I’ve worked on a wide range of content—including comedy, drama, entertainment, and religious programs—on projects broadcast on platforms such as Al Jazeera and Kuwait TV. I’ve edited full long-form episodes as well as more than 40 promos and trailers, each with its own rhythm, tone, and audience, while collaborating with different directors and working across various directing styles. With every project, I ask myself one question: Why am I editing? And the answer is always clear—to make people feel something, connect with the work, and remember it.

Moamen Tayei

I’ve worked on a wide range of content—including comedy, drama, entertainment, and religious programs—on projects broadcast on platforms such as Al Jazeera and Kuwait TV. I’ve edited full long-form episodes as well as more than 40 promos and trailers, each with its own rhythm, tone, and audience, while collaborating with different directors and working across various directing styles. With every project, I ask myself one question: Why am I editing? And the answer is always clear—to make people feel something, connect with the work, and remember it.

Available to hire

I’ve worked on a wide range of content—including comedy, drama, entertainment, and religious programs—on projects broadcast on platforms such as Al Jazeera and Kuwait TV.

I’ve edited full long-form episodes as well as more than 40 promos and trailers, each with its own rhythm, tone, and audience, while collaborating with different directors and working across various directing styles.

With every project, I ask myself one question: Why am I editing?
And the answer is always clear—to make people feel something, connect with the work, and remember it.

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Media & Entertainment