I'm IN OBSIDIAN, an independent electronic music project focused on atmosphere, texture, and immersive sonic worldbuilding. With a background in Creative Industries (Film & Television), I blend cinematic structure, emotional pacing, and layered electronic production to create cohesive sound environments rather than standalone tracks. Beyond music production, I operate across multidisciplinary creative development - including visual identity direction, concept building, long-form thematic design, and independent digital distribution strategy. I develop immersive IP concepts and sustainability plans, and I explore policy concepts related to artist income structures to support long-term creative practice.…

IN OBSIDIAN OFFICIAL

I'm IN OBSIDIAN, an independent electronic music project focused on atmosphere, texture, and immersive sonic worldbuilding. With a background in Creative Industries (Film & Television), I blend cinematic structure, emotional pacing, and layered electronic production to create cohesive sound environments rather than standalone tracks. Beyond music production, I operate across multidisciplinary creative development - including visual identity direction, concept building, long-form thematic design, and independent digital distribution strategy. I develop immersive IP concepts and sustainability plans, and I explore policy concepts related to artist income structures to support long-term creative practice.…

Available to hire

I’m IN OBSIDIAN, an independent electronic music project focused on atmosphere, texture, and immersive sonic worldbuilding. With a background in Creative Industries (Film & Television), I blend cinematic structure, emotional pacing, and layered electronic production to create cohesive sound environments rather than standalone tracks.

Beyond music production, I operate across multidisciplinary creative development - including visual identity direction, concept building, long-form thematic design, and independent digital distribution strategy. I develop immersive IP concepts and sustainability plans, and I explore policy concepts related to artist income structures to support long-term creative practice.

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Language

English
Fluent

Work Experience

Electronic Music Producer & Creative Director at IN OBSIDIAN
January 1, 2014 - Present
Lead all aspects of music production: producing, mixing, and releasing original music; developing cohesive thematic identities across releases; overseeing branding, aesthetic direction, and visual cohesion. Analyze platform data and audience engagement trends to inform artistic positioning strategies. Serve as multi-instrumentalist and drive concept development for immersive IP and artistic frameworks. Create visual mood boards and long-form thematic worlds; manage creative funding research and sustainability planning; develop policy concepts related to artist income structures.

Education

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Qualifications

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Industry Experience

Media & Entertainment
    paper IN OBSIDIAN - MUSIC

    The discography reflects a long-form commitment to world-building through sound — albums unfold as environments rather than collections of tracks. Themes of isolation, nature, technology, and introspection recur throughout the work, with evolving production techniques marking a clear artistic progression from early ambient foundations to more refined, layered compositions in later releases.

    The project is entirely self-directed, with full creative control over composition, production, and sonic identity. Releases demonstrate consistency in mood, aesthetic cohesion, and conceptual tone, positioning the artist within the lineage of independent ambient and experimental electronic producers who prioritise atmosphere and narrative over commercial structure.

    ALBUMS RELEASES

    1. PATTERNS (2014)
    2. COLD BLOOM (2014)
    3. BEYOND THE PINE (2015)
    4. VVAVES (2015)
    5. WE ARE ATOM (2017)
    6. THE LONG NIGHT (2018)
    7. THE OUTER LANDS (2019)
    8. INNER/OUTER (2019/2020)
    9. BROKEN TAPES (2024/25)
    10. THE LOST TAPES I/II (2026)
    paper IN OBSIDIAN - MUSIC

    The discography reflects a long-form commitment to world-building through sound — albums unfold as environments rather than collections of tracks. Themes of isolation, nature, technology, and introspection recur throughout the work, with evolving production techniques marking a clear artistic progression from early ambient foundations to more refined, layered compositions in later releases.

    The project is entirely self-directed, with full creative control over composition, production, and sonic identity. Releases demonstrate consistency in mood, aesthetic cohesion, and conceptual tone, positioning the artist within the lineage of independent ambient and experimental electronic producers who prioritise atmosphere and narrative over commercial structure.

    ALBUMS RELEASES

    1. PATTERNS (2014)
    2. COLD BLOOM (2014)
    3. BEYOND THE PINE (2015)
    4. VVAVES (2015)
    5. WE ARE ATOM (2017)
    6. THE LONG NIGHT (2018)
    7. THE OUTER LANDS (2019)
    8. INNER/OUTER (2019/2020)
    9. BROKEN TAPES (2024/25)
    10. THE LOST TAPES I/II (2026)
    paper IN OBSIDIAN - MUSIC

    The discography reflects a long-form commitment to world-building through sound — albums unfold as environments rather than collections of tracks. Themes of isolation, nature, technology, and introspection recur throughout the work, with evolving production techniques marking a clear artistic progression from early ambient foundations to more refined, layered compositions in later releases.

    The project is entirely self-directed, with full creative control over composition, production, and sonic identity. Releases demonstrate consistency in mood, aesthetic cohesion, and conceptual tone, positioning the artist within the lineage of independent ambient and experimental electronic producers who prioritise atmosphere and narrative over commercial structure.

    ALBUMS RELEASES

    1. PATTERNS (2014)
    2. COLD BLOOM (2014)
    3. BEYOND THE PINE (2015)
    4. VVAVES (2015)
    5. WE ARE ATOM (2017)
    6. THE LONG NIGHT (2018)
    7. THE OUTER LANDS (2019)
    8. INNER/OUTER (2019/2020)
    9. BROKEN TAPES (2024/25)
    10. THE LOST TAPES I/II (2026)
    paper IN OBSIDIAN - MUSIC

    The discography reflects a long-form commitment to world-building through sound — albums unfold as environments rather than collections of tracks. Themes of isolation, nature, technology, and introspection recur throughout the work, with evolving production techniques marking a clear artistic progression from early ambient foundations to more refined, layered compositions in later releases.

    The project is entirely self-directed, with full creative control over composition, production, and sonic identity. Releases demonstrate consistency in mood, aesthetic cohesion, and conceptual tone, positioning the artist within the lineage of independent ambient and experimental electronic producers who prioritise atmosphere and narrative over commercial structure.

    ALBUMS RELEASES

    1. PATTERNS (2014)
    2. COLD BLOOM (2014)
    3. BEYOND THE PINE (2015)
    4. VVAVES (2015)
    5. WE ARE ATOM (2017)
    6. THE LONG NIGHT (2018)
    7. THE OUTER LANDS (2019)
    8. INNER/OUTER (2019/2020)
    9. BROKEN TAPES (2024/25)
    10. THE LOST TAPES I/II (2026)