I’m a producer, engineer, and multi-instrumentalist with 20 years of experience helping artists, brands, and agencies bring their audio projects to life. My work spans custom music composition, full-song production,and audio editing/production - always with a focus on authenticity, creativity, and emotional impact.
What often sets me apart is the ability to blend real instruments—drums, bass, keys, and guitar—with digital production. This gives my work a warmth and authenticity that purely sample-based tracks can’t match, while still delivering the polish and versatility today’s projects demand.
My credits include creating custom music for a Super Bowl TV commercial, producing songs commissioned by USAID for the country of Pakistan and for a UAE Emirates polio campaign, and supplying original tracks for popular podcasts and music licensing agencies. I’ve also produced fully arranged, recorded, mixed, and mastered songs for artists across genres—from indie and folk to cinematic and electronic—always tailoring the sound to their unique vision.
Clients who work with me value not only the end product but also my professionalism, reliability, and ability to make the creative process smooth and collaborative. Whether you need music that elevates a brand, supports a story, or brings an artist’s idea to life, I’d love to help make it happen.
UX Designer Airbnb Inc.
January 2019 - March 2019
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Provide recording, mixing, and mastering for official podcasts produced by Michigan Ross including Business and Society, Business Beyond Usual, Down To Business, and Working For The Weekend.
Ensure consistent, high-quality audio across episodes featuring faculty, alumni, and external guests.
Collaborate with internal teams to maintain the university’s professional and polished sonic identity.
Trusted partner for 9+ years, delivering over 4 full seasons annually with reliability and technical excellence.
Use of high-end tools and practices to meet institutional broadcast standards.
Jason Mapes 2019 album The Devil Plays Guitar featured an all-star band including Rudy Sarzo (Ozzy Osbourne) on bass, Bruce Kullick (KISS) and Bill Leverty (Firehouse) on lead guitars, and legendary blues guitarist Stacy Mitchhart on slide guitar.
Jonah and Maya met through a start-up called ItyDity (a company he would later go on to join as co-founder) to produce the single Carpet Covered. The 2 hit if off and Maya travelled to Michigan where they put together her first full-length album As The Pink Fades.
Jonah has been collaborating with Canadian indie rock artist Evangelia Blackhart on her ongoing solo project. Their partnership has produced three singles to date—“Bitter Illness,” “Finally Free,” and the recently released “Defective” (April 2025) . Jonah has worked closely with Evangelia handling the recording, instrumentation/arrangement and production of these tracks to shape a sound that channels the raw, emotive spirit of 90s alternative rock with a modern edge. Their collaboration continues as they work on new material, aiming to further develop Evangelia’s distinctive voice in the rock scene.
USAID Pakistan with M + C Saatchi Group
I produced, arranged, recorded and mixed the “Dil Dil Mein Pakistan” for USAID’s Voices of Pakistan talent competition in collaboration with lyricist and project lead Ali Ashraf. Featuring young vocalists and musicians from across the country, the anthem celebrates unity, creativity, and the power of Pakistan’s youth.
Jonah Brockman collaborated with Nate Mackinder—frontman of their alt rock band VanGoGo—on Mackinder’s solo album Beef. They approached the project with a classic, old-school mindset exploring a more reflective, retro folk-rock influenced sound, distinct from VanGoGo’s heavier alt-rock style. Jonah handled the recording, mixing, and production, helping to shape an album that was well-received and positively reviewed, including recognition in Rolling Stone Magazine.
Jonah has been collaborating with Pakistani singer-songwriter and filmmaker Ali Ashraf since 2014, contributing as producer, engineer, and multi-instrumentalist across a range of projects. From the genre-blending debut Paheli to the edgier Kala Peela Neela EP—featuring the controversial track “Ik Wari Hor”—their work has consistently pushed creative and cultural boundaries. In addition to studio releases, Jonah and Ali have partnered on socially driven projects like “Roshan Pakistan” for the UAE Polio Campaign and “Dil Dil Mein Pakistan” for USAID’s Voices of Pakistan, reflecting Ali’s deep commitment to using music and film as tools for national pride and social impact.
Collaborated on several projects with Pseutopia, the alternative rock band featuring former Pearl Jam drummer Dave Abbruzzese, including co-producing and mixing the singles “Free Lunch” and “Brother.”
I worked with the client, Michigan Power Rodding, to create a custom song for a TV commercial including composing, performing, recording, producing, and mixing.
Recorded, Mixed, Mastered, Produced music commissioned by UAE Emirates Polio Campaign.
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