I’m a multi-disciplinary artist focused on sound design and scoring, based in Guadalajara, Mexico. I maintain high aesthetic standards and work efficiently with diverse teams. I operate a 5.1 high-end studio with a Foley and sound FX recording room, and I have created soundtracks for diverse multimedia projects, helped develop video game downloadable content, and worked as a photography content creator for Envato in a full-time position for years. My work as a sound designer is known for its meticulous detail, seamless narrative integration, aesthetic impact, and ability to meet challenging deadlines. I’ve recruited, instructed, and supervised new talent for highly complex post-production roles—Foley artists, mixers, and editors—and I’ve managed crews of up to 29 people from concept to post-production, even on limited budgets and tight timelines. Currently supervising sound post-production at El Taller Del Chucho animation projects. The HOUND CINEMA is my self-owned distinctive mark, standing out for its high-detail work, perfect narrative integration, and aesthetics. I understand industry standards for film and television and how to meet demanding deadlines. My 5.1 sound design integrates with Dolby Atmos up-mix at theaters, and my compact Foley tracking offers one of the lowest noise profiles in Mexico. I have the infrastructure, talent, and experience to handle any sound job in the market.…I’m a multi-disciplinary artist focused on sound design and scoring, based in Guadalajara, Mexico. I maintain high aesthetic standards and work efficiently with diverse teams. I operate a 5.1 high-end studio with a Foley and sound FX recording room, and I have created soundtracks for diverse multimedia projects, helped develop video game downloadable content, and worked as a photography content creator for Envato in a full-time position for years. My work as a sound designer is known for its meticulous detail, seamless narrative integration, aesthetic impact, and ability to meet challenging deadlines. I’ve recruited, instructed, and supervised new talent for highly complex post-production roles—Foley artists, mixers, and editors—and I’ve managed crews of up to 29 people from concept to post-production, even on limited budgets and tight timelines. Currently supervising sound post-production at El Taller Del Chucho animation projects. The HOUND CINEMA is my self-owned distinctive mark, standing out for its high-detail work, perfect narrative integration, and aesthetics. I understand industry standards for film and television and how to meet demanding deadlines. My 5.1 sound design integrates with Dolby Atmos up-mix at theaters, and my compact Foley tracking offers one of the lowest noise profiles in Mexico. I have the infrastructure, talent, and experience to handle any sound job in the market.WWWW…