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Hello! I’m Michael Eves, a mid-level Nuke compositor with over a decade of experience delivering high-end visual effects for major studios. IMDB-verified credits include work for Disney, Netflix, Sony, Paramount, and Lionsgate across episodic television and feature films. I’m skilled in compositing, camera tracking, 3D integration, and particle systems, and I pride myself on delivering clean, broadcast-quality work under tight episodic deadlines. I thrive in collaborative environments with VFX Supervisors to implement notes and maintain visual consistency across shots and episodes.…Hello! I’m Michael Eves, a mid-level Nuke compositor with over a decade of experience delivering high-end visual effects for major studios. IMDB-verified credits include work for Disney, Netflix, Sony, Paramount, and Lionsgate across episodic television and feature films. I’m skilled in compositing, camera tracking, 3D integration, and particle systems, and I pride myself on delivering clean, broadcast-quality work under tight episodic deadlines. I thrive in collaborative environments with VFX Supervisors to implement notes and maintain visual consistency across shots and episodes.

Michael Eves

Visual Effects Artist, Filmmaker, Cinematographer, +4

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Hello! I’m Michael Eves, a mid-level Nuke compositor with over a decade of experience delivering high-end visual effects for major studios. IMDB-verified credits include work for Disney, Netflix, Sony, Paramount, and Lionsgate across episodic television and feature films. I’m skilled in compositing, camera tracking, 3D integration, and particle systems, and I pride myself on delivering clean, broadcast-quality work under tight episodic deadlines. I thrive in collaborative environments with VFX Supervisors to implement notes and maintain visual consistency across shots and episodes.…Hello! I’m Michael Eves, a mid-level Nuke compositor with over a decade of experience delivering high-end visual effects for major studios. IMDB-verified credits include work for Disney, Netflix, Sony, Paramount, and Lionsgate across episodic television and feature films. I’m skilled in compositing, camera tracking, 3D integration, and particle systems, and I pride myself on delivering clean, broadcast-quality work under tight episodic deadlines. I thrive in collaborative environments with VFX Supervisors to implement notes and maintain visual consistency across shots and episodes.

Available to hire

Hello! I’m Michael Eves, a mid-level Nuke compositor with over a decade of experience delivering high-end visual effects for major studios. IMDB-verified credits include work for Disney, Netflix, Sony, Paramount, and Lionsgate across episodic television and feature films. I’m skilled in compositing, camera tracking, 3D integration, and particle systems, and I pride myself on delivering clean, broadcast-quality work under tight episodic deadlines.

I thrive in collaborative environments with VFX Supervisors to implement notes and maintain visual consistency across shots and episodes.

Skills

3D Animation

Adobe Photoshop

DaVinci Resolve Studio

3ds Max

Adobe After Effects

Experience Level

3D Animation

Expert

Adobe Photoshop

Expert

DaVinci Resolve Studio

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Language

English

Fluent

Work Experience

Nuke Compositor at Folks VFX

January 1, 2024 - Present

Integrated live-action and CG elements for American Horror Story. Delivered clean composites under tight episodic deadlines.

Nuke Compositor at FuseFX

January 1, 2021 - December 31, 2023

Created high-quality comps for major episodic production. Worked closely with supervisors to implement notes and maintain consistency.

Nuke Compositor at Intelligent Creatures

January 1, 2017 - December 31, 2020

Executed blue and green-screen keying and 3D match-moving on feature films. Applied supervisor notes to meet project standards and maintain visual consistency.

VFX Artist / Compositor at Technicolor

January 1, 2016 - December 31, 2017

Created and comped VFX for Disney feature film and created assets for episodic productions. Worked closely with editorial and color department to meet quality and schedule targets.