I've been working in audio engineering and sound since the early 90's where I began tinkering with TASCAM Porta-studio 8's and 16's and then moved up when I started studying audio in college in 1994. We were still using 1/4, 1/2. 1 and 2" tape back then and ProTools had just released their earliest DAW's. In 2010, I took a refresher course and started playing wth Audacity, Reaper, Logic ProX, and broadened my digital console resume from Midas, Digico, Yamaha and Soundcraft. My first Sound Design job was for the Curious Incident of the Dog in the Nighttime for the Pacific Repertory Theatre in Carmel California. I've since done Sound Design on Disney's The Little Mermaid, The Sound of Music, Mean Girls, How to Break, Sherwood and many more.…I've been working in audio engineering and sound since the early 90's where I began tinkering with TASCAM Porta-studio 8's and 16's and then moved up when I started studying audio in college in 1994. We were still using 1/4, 1/2. 1 and 2" tape back then and ProTools had just released their earliest DAW's. In 2010, I took a refresher course and started playing wth Audacity, Reaper, Logic ProX, and broadened my digital console resume from Midas, Digico, Yamaha and Soundcraft. My first Sound Design job was for the Curious Incident of the Dog in the Nighttime for the Pacific Repertory Theatre in Carmel California. I've since done Sound Design on Disney's The Little Mermaid, The Sound of Music, Mean Girls, How to Break, Sherwood and many more.WWWW…