Hi, I’m Evan Anthony, a seasoned colourist and post‑production workflow specialist located in the Glasgow area of Scotland and New York City. Over 25 years in the industry, I’ve worn many hats—from assistant producer to senior colourist and workflow manager—yet my core passion remains guiding projects from editorial hand‑off through final delivery while ensuring every frame reflects both creative vision and technical excellence. I specialise in bringing a cinematic tone to unscripted and scripted projects, and I’m Dolby Vision Certified with extensive experience delivering across broadcast and streaming platforms. I’ve led colour grading sessions, supervised final conform and delivery, and built post‑production pipelines for in‑house and remote teams, collaborating closely with directors, DoPs, editors and producers to bring stories to life.

Evan Anthony

Hi, I’m Evan Anthony, a seasoned colourist and post‑production workflow specialist located in the Glasgow area of Scotland and New York City. Over 25 years in the industry, I’ve worn many hats—from assistant producer to senior colourist and workflow manager—yet my core passion remains guiding projects from editorial hand‑off through final delivery while ensuring every frame reflects both creative vision and technical excellence. I specialise in bringing a cinematic tone to unscripted and scripted projects, and I’m Dolby Vision Certified with extensive experience delivering across broadcast and streaming platforms. I’ve led colour grading sessions, supervised final conform and delivery, and built post‑production pipelines for in‑house and remote teams, collaborating closely with directors, DoPs, editors and producers to bring stories to life.

Available to hire

Hi, I’m Evan Anthony, a seasoned colourist and post‑production workflow specialist located in the Glasgow area of Scotland and New York City. Over 25 years in the industry, I’ve worn many hats—from assistant producer to senior colourist and workflow manager—yet my core passion remains guiding projects from editorial hand‑off through final delivery while ensuring every frame reflects both creative vision and technical excellence.

I specialise in bringing a cinematic tone to unscripted and scripted projects, and I’m Dolby Vision Certified with extensive experience delivering across broadcast and streaming platforms. I’ve led colour grading sessions, supervised final conform and delivery, and built post‑production pipelines for in‑house and remote teams, collaborating closely with directors, DoPs, editors and producers to bring stories to life.

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Language

English
Fluent

Work Experience

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Education

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Qualifications

Dolby Vision Certified
January 11, 2030 - January 8, 2026

Industry Experience

Media & Entertainment