I am a colorist and post supervisor with hands-on experience in K-pop, branded content, and fast-turnaround editorial projects. Trained under Cullen Kelly at CCA, I bring both structure and tone to the post-production process, from on-set DIT work to final delivery. I am focused, collaborative, and always seeking ways to refine workflows and enhance creative clarity. With diverse skills ranging from grading and editorial supervision to 3D CG compositing and motion graphics, I have contributed to global campaigns and Netflix trailers. My experience spans multiple countries including South Korea, Singapore, and Malaysia, working closely with production and post teams to deliver smooth and quality outputs on time.

Bernard Law

I am a colorist and post supervisor with hands-on experience in K-pop, branded content, and fast-turnaround editorial projects. Trained under Cullen Kelly at CCA, I bring both structure and tone to the post-production process, from on-set DIT work to final delivery. I am focused, collaborative, and always seeking ways to refine workflows and enhance creative clarity. With diverse skills ranging from grading and editorial supervision to 3D CG compositing and motion graphics, I have contributed to global campaigns and Netflix trailers. My experience spans multiple countries including South Korea, Singapore, and Malaysia, working closely with production and post teams to deliver smooth and quality outputs on time.

Available to hire

I am a colorist and post supervisor with hands-on experience in K-pop, branded content, and fast-turnaround editorial projects. Trained under Cullen Kelly at CCA, I bring both structure and tone to the post-production process, from on-set DIT work to final delivery. I am focused, collaborative, and always seeking ways to refine workflows and enhance creative clarity.

With diverse skills ranging from grading and editorial supervision to 3D CG compositing and motion graphics, I have contributed to global campaigns and Netflix trailers. My experience spans multiple countries including South Korea, Singapore, and Malaysia, working closely with production and post teams to deliver smooth and quality outputs on time.

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Language

English
Advanced
Malay
Advanced
Korean
Intermediate

Work Experience

Color & Post Supervisor at Visual Track
January 1, 2022 - Present
Led grading and editorial for music videos and branded content while streamlining post workflows resulting in approximately 30% faster turnaround times. Managed on-set DIT and 3D CG compositing for select projects, and aligned production with post workflows to ensure smooth delivery. Edited digital and promotional content for global campaigns, supported motion graphics and post operations including LTO and archiving, and contributed to Netflix trailers and internal reels. Familiar with PnC workflows and conform processes.
Technical Creative Editor at Edisen
January 1, 2022 - August 28, 2025
Delivered end-to-end edits across music videos, dance, and branded content. Produced and edited interviews, promos, and event videos with a client portfolio including Chatime, MyPerks, and various Seoul-based creatives. Provided motion graphics creation and sound cleanup support when necessary.
Editor & Videographer at Freelance
January 1, 2024 - August 28, 2025
Worked remotely and in various locations including Malaysia producing edited content and videography for clients. Responsibilities included shooting and editing video content for different formats and purposes.

Education

B.A (Hons) in Broadcasting at Taylor’s University
January 1, 2017 - January 1, 2020
Foundation Degree in Business at Taylor’s University
January 1, 2016 - January 1, 2017

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Professional Services, Software & Internet
    paper LE SSERAFIM (르세라핌) ‘ANTIFRAGILE’ Special Performance Video

    Client

    In-house passion re-grade (unofficial)

    DELIVERABLES

    Look Dev
    Scene-to-scene matching
    Skin isolation

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