Hi, I’m Oliver Griffin, a freelance film and TV editor based in the UK with over two decades of experience. Since 2000 I’ve edited 3 feature films and more than 17 hours of broadcast TV, mainly in drama and comedy, plus a feature-length TV documentary. I collaborate closely with directors and producers to shape pacing, tone, and narrative under tight schedules, delivering polished cuts that support the story. I primarily edit using AVID, with hands-on experience in Lightworks, Final Cut Pro, and Premiere. I thrive in collaborative teams, staying organized and adaptable in fast-paced environments. I’m open to opportunities across the UK and Europe and enjoy bringing complex storytelling to life through precise editing and thoughtful storytelling choices.

Oliver Griffin

Hi, I’m Oliver Griffin, a freelance film and TV editor based in the UK with over two decades of experience. Since 2000 I’ve edited 3 feature films and more than 17 hours of broadcast TV, mainly in drama and comedy, plus a feature-length TV documentary. I collaborate closely with directors and producers to shape pacing, tone, and narrative under tight schedules, delivering polished cuts that support the story. I primarily edit using AVID, with hands-on experience in Lightworks, Final Cut Pro, and Premiere. I thrive in collaborative teams, staying organized and adaptable in fast-paced environments. I’m open to opportunities across the UK and Europe and enjoy bringing complex storytelling to life through precise editing and thoughtful storytelling choices.

Available to hire

Hi, I’m Oliver Griffin, a freelance film and TV editor based in the UK with over two decades of experience. Since 2000 I’ve edited 3 feature films and more than 17 hours of broadcast TV, mainly in drama and comedy, plus a feature-length TV documentary. I collaborate closely with directors and producers to shape pacing, tone, and narrative under tight schedules, delivering polished cuts that support the story.

I primarily edit using AVID, with hands-on experience in Lightworks, Final Cut Pro, and Premiere. I thrive in collaborative teams, staying organized and adaptable in fast-paced environments. I’m open to opportunities across the UK and Europe and enjoy bringing complex storytelling to life through precise editing and thoughtful storytelling choices.

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Work Experience

Editor at Mainstream Productions
January 1, 2014 - January 1, 2014
Edited Republic (Documentary); assembled interview material, narration, and sequences to support the documentary’s structure.
Editor at Powis Square Pictures
January 1, 2014 - January 1, 2014
Edited Over and Over (Short); cut and refined narrative flow and comedic timing.
Editor at BBC1 Television
January 1, 2011 - January 1, 2011
Edited multiple episodes for Holby City (1 hour format); supported post-production workflow for high-volume drama.
Editor at Company Pictures for E4
January 1, 2011 - January 1, 2011
Edited Beaver Falls; contributed to episode assembly and cut delivery for broadcast.
Editor at New Flesh Films
January 1, 2011 - January 1, 2011
Edited Inbred (Feature Film); contributed to feature assembly and cut progression.
Editor at MTV and Blakeway
January 1, 2008 - January 1, 2008
Edited Peaches: - Disappear Here; supported formatting and editorial decisions for music/arts project.
Editor at Baby Cow for BBC3
January 1, 2007 - January 1, 2007
Edited Gavin and Stacey Series 2; contributed to cut sequences for comedy series.
Editor at Mentorn for CH5+Discovery US
January 1, 2006 - January 1, 2006
Edited 7/7 The Day London Was Attacked; supported post-production in documentary/real-event format.
Editor at Shed Productions for ITV2
January 1, 2005 - January 1, 2005
Edited Footballers Wives Extra; crafted editorial pacing for reality/celebrity-driven format.
Editor at Planet Rapido for Sky1
January 1, 2002 - January 1, 2002
Edited Is Harry on the Boat; contributed to cutting-room workflow for reality series.
Post Production Supervisor at Trinity
January 1, 2009 - January 1, 2009
Rough cut supervision and post-production coordination for ITV2 projects.
Editor at Origin Pictures for BBC2
January 1, 2011 - January 1, 2011
The Crims on Petal and the White; performed editorial duties on original pictures for BBC2.
Editor at Company Pictures for BBC1
January 1, 2010 - January 1, 2010
George Gently Series 4; contributed as editor within high-end BBC drama.
Editor at Company Pictures for E4
January 1, 2009 - January 1, 2009
Skins Series 4; editorial contributor to a high-profile youth drama.
VFX Editor at Mid Summer Films
January 1, 2012 - January 1, 2012
Legendary: Tomb of the Dragon; supervised VFX editorial integration.
Editor at HBO / Fire and Ice
January 1, 2013 - January 1, 2013
Game of Thrones (Season 4); editorial involvement on high-profile fantasy series.
Editor at Big Talk
January 1, 2013 - January 1, 2013
Ambassadors 3x1 hours; editorial work for BBC2 project.
Editor at Hat Trick
January 1, 2013 - January 1, 2013
The Suspicion of Mr Whicher 2; post-production editing for ITV1 TV movie.
Editor at Kudos / HBO
January 1, 2010 - January 1, 2010
Hunted; editorial contribution to HBO/KUDOS production.
Editor at Carnival Pictures for ITV1
January 1, 2008 - January 1, 2008
Harley Street; editorial involvement on ITV1 production.
Editor at David Barrett
January 1, 2007 - January 1, 2007
Dangerous Parking; feature-film editorial contribution.

Education

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Qualifications

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Industry Experience

Media & Entertainment