With over 20 years of experience in animation and visual production, supported by formal training in illustration, I bring a perspective that bridges creative artistry and structured workflows. Born in Toronto and raised in England, my career as an Animation Producer has taken me around the world, inspiring original storytelling and character development. My credits include productions such as Naked Mole Rat Gets Dressed, Ethel and Ernest, Puss in Boots, Invincible, Bob the Builder, and VFX work on Yellowjackets S2 and Winning Time S2. I have also led projects in video mapping, advertising campaigns (including Porsche 911 and Jaguar), and worked as a consultant on the Indigenous stop- motion series Wapos Bay. Additionally, I contributed to studio development in Jordan, supporting cross-cultural animation initiatives. I have experience across the full animation pipeline—2D, 3D, and stop- motion—combining strong production management with hands-on illustration skills grounded in composition, colour, and narrative. My background as a Line Producer gives me a deep understanding of how ideas are developed and communicated across teams. Recently, I expanded my stop-motion expertise through training with Aardman and have been exploring AI-assisted creative tools. I’m particularly interested in the intersection of art and AI, where my ability to create, document, and systematize creative processes can contribute to building high-quality generative systems.…With over 20 years of experience in animation and visual production, supported by formal training in illustration, I bring a perspective that bridges creative artistry and structured workflows. Born in Toronto and raised in England, my career as an Animation Producer has taken me around the world, inspiring original storytelling and character development. My credits include productions such as Naked Mole Rat Gets Dressed, Ethel and Ernest, Puss in Boots, Invincible, Bob the Builder, and VFX work on Yellowjackets S2 and Winning Time S2. I have also led projects in video mapping, advertising campaigns (including Porsche 911 and Jaguar), and worked as a consultant on the Indigenous stop- motion series Wapos Bay. Additionally, I contributed to studio development in Jordan, supporting cross-cultural animation initiatives. I have experience across the full animation pipeline—2D, 3D, and stop- motion—combining strong production management with hands-on illustration skills grounded in composition, colour, and narrative. My background as a Line Producer gives me a deep understanding of how ideas are developed and communicated across teams. Recently, I expanded my stop-motion expertise through training with Aardman and have been exploring AI-assisted creative tools. I’m particularly interested in the intersection of art and AI, where my ability to create, document, and systematize creative processes can contribute to building high-quality generative systems.WWWW…