Growing up in six different states, I developed an early fascination for the passing world, so there's no surprise as to why I work in film– pursuing my curiosity of human behavior and moving images. Early in my career, my interest for post-production blossomed. I was enthralled by the endless possibilities there were for shaping the final mood and arc of the material that was shot. Since then, I've never looked back and continue to push toward new ways of structuring and presenting a story. As an editor, I've been cutting for ad agencies and boutique production companies across NYC and Maine. Some of my clients include Meta, Nike, MLS, UnderArmour, The Player's Tribune, FXX, Adidas, and Hennessy. My intense love for film, photography, sports and music is palpable– I can often be found wandering the streets of Portland, Maine and Brooklyn with a camera in hand, playing Louis Prima while cooking, or shouting at the TV during a sports game.…Growing up in six different states, I developed an early fascination for the passing world, so there's no surprise as to why I work in film– pursuing my curiosity of human behavior and moving images. Early in my career, my interest for post-production blossomed. I was enthralled by the endless possibilities there were for shaping the final mood and arc of the material that was shot. Since then, I've never looked back and continue to push toward new ways of structuring and presenting a story. As an editor, I've been cutting for ad agencies and boutique production companies across NYC and Maine. Some of my clients include Meta, Nike, MLS, UnderArmour, The Player's Tribune, FXX, Adidas, and Hennessy. My intense love for film, photography, sports and music is palpable– I can often be found wandering the streets of Portland, Maine and Brooklyn with a camera in hand, playing Louis Prima while cooking, or shouting at the TV during a sports game.WWWW…