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I'm a seasoned audio post-production mixer and sound editor with over three decades in the field. I started my professional journey in 1989 as a recording engineer, collaborating with iconic artists at world-class studios and building a solid foundation in music production and studio operations. Over time, I transitioned into audio post-production, specializing as a mix engineer and sound editor for film, television, and digital media. I've managed and mixed more than 2,500 hours of broadcast programming for networks across the industry, delivering polished, broadcast-quality results and collaborating closely with clients to tell their stories through sound. Throughout my career, I’ve combined technical precision with a storytelling mindset, handling everything from loudness compliance and stems creation to complex mixer setups and network integrations. My work spans broadcast television, film promos, trailers, and music videos, and I’m known for strong problem-solving skills, reliability, and a collaborative approach that helps teams achieve their creative vision.…I'm a seasoned audio post-production mixer and sound editor with over three decades in the field. I started my professional journey in 1989 as a recording engineer, collaborating with iconic artists at world-class studios and building a solid foundation in music production and studio operations. Over time, I transitioned into audio post-production, specializing as a mix engineer and sound editor for film, television, and digital media. I've managed and mixed more than 2,500 hours of broadcast programming for networks across the industry, delivering polished, broadcast-quality results and collaborating closely with clients to tell their stories through sound. Throughout my career, I’ve combined technical precision with a storytelling mindset, handling everything from loudness compliance and stems creation to complex mixer setups and network integrations. My work spans broadcast television, film promos, trailers, and music videos, and I’m known for strong problem-solving skills, reliability, and a collaborative approach that helps teams achieve their creative vision.

Danny Alonso

Sound Designer, Lead Sound Engineer, Sound Editor, +2

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I'm a seasoned audio post-production mixer and sound editor with over three decades in the field. I started my professional journey in 1989 as a recording engineer, collaborating with iconic artists at world-class studios and building a solid foundation in music production and studio operations. Over time, I transitioned into audio post-production, specializing as a mix engineer and sound editor for film, television, and digital media. I've managed and mixed more than 2,500 hours of broadcast programming for networks across the industry, delivering polished, broadcast-quality results and collaborating closely with clients to tell their stories through sound. Throughout my career, I’ve combined technical precision with a storytelling mindset, handling everything from loudness compliance and stems creation to complex mixer setups and network integrations. My work spans broadcast television, film promos, trailers, and music videos, and I’m known for strong problem-solving skills, reliability, and a collaborative approach that helps teams achieve their creative vision.…I'm a seasoned audio post-production mixer and sound editor with over three decades in the field. I started my professional journey in 1989 as a recording engineer, collaborating with iconic artists at world-class studios and building a solid foundation in music production and studio operations. Over time, I transitioned into audio post-production, specializing as a mix engineer and sound editor for film, television, and digital media. I've managed and mixed more than 2,500 hours of broadcast programming for networks across the industry, delivering polished, broadcast-quality results and collaborating closely with clients to tell their stories through sound. Throughout my career, I’ve combined technical precision with a storytelling mindset, handling everything from loudness compliance and stems creation to complex mixer setups and network integrations. My work spans broadcast television, film promos, trailers, and music videos, and I’m known for strong problem-solving skills, reliability, and a collaborative approach that helps teams achieve their creative vision.

Available to hire

I’m a seasoned audio post-production mixer and sound editor with over three decades in the field. I started my professional journey in 1989 as a recording engineer, collaborating with iconic artists at world-class studios and building a solid foundation in music production and studio operations. Over time, I transitioned into audio post-production, specializing as a mix engineer and sound editor for film, television, and digital media. I’ve managed and mixed more than 2,500 hours of broadcast programming for networks across the industry, delivering polished, broadcast-quality results and collaborating closely with clients to tell their stories through sound.

Throughout my career, I’ve combined technical precision with a storytelling mindset, handling everything from loudness compliance and stems creation to complex mixer setups and network integrations. My work spans broadcast television, film promos, trailers, and music videos, and I’m known for strong problem-solving skills, reliability, and a collaborative approach that helps teams achieve their creative vision.

Skills

Pro Tools

Logic Pro

Experience Level

Pro Tools

Expert

Logic Pro

Expert

Language

Work Experience

Founder & Lead Audio Post-Production Engineer at Sonic Mafia

March 1, 2016 - Present

Provide mix-to-picture services for broadcast television, film, trailers, and music videos using Pro Tools and industry standard plugins and applications from iZotope, Acon Digital, DADman, Waves, Nugen and many others. Set up EuCon control and Dante network integration with DAW-based applications and Avid control surfaces and interfaces. Manage media organization, loudness compliance, and stems creation to meet deliverables and platform specifications. Responsible for mixing 5 seasons of the Emmy-nominated show The Fixers.

Re-Recording Mixer / Sound Editor at Quarter Mile Films

January 1, 2000 - March 1, 2016

Provided mix-to-picture services for broadcast television shows, advertising, independent films and industrial promos. Implemented audio post-production workflows to and from production companies and client portals. Created and mastered the Acid Dipped Music library used in countless broadcast television shows.

Recording Engineer at Woodshed Studios

June 1, 1996 - November 1, 1998

Lead studio engineer for Tony Toni Tone, Thomas Helmig and many other recording artists. Responsible for designing and implementing digital automation system into an analog ecosystem. Collaborated with producers and musicians to achieve their artistic vision.

ADR Mixer / Sound Editor / Recording Engineer at Wild Woods Sound

January 1, 1995 - June 1, 1996

Recorded ADR, Voice-Over and Foley for TV and Film projects. Provided dialogue and sound effects editing. Responsible for audio lay-backs to video masters.

Recording Engineer at Can Am Studios

August 1, 1989 - September 1, 1994

Recorded and mixed projects for industry leading recording artists. Set up equipment including microphones, consoles and tape machines. Tested, calibrated and repaired equipment.