Content Creator, Video Editor and Post Producer with 5+ years of experience editing raw material into the final deliverables across multiple formats with application of motion graphics at scale. My editing career has lived in two distinct modes. The first is large-scale commercial production. At INDG GRIP, I managed a VFX-focused post-production pipeline for up to five concurrent Coca-Cola brand campaigns at once — designing editing templates for QC processing and VFX shot integration, reviewing masters and preparing material for VFX handoff, then at the final production stage integrating completed VFX shots seamlessly into the masters for delivery. Over 1,200 multi-ratio assets shipped monthly across up to 60 global markets. The kind of work where the pipeline has to be airtight and the margin for error is zero. The second is more cinematic. At Nixxes (Sony Interactive Entertainment), I worked on the remaster of Horizon Zero Dawn for PS5 — designing camera layouts inside the Decima engine, finding the right framing for cutscenes that millions of players would eventually watch without thinking about them. That invisibility is the goal. Before those roles, I built Holland Fintech's video department from the ground up: workflow, toolchain, content strategy, and a library of 100+ branded videos. A different kind of challenge — not just producing content, but thinking clearly about why it exists and who it's for. Alongside everything else, I run Sheynin Media, a freelance practice where I take projects from brief to delivery as sole producer, director, and editor. Currently looking for my next role in commercial post-production or senior video editing. If you're building a team or working on something that needs someone equally at home in a pipeline and a cutting room, I'd be glad to hear from you. 📩 _Email not available. Sign in: https://www.twine.net/signup_ 🎬 sheyninmedia.com…Content Creator, Video Editor and Post Producer with 5+ years of experience editing raw material into the final deliverables across multiple formats with application of motion graphics at scale. My editing career has lived in two distinct modes. The first is large-scale commercial production. At INDG GRIP, I managed a VFX-focused post-production pipeline for up to five concurrent Coca-Cola brand campaigns at once — designing editing templates for QC processing and VFX shot integration, reviewing masters and preparing material for VFX handoff, then at the final production stage integrating completed VFX shots seamlessly into the masters for delivery. Over 1,200 multi-ratio assets shipped monthly across up to 60 global markets. The kind of work where the pipeline has to be airtight and the margin for error is zero. The second is more cinematic. At Nixxes (Sony Interactive Entertainment), I worked on the remaster of Horizon Zero Dawn for PS5 — designing camera layouts inside the Decima engine, finding the right framing for cutscenes that millions of players would eventually watch without thinking about them. That invisibility is the goal. Before those roles, I built Holland Fintech's video department from the ground up: workflow, toolchain, content strategy, and a library of 100+ branded videos. A different kind of challenge — not just producing content, but thinking clearly about why it exists and who it's for. Alongside everything else, I run Sheynin Media, a freelance practice where I take projects from brief to delivery as sole producer, director, and editor. Currently looking for my next role in commercial post-production or senior video editing. If you're building a team or working on something that needs someone equally at home in a pipeline and a cutting room, I'd be glad to hear from you. 📩 _Email not available. Sign in: https://www.twine.net/signup_ 🎬 sheyninmedia.comWWWW…