original music and coordinated remote sessions with orchestra/ensemble players.
Composer at ZDF history – Kinder der Macht
December 31, 2023 - August 28, 2025
Created a contemporary orchestral palette including strings, low brass, percussion, and subtle synth beds to support archival storytelling and interview pacing for a TV documentary episode.
Composer at Medvetna – Feature Film
January 1, 2024 - Present
Produced a theme-driven orchestral score incorporating intimate woodwinds and piano, augmented by granular pads and modular pulses to create psychological tension in a feature film project.

Education

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Qualifications

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Industry Experience

Media & Entertainment