Looks like you have JavaScript disabled. For the full Twine experience, you will need to re-enable it.

I'm an audio engineer and music producer based in Birmingham, with a First Class Honours degree in Electronic Music Production. I specialise in recording, mixing and mastering, with a strong focus on getting the best out of artists in the studio and making sure the final sound holds up across every format and platform. Alongside studio work, I have three years of professional experience in live sound — touring across the UK, working at major venues, and running my own live events company — which means I bring a practical, real-world ear to everything I produce. I understand how music is experienced live as well as through speakers and headphones, and that shapes every mix decision I make. I also hold ABRSM Grade 8 Piano, so I come to production with genuine musical understanding, not just technical skill. I work closely with artists throughout the process, from tracking through to the final master, and I'm currently working with a solo artist on an EP — handling the full chain from recording to mastering. If you want to talk about your project, get in touch.…I'm an audio engineer and music producer based in Birmingham, with a First Class Honours degree in Electronic Music Production. I specialise in recording, mixing and mastering, with a strong focus on getting the best out of artists in the studio and making sure the final sound holds up across every format and platform. Alongside studio work, I have three years of professional experience in live sound — touring across the UK, working at major venues, and running my own live events company — which means I bring a practical, real-world ear to everything I produce. I understand how music is experienced live as well as through speakers and headphones, and that shapes every mix decision I make. I also hold ABRSM Grade 8 Piano, so I come to production with genuine musical understanding, not just technical skill. I work closely with artists throughout the process, from tracking through to the final master, and I'm currently working with a solo artist on an EP — handling the full chain from recording to mastering. If you want to talk about your project, get in touch.

Yin Hoi Chan

Sound Technician, Sound Engineer, Stagehand, +5





I'm an audio engineer and music producer based in Birmingham, with a First Class Honours degree in Electronic Music Production. I specialise in recording, mixing and mastering, with a strong focus on getting the best out of artists in the studio and making sure the final sound holds up across every format and platform. Alongside studio work, I have three years of professional experience in live sound — touring across the UK, working at major venues, and running my own live events company — which means I bring a practical, real-world ear to everything I produce. I understand how music is experienced live as well as through speakers and headphones, and that shapes every mix decision I make. I also hold ABRSM Grade 8 Piano, so I come to production with genuine musical understanding, not just technical skill. I work closely with artists throughout the process, from tracking through to the final master, and I'm currently working with a solo artist on an EP — handling the full chain from recording to mastering. If you want to talk about your project, get in touch.…I'm an audio engineer and music producer based in Birmingham, with a First Class Honours degree in Electronic Music Production. I specialise in recording, mixing and mastering, with a strong focus on getting the best out of artists in the studio and making sure the final sound holds up across every format and platform. Alongside studio work, I have three years of professional experience in live sound — touring across the UK, working at major venues, and running my own live events company — which means I bring a practical, real-world ear to everything I produce. I understand how music is experienced live as well as through speakers and headphones, and that shapes every mix decision I make. I also hold ABRSM Grade 8 Piano, so I come to production with genuine musical understanding, not just technical skill. I work closely with artists throughout the process, from tracking through to the final master, and I'm currently working with a solo artist on an EP — handling the full chain from recording to mastering. If you want to talk about your project, get in touch.

Available to hire

I’m an audio engineer and music producer based in Birmingham, with a First Class Honours degree in Electronic Music Production. I specialise in recording, mixing and mastering, with a strong focus on getting the best out of artists in the studio and making sure the final sound holds up across every format and platform.

Alongside studio work, I have three years of professional experience in live sound — touring across the UK, working at major venues, and running my own live events company — which means I bring a practical, real-world ear to everything I produce. I understand how music is experienced live as well as through speakers and headphones, and that shapes every mix decision I make.

I also hold ABRSM Grade 8 Piano, so I come to production with genuine musical understanding, not just technical skill. I work closely with artists throughout the process, from tracking through to the final master, and I’m currently working with a solo artist on an EP — handling the full chain from recording to mastering.

If you want to talk about your project, get in touch.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Intermediate

Intermediate

Intermediate

Intermediate

Work Experience

Co-Founder and Lead Sound Technician at DIS Events

January 1, 2026 - Present

Designs and deploys audio systems for live productions from specification through delivery, assessing venue acoustics and configuring PA/monitor setups, including tuning for consistent high-quality audio across varied spaces and show types. Acts as FOH and monitor engineer, handling live music, speech and playback on professional consoles; performs systematic pre-show signal checks/QA and resolves faults in real time. Supervises and briefs technical crews for load-in, rehearsals, show runs and load-out, assigning tasks by skill, maintaining safety and quality standards, and taking responsibility for technical delivery outcomes. Maintains production documentation including technical riders, system specifications, risk assessments, crew schedules and post-event reports.

Director & Technical Operations Manager at DIS EVENTS

January 1, 2026 - Present

Line-managed a multi-disciplinary team of event technicians, creatives, and floor staff; handled shift allocations, event night rotas, and on-site task deployment. Authored strict venue risk assessments, enforced local council licensing codes and safe decibel (dB) limits, and actively challenged unsafe practices to guarantee public safety.

Production Technician (Touring) at Pierzero Tour

May 1, 2024 - November 30, 2024

Delivered audio production systems across a multi-city UK touring schedule. Assessed venue acoustic profiles, available infrastructure and technical constraints on arrival; adapted system configuration and rigging within tight setup windows while maintaining consistent audio quality across acoustically varied spaces. Coordinated with venue technical teams, interpreted local technical infrastructure, coordinated stage patching, and ensured production requirements were met within receiving-venue constraints. Developed a systematic venue assessment method to improve speed and precision of setup for subsequent dates.

Live Sound Engineer (Touring) at Pierzero Tour

May 1, 2024 - November 1, 2024

Coordinated and executed day-to-day technical setups and front-of-house (FOH)/monitor mixes across diverse UK venue spaces (e.g., Bush Hall, Night & Day Cafe). Actioned advanced technical rider compliance, managed complex 24-channel hardware routing setups, and troubleshot signal flow disruptions under tight live timelines.

RF Coordinator & Sound Engineer at 100 Degree Bar

February 1, 2024 - Present

Oversee on-site technical equipment setups and strict wireless frequency coordination to eliminate signal dropouts in high-density environments. Perform routine hardware diagnostics, basic gear maintenance, and coordinate system tuning to keep technical infrastructure fully operational.

AV and Sound Technician at Stoke-on-Trent Conference Centre

January 1, 2024 - December 31, 2025

Configured and operated PA and microphone systems across a busy multi-room conference venue supporting simultaneous events. Conducted systematic pre-event signal checks, provided speech reinforcement and playback support for corporate clients and delegates, and troubleshot audio faults methodically in real time. Maintained detailed daily records of system configurations, equipment status, fault incidents and recurring issues across venue spaces to support structured maintenance oversight.

Venue Host at Pioneix Bar and Soul Sessions / 100 Degree Bar

September 1, 2023 - Present

Front-of-house and technical support for regular live music events at two active Birmingham venues. Maintained a continuous presence in the city’s live music scene while building practical understanding of venue-level event operations across a wide range of genres and formats.

Live Sound Engineer & Venue Liaison at Pioneix Bar & Soul Sessions Birmingham

September 1, 2023 - Present

Act as the direct first point of contact for incoming musical acts and venue staff, bridging the gap between creative riders and venue technical limitations. Provided informal, hands-on technical support and instruction to local musicians regarding monitor mixes, stage plots, and correct gear usage to reduce performance anxiety.

Sound Technician at Royal Shakespeare Theatre / Hippodrome Casino / Guildhall / KERB

January 1, 2023 - December 31, 2024

Operated audio and production systems across a range of major UK professional venues with markedly different technical environments, including complex acoustic challenges in RST and outdoor/semi-outdoor spaces. Developed accuracy in acoustic assessment, system operation and real-time audio correction across diverse and demanding contexts.

Private Music Instructor at Self-Employed

September 1, 2021 - Present

Designed structured, milestone-based curriculum plans for long-term development.