I'm Rafael J. Perez, a South Florida-based Senior Colorist with over twenty-five years of post-production experience across Motion Picture, TV (English and Spanish language networks), Indie, Documentary, Cable, Commercial, and Student Film & Industrial Video. I collaborate with production teams to ensure color supports the story and the project’s vision comes to light. Fluent in Spanish. I work closely with Producers, Directors of Photography (ASC), senior management, Editors and VFX to translate creative concepts into color, manage sessions, QC renders, and ensure final files are delivered on schedule. Credits as Final Colorist include El Senor de los Cielos, Senora Acero, Mi Familia Perfecta, Enemigo Intimo, En Otra Piel, among others.

Rafael J. Perez

I'm Rafael J. Perez, a South Florida-based Senior Colorist with over twenty-five years of post-production experience across Motion Picture, TV (English and Spanish language networks), Indie, Documentary, Cable, Commercial, and Student Film & Industrial Video. I collaborate with production teams to ensure color supports the story and the project’s vision comes to light. Fluent in Spanish. I work closely with Producers, Directors of Photography (ASC), senior management, Editors and VFX to translate creative concepts into color, manage sessions, QC renders, and ensure final files are delivered on schedule. Credits as Final Colorist include El Senor de los Cielos, Senora Acero, Mi Familia Perfecta, Enemigo Intimo, En Otra Piel, among others.

Available to hire

I’m Rafael J. Perez, a South Florida-based Senior Colorist with over twenty-five years of post-production experience across Motion Picture, TV (English and Spanish language networks), Indie, Documentary, Cable, Commercial, and Student Film & Industrial Video. I collaborate with production teams to ensure color supports the story and the project’s vision comes to light. Fluent in Spanish.

I work closely with Producers, Directors of Photography (ASC), senior management, Editors and VFX to translate creative concepts into color, manage sessions, QC renders, and ensure final files are delivered on schedule. Credits as Final Colorist include El Senor de los Cielos, Senora Acero, Mi Familia Perfecta, Enemigo Intimo, En Otra Piel, among others.

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Language

English
Fluent
Spanish; Castilian
Fluent

Work Experience

Colorist - Editor at NBCUniversal Telemundo Enterprises
May 1, 2013 - Present
Work closely with in-house Editors, Producers and Creative Team using strong creative, technical and troubleshooting abilities to ensure all project requests are met, while using color to enhance narrative. Ensure sessions are set up and working correctly (setup, video monitoring and audio) and provide QC of the color session renders. Communicate with Editorial, VFX, in-house Producers or Engineering to resolve issues arising from post-production and digital video workflows so final files are delivered on schedule. Credits as Final Colorist: “El Senor de los Cielos,” “Senora Acero,” “Mi Familia Perfecta,” “Enemigo Intimo,” “En Otra Piel,” among others.
Senior Dailies Colorist at Cineworks Digital Studios, Inc.
April 1, 2001 - April 1, 2013
Comprehensive operating and familiarity inside state-of-art telecine suite with Spirit Datacine and DaVinci 2K color corrector and adaptable to high definition and standard definition film to tape transfers, as well as HD & SD (dual sync) film to tape transfers. Film to tape color correction, tape to tape color correction in NTSC, PAL, HD and data. Director transfers to AVID or final cut media. Systematic workflow administrator with variety of digital file formats and integrated film production pipeline to create accurate negative reports and flex/ale logs for seamless transition to post. Credits as Dailies Colorist: “Marley & Me,” “I Love You Phillip Morris,” and HBO’s “Recount.” Dailies Colorist: 7-seasons of “Burn Notice” and premiere season of FOX’s “Graceland”
Dailies Colorist and Lab Tech at Continental Film Laboratories, Inc.
April 1, 1993 - March 1, 2001
Dailies Colorist and lab support on night schedule preparing concise reports for DP’s (copied President, CEP, Director of Operations, Daytime Production Supervisors, Studio Execs, etc.) Meticulous product quality controller with proven effectiveness under pressure. Diligent and efficient problem solver managing company’s interactions with customers, clients and sales prospects. Rank Inspection. Lead Lab Technician on “The Perez Family,” “All About the Benjamin’s,” “The Crew,” “Bully,” “Rosewood,” “Speed 2,” and others.

Education

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Industry Experience

Media & Entertainment