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I'm James Everett, a film & television composer based in Bangor, United Kingdom. I score feature films, television drama, and documentary, bringing a wide range of musical styles to each project. I collaborate closely with directors and producers to craft music that supports story, tone and character, from intimate dramatic moments to large-scale cinematic soundtracks. Notable credits include Bad Day for the Cut (Sundance premiere) and The Dig (TIFF selection).…I'm James Everett, a film & television composer based in Bangor, United Kingdom. I score feature films, television drama, and documentary, bringing a wide range of musical styles to each project. I collaborate closely with directors and producers to craft music that supports story, tone and character, from intimate dramatic moments to large-scale cinematic soundtracks. Notable credits include Bad Day for the Cut (Sundance premiere) and The Dig (TIFF selection).

James Everett

Composer, Film Composer, Music Composer, +2

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I'm James Everett, a film & television composer based in Bangor, United Kingdom. I score feature films, television drama, and documentary, bringing a wide range of musical styles to each project. I collaborate closely with directors and producers to craft music that supports story, tone and character, from intimate dramatic moments to large-scale cinematic soundtracks. Notable credits include Bad Day for the Cut (Sundance premiere) and The Dig (TIFF selection).…I'm James Everett, a film & television composer based in Bangor, United Kingdom. I score feature films, television drama, and documentary, bringing a wide range of musical styles to each project. I collaborate closely with directors and producers to craft music that supports story, tone and character, from intimate dramatic moments to large-scale cinematic soundtracks. Notable credits include Bad Day for the Cut (Sundance premiere) and The Dig (TIFF selection).

Available to hire

I’m James Everett, a film & television composer based in Bangor, United Kingdom. I score feature films, television drama, and documentary, bringing a wide range of musical styles to each project.

I collaborate closely with directors and producers to craft music that supports story, tone and character, from intimate dramatic moments to large-scale cinematic soundtracks. Notable credits include Bad Day for the Cut (Sundance premiere) and The Dig (TIFF selection).