I am an enthusiastic, committed and professional sound engineer with extensive experience in live sound and production, from small venues to arena and festival shows. I have worked on productions such as the Commonwealth Games Opening Ceremony, TRNSMT, COP26, Standon Calling, We Out Here, Lollapalooza Berlin, London Pride and more, predominantly in FOH and related technical roles. I am proficient with digital and analogue consoles including Midas, Digico, Allen & Heath, Avid, Soundcraft, and Yamaha, and I am endorsed by SE Electronics and Audix; I carry a full tour package of SE mics and my own flyable FOH system when required. My background spans rigging, MEWPS, working at height, forklift operation, electronic engineering, Pro Tools, Logic, Qlab, video walls, projection, pyrotechnics, and Dante networking, among other technical production skills. I have collaborated with production houses such as Catalyst EPS, Clair Global, Video Illusions, Nightsky Productions/Nightsky Studios, A-LIVE, FE-Live, Black Light, Northern Light, AudioCP, and more, in roles focused mainly on live sound and event production, with involvement in equipment repair, maintenance and prep.
I pride myself on excellent organisation and communication, always aiming to deliver the highest level of service to the companies and artists I work for.
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