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I am a UK-based film composer specialising in sophisticated, emotionally resonant scores for film, television, and premium visual media. With over two decades of experience, my work is defined by a seamless integration of orchestral writing and contemporary sound design, creating distinctive, narrative-driven compositions. A key chapter in my recent career has involved working alongside acclaimed composer Lorne Balfe (Mission: Impossible, Top Gun: Maverick, Black Widow), contributing to large-scale, internationally recognised productions. Operating within this high-level creative environment has allowed me to further refine a practice rooted in precision, versatility, and a deep sensitivity to story, while consistently meeting the artistic and technical demands of major studio workflows. My credits include award-winning films such as Everything After, the forthcoming The Sky Looks Different in Chicago, and a wide body of internationally recognised short-form work. My music is also featured across global television, trailers, and commercial campaigns. Whether writing for full orchestra, hybrid electronic frameworks, or minimal textural soundscapes, I bring a refined, collaborative approach to each project—crafting music that is both emotionally impactful and cinematically distinctive.…I am a UK-based film composer specialising in sophisticated, emotionally resonant scores for film, television, and premium visual media. With over two decades of experience, my work is defined by a seamless integration of orchestral writing and contemporary sound design, creating distinctive, narrative-driven compositions. A key chapter in my recent career has involved working alongside acclaimed composer Lorne Balfe (Mission: Impossible, Top Gun: Maverick, Black Widow), contributing to large-scale, internationally recognised productions. Operating within this high-level creative environment has allowed me to further refine a practice rooted in precision, versatility, and a deep sensitivity to story, while consistently meeting the artistic and technical demands of major studio workflows. My credits include award-winning films such as Everything After, the forthcoming The Sky Looks Different in Chicago, and a wide body of internationally recognised short-form work. My music is also featured across global television, trailers, and commercial campaigns. Whether writing for full orchestra, hybrid electronic frameworks, or minimal textural soundscapes, I bring a refined, collaborative approach to each project—crafting music that is both emotionally impactful and cinematically distinctive.

Phil Braithwaite

Film Composer, Composer, Music Composer, +1

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I am a UK-based film composer specialising in sophisticated, emotionally resonant scores for film, television, and premium visual media. With over two decades of experience, my work is defined by a seamless integration of orchestral writing and contemporary sound design, creating distinctive, narrative-driven compositions. A key chapter in my recent career has involved working alongside acclaimed composer Lorne Balfe (Mission: Impossible, Top Gun: Maverick, Black Widow), contributing to large-scale, internationally recognised productions. Operating within this high-level creative environment has allowed me to further refine a practice rooted in precision, versatility, and a deep sensitivity to story, while consistently meeting the artistic and technical demands of major studio workflows. My credits include award-winning films such as Everything After, the forthcoming The Sky Looks Different in Chicago, and a wide body of internationally recognised short-form work. My music is also featured across global television, trailers, and commercial campaigns. Whether writing for full orchestra, hybrid electronic frameworks, or minimal textural soundscapes, I bring a refined, collaborative approach to each project—crafting music that is both emotionally impactful and cinematically distinctive.…I am a UK-based film composer specialising in sophisticated, emotionally resonant scores for film, television, and premium visual media. With over two decades of experience, my work is defined by a seamless integration of orchestral writing and contemporary sound design, creating distinctive, narrative-driven compositions. A key chapter in my recent career has involved working alongside acclaimed composer Lorne Balfe (Mission: Impossible, Top Gun: Maverick, Black Widow), contributing to large-scale, internationally recognised productions. Operating within this high-level creative environment has allowed me to further refine a practice rooted in precision, versatility, and a deep sensitivity to story, while consistently meeting the artistic and technical demands of major studio workflows. My credits include award-winning films such as Everything After, the forthcoming The Sky Looks Different in Chicago, and a wide body of internationally recognised short-form work. My music is also featured across global television, trailers, and commercial campaigns. Whether writing for full orchestra, hybrid electronic frameworks, or minimal textural soundscapes, I bring a refined, collaborative approach to each project—crafting music that is both emotionally impactful and cinematically distinctive.

Available to hire

I am a UK-based film composer specialising in sophisticated, emotionally resonant scores for film, television, and premium visual media. With over two decades of experience, my work is defined by a seamless integration of orchestral writing and contemporary sound design, creating distinctive, narrative-driven compositions.

A key chapter in my recent career has involved working alongside acclaimed composer Lorne Balfe (Mission: Impossible, Top Gun: Maverick, Black Widow), contributing to large-scale, internationally recognised productions. Operating within this high-level creative environment has allowed me to further refine a practice rooted in precision, versatility, and a deep sensitivity to story, while consistently meeting the artistic and technical demands of major studio workflows.

My credits include award-winning films such as Everything After, the forthcoming The Sky Looks Different in Chicago, and a wide body of internationally recognised short-form work. My music is also featured across global television, trailers, and commercial campaigns.

Whether writing for full orchestra, hybrid electronic frameworks, or minimal textural soundscapes, I bring a refined, collaborative approach to each project—crafting music that is both emotionally impactful and cinematically distinctive.