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I’m a creative visual effects professional with a solid background in digital media and a strong track record delivering high-quality content for feature films, TV productions, and advertising. I’m proficient with industry-standard tools such as Nuke, Houdini, SilhouetteFX, Mocha, Final Cut Pro X, and Adobe Creative Suite, and I’m comfortable working across the entire production pipeline with a focus on compositing and colour grading. I’ve collaborated across teams to resolve technical challenges and ensure brand standards are met, while continually expanding my knowledge in colour workflows and AI-assisted techniques. I value teamwork, mentorship, and DEI in the workplace. I’ve led cross-functional collaborations, supported junior artists, and maintained open communication to drive projects forward. I’m committed to lifelong learning and evolving my craft—especially in colour grading and new workflows—so I can contribute effectively to fast-moving productions and help teams achieve visually cohesive results.…I’m a creative visual effects professional with a solid background in digital media and a strong track record delivering high-quality content for feature films, TV productions, and advertising. I’m proficient with industry-standard tools such as Nuke, Houdini, SilhouetteFX, Mocha, Final Cut Pro X, and Adobe Creative Suite, and I’m comfortable working across the entire production pipeline with a focus on compositing and colour grading. I’ve collaborated across teams to resolve technical challenges and ensure brand standards are met, while continually expanding my knowledge in colour workflows and AI-assisted techniques. I value teamwork, mentorship, and DEI in the workplace. I’ve led cross-functional collaborations, supported junior artists, and maintained open communication to drive projects forward. I’m committed to lifelong learning and evolving my craft—especially in colour grading and new workflows—so I can contribute effectively to fast-moving productions and help teams achieve visually cohesive results.

Luan Hall

Visual Effects Artist, Post-Production, Video Editor, +2

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I’m a creative visual effects professional with a solid background in digital media and a strong track record delivering high-quality content for feature films, TV productions, and advertising. I’m proficient with industry-standard tools such as Nuke, Houdini, SilhouetteFX, Mocha, Final Cut Pro X, and Adobe Creative Suite, and I’m comfortable working across the entire production pipeline with a focus on compositing and colour grading. I’ve collaborated across teams to resolve technical challenges and ensure brand standards are met, while continually expanding my knowledge in colour workflows and AI-assisted techniques. I value teamwork, mentorship, and DEI in the workplace. I’ve led cross-functional collaborations, supported junior artists, and maintained open communication to drive projects forward. I’m committed to lifelong learning and evolving my craft—especially in colour grading and new workflows—so I can contribute effectively to fast-moving productions and help teams achieve visually cohesive results.…I’m a creative visual effects professional with a solid background in digital media and a strong track record delivering high-quality content for feature films, TV productions, and advertising. I’m proficient with industry-standard tools such as Nuke, Houdini, SilhouetteFX, Mocha, Final Cut Pro X, and Adobe Creative Suite, and I’m comfortable working across the entire production pipeline with a focus on compositing and colour grading. I’ve collaborated across teams to resolve technical challenges and ensure brand standards are met, while continually expanding my knowledge in colour workflows and AI-assisted techniques. I value teamwork, mentorship, and DEI in the workplace. I’ve led cross-functional collaborations, supported junior artists, and maintained open communication to drive projects forward. I’m committed to lifelong learning and evolving my craft—especially in colour grading and new workflows—so I can contribute effectively to fast-moving productions and help teams achieve visually cohesive results.

Available to hire

I’m a creative visual effects professional with a solid background in digital media and a strong track record delivering high-quality content for feature films, TV productions, and advertising. I’m proficient with industry-standard tools such as Nuke, Houdini, SilhouetteFX, Mocha, Final Cut Pro X, and Adobe Creative Suite, and I’m comfortable working across the entire production pipeline with a focus on compositing and colour grading. I’ve collaborated across teams to resolve technical challenges and ensure brand standards are met, while continually expanding my knowledge in colour workflows and AI-assisted techniques.

I value teamwork, mentorship, and DEI in the workplace. I’ve led cross-functional collaborations, supported junior artists, and maintained open communication to drive projects forward. I’m committed to lifelong learning and evolving my craft—especially in colour grading and new workflows—so I can contribute effectively to fast-moving productions and help teams achieve visually cohesive results.

Skills

Adobe After Effects

Adobe Photoshop

Adobe Premiere Pro

DaVinci Resolve Studio

Adobe Illustrator

Experience Level

Adobe After Effects

Expert

Adobe Photoshop

Expert

Adobe Premiere Pro

Expert

DaVinci Resolve Studio

Expert

Expert

Expert

Expert

Expert

Intermediate

Intermediate

Intermediate

Intermediate

Language

English

Fluent

Work Experience

Digital Compositor at Saurus Animation

June 1, 2024 - June 1, 2024

Delivered high-quality compositing for a major crisp commercial. Produced engaging content for various crisp styles, enhancing brand visibility. Facilitated collaboration among three CG artists, contributing to seamless project execution.

Digital Compositor at Wash Post Production

April 1, 2024 - April 1, 2024

Delivered high-quality visual content through effective collaboration with the supervisor. Resolved lighting and colour issues to improve overall production quality. Ensured visual consistency by advocating for a reshoot to meet brand standards.

Digital Compositor at Analog Studios

June 1, 2023 - August 1, 2023

Delivered compelling commercial visuals for iWatch series 9, showcasing various watch models and straps effectively. Enhanced project outcomes through expert manipulation of proprietary software, resulting in high client satisfaction. Achieved timely project milestones by coordinating closely with cross-functional teams and maintaining strict onsite presence.

Digital Compositor at Creep Post Production

April 1, 2023 - April 1, 2023

Composited on the TV Series 'Sex Education', Prep and Comp tasks.

Trial Senior/ Teaching Compositor at Firebrand VFX

April 1, 2023 - April 1, 2023

Assisted compositing team in Doncaster at Firebrand during evaluation for team suitability. Completed compositing shots and provided feedback on roto work. Engaged with compositing supervisor to understand team dynamics.

Digital Compositor at Jellyfish Pictures

February 1, 2023 - March 1, 2023

Used node-based compositing strategies to Key on 'Nautilus', streamlining the post-production process.

Digital Compositor at Fix Visual Effects Ltd

November 1, 2022 - January 1, 2023

Worked closely with Compositing Lead and Supervisor to create shots for 'Outlander' and 'Yellow Jackets'. Also some prep tasks working in paint on wig line hair integration.

Digital Compositor at Ghost VFX

September 1, 2022 - October 1, 2022

Worked across a number of shows namely 'The Rookie' & 'Doc Martin' in Comp.

Postvis Compositor / Rotoscopper at Moonraker

July 1, 2022 - August 1, 2022

On the TV Series 'Kangaroo Valley', the night time illuminous episode worked closely with the Supervisor on shots for a mouse, mushrooms and lions.

Postvis Compositor / Rotoscopper at Proof Inc

May 1, 2022 - July 1, 2022

Assisted in rotoscoping tasks for 'Creed 3' with a large compositing team. Supported replacement of 3D background crowds by rotoscoping boxers in action. Executed postvis compositing for 'Batgirl' street scenes, integrating CG vehicles with live action plates through precise 3D projections with sky replacements.

Digital Compositor / Rotoscopper at Union Visual Effects

February 1, 2022 - May 1, 2022

Assisted in initial setup on 'Pistol' by Danny Boyle with integration of up to three plates per shot for aerial street scenes. Supported screen replacements to enhance visual effects. Contributed to the addition of matte painting techniques as project requirements evolved. Rotoscoping and prep tasks across a number of other shows at the Union.

Digital Compositor at Light VFX

October 1, 2021 - November 1, 2021

Successfully enhanced USA Kia commercials through effective CGI and Compositing collaboration. Achieved seamless logo updates to strengthen brand consistency. Delivered subtle yet impactful CGI improvements to live action scenes. Ensured timely project updates through efficient communication with company leadership. Contributed to the success of 'Saloum' film production as part of a high-performing team.

Digital Compositor at Territory Studios

September 1, 2021 - October 1, 2021

Worked with Compositing Supervisor Aurora on screen replacements and digital photo enhancement for 'The Batman: Vengeance' across ten shots to create seamless look and continuity.

Comp Tasks at UNIT Film & Television

September 1, 2021 - October 1, 2021

Comp tasks for TV show 'Alex Rider', squib removal, rotoscoping prep tasks. One shot on 'Oppenheimer' included the Kronos time warp node.

Part-Time Nuke Lecturer at Bournemouth University

September 1, 2017 - August 31, 2021

Oversaw course delivery and student support for master's programme in digital effects. Collaborated with senior faculty to enhance curriculum and instructional strategies. Mentored students, fostering a productive learning environment and promoting academic excellence.

Compositing Teacher at Westminster Kingsway College

April 1, 2021 - June 1, 2021

Supported students in an 8-week VFX teaching programme on Friday afternoons. Full DBS check clear of any offences with the law. Assisted in the development of foundational skills in visual effects for 8 students.

Compositing Artist at Goodbye Kansas

August 1, 2017 - September 1, 2017

Assisted in keying Nuke processes on 'Outlander' to isolate foreground elements from backgrounds. Utilised keying techniques with green and blue screens for creating mattes based on colour or luminance values. Supported compositing tasks with tools like Keylight, Primatte, and IBK for extracting clean alpha channels.

Junior Compositor at The Imaginarium Studios

November 1, 2016 - March 1, 2017

Facilitated project efficiency by implementing a structured filing system for visual effects assets on 'Breathe' (2017). Drove collaboration with producers to enhance project outcomes during production phases in Comp. Worked on 'The Ritual' as Comp/ Prep Artist.

Senior Roto / Prep Artist at MPC

June 1, 2015 - December 1, 2015

Utilised deep layer compositing techniques to seamlessly blend CGI elements with live action plates in 'The Martian' and 'The Jungle Book' for 3D stereoscopic viewing. Rotoscoping across wide shots for 'Geostorm' on green screen and some keying; Rotoscoping 'Race'.

Senior Rotomation / Prep Artist at Method Studios

February 1, 2015 - June 1, 2015

Prep tasks for major projects including 'Avengers: Age of Ultron'.

Junior Compositor at Passion Pictures

July 1, 2014 - September 1, 2014

Delivered engaging advertising content and drove campaign elements to enhance viewer engagement.

Junior Compositor at Milk Visual Effects

January 1, 2014 - May 1, 2014

Assisted with screen replacements for 'Ex Machina' and supported rotoscopy and prep tasks for 'Hercules'.