I am a creative and detail-driven video editor, social content producer, and researcher with five years of media production experience, including three years working in award-winning unscripted development teams. I support the research, production, and pitching of shows across a range of formats and genres, driven by a desire to tell diverse, engaging stories in original ways. I enjoy building editorial voice through producing, editing, and shooting, while strengthening storytelling through both long-form and social-first content. I have experience from development-stage research and decks to editing podcasts and short-form social assets, including leading creative tasks under tight deadlines and coordinating with producers, post-production partners, and stakeholders.

Sadie Tepper

I am a creative and detail-driven video editor, social content producer, and researcher with five years of media production experience, including three years working in award-winning unscripted development teams. I support the research, production, and pitching of shows across a range of formats and genres, driven by a desire to tell diverse, engaging stories in original ways. I enjoy building editorial voice through producing, editing, and shooting, while strengthening storytelling through both long-form and social-first content. I have experience from development-stage research and decks to editing podcasts and short-form social assets, including leading creative tasks under tight deadlines and coordinating with producers, post-production partners, and stakeholders.

Available to hire

I am a creative and detail-driven video editor, social content producer, and researcher with five years of media production experience, including three years working in award-winning unscripted development teams. I support the research, production, and pitching of shows across a range of formats and genres, driven by a desire to tell diverse, engaging stories in original ways.

I enjoy building editorial voice through producing, editing, and shooting, while strengthening storytelling through both long-form and social-first content. I have experience from development-stage research and decks to editing podcasts and short-form social assets, including leading creative tasks under tight deadlines and coordinating with producers, post-production partners, and stakeholders.

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Work Experience

Conceptualising and pitching ideas for creative content; producing static and moving assets on quick turnarounds at Disney + Universal Music Group
January 1, 2026 - April 30, 2026
Conceptualised and pitched creative content ideas in response to briefs from multiple clients, including Disney and Universal Music Group. Produced both static and moving assets on tight deadlines, contributing to social-first output and fast-turnaround delivery requirements.
Editing the long-form audio and video content for podcasts (Adobe Premiere Pro, Frame.io) at The Double Cleanse Podcast
December 1, 2025 - January 31, 2026
Edited long-form podcast audio and accompanying video content using Adobe Premiere Pro and Frame.io. Produced short-form digital content to run alongside the podcast on Instagram Reels and TikTok, informed by platform trends and audience engagement considerations.
Production graphics and title/production design at Secrets of Supercheap Shopping (Channel 4) / other company productions
June 1, 2025 - December 31, 2025
Produced graphics and boilers for ongoing premium productions, including title and production graphics using Adobe After Effects. Worked with series and executive producers/directors to ensure final output satisfaction. Managed workflow and strict file organisation to deliver to channel, balancing workload alongside development and sizzle production tasks.
Video editing and shooting support on recce and rushes; casting and taster tapes at Crackit TV / (role listed)
May 1, 2025 - June 30, 2025
Worked alongside producers to shoot recces to brief, edit casting and taster tapes with the rushes, and apply industry-standard videography and editing techniques. Communicated effectively with external collaborators and stakeholders, including commissioners and post-production houses, and supported establishing visual style and narrative tone through writing and self-produced graphics.
Researcher | Development at Crackit TV / (and other development roles listed)
January 1, 2025 - April 30, 2026
Supported development teams across unscripted formats, aiding research, pitching, and show development. Conducted outreach and secured access for premium access-led documentaries, translating research into treatments and stylised pitch decks, and supporting crowd-funding and production processes for documentary content. Contributed to locating stories, contributors, and locations, and participated in casting interviews and access relationships.
Story sourcing, research, treatments and stylised pitch decks; casting and access management at Crackit TV / (development research roles listed)
January 1, 2024 - January 31, 2025
Led projects by independently sourcing and researching stories before pitching toplines. Produced refined decks and edited creative sizzles to accompany pitches. Conducted outreach to organisations and individuals, led casting interviews, and secured access relationships; translated research into easily digestible treatments, outlines and stylised pitch deck formats.
Development sizzle team / video editing and production support at ITV Studios (role period across locations)
August 1, 2023 - February 28, 2025
Supported production day-to-day tasks across two locations, anticipating needs and problem-solving quickly while maintaining a proactive, professional approach. Contributed to editorial and motion-graphics outputs supporting development and audience-aligned storytelling.
Shadow camera operator / Development sizzle editor / Runner at ITV Studios / Plimsoll Productions / other roles listed
August 15, 2022 - August 20, 2022
Assisted camera teams across varied Leeds locations, including rural and constructed sets, helping ensure shoots stayed on schedule. Worked as part of development sizzle teams, editing sizzle reels from self-shot content, interviews, archive, and rushes, including for premium productions such as Netflix’s Skyscraper Live Storyboarding. Storyboarded and scripted sizzles to match genre and broadcaster tone, produced distinctive motion graphics, and translated visual styles across deck assets.
Producing static and moving image assets from conception to completion at Avalon TV / (Producing premium releases)
August 1, 2022 - May 31, 2024
Produced static and moving image assets from conception through completion to publicise premium releases (e.g., Pam & Tommy). Directed post-production sessions including online edit, graphics, designers, and VO, and assisted remote oversight of branded content shoots.
Digital content production and editing (social media and online promotion) at Disney + EA / (freelance social content producer role listed)
June 1, 2021 - June 30, 2022
Developed and edited branded content suitable for digital platforms, including social media and online promotion. Produced short-form content with bespoke graphics designed for rollout across all social channels.

Education

BA (Hons) Film, Photography and Media (1st Class Honours) at University of Leeds
January 1, 2019 - January 1, 2023

Qualifications

Screenskills’ Coronavirus Basic Awareness on Production
January 11, 2030 - August 17, 2026
Manual Handling; Slips, Trips and Falls; Data Protection; Fire Safety Awareness (High Speed Training)
January 11, 2030 - August 17, 2026
First Aid (Qualified First Aider)
January 11, 2030 - August 17, 2026
Full, clean driving licence
January 11, 2030 - August 17, 2026

Industry Experience

Media & Entertainment, Education, Professional Services