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Sound Designer and music professional with 20+ years of experience in music performance, 8+ years of sound design in AAA games, and 10+ years of audio production. Known for strong analytical, technical, and problem-solving skills, with the ability to work independently or within a team. Experienced in designing and implementing audio across game systems (UI, ambiences, foley, weapons, vehicles, cinematics, gameplay), mixing audio assets for open-world gameplay, and integrating composer scores into missions. Highly organized, responsible, and detail-focused with excellent time management and adaptability.…Sound Designer and music professional with 20+ years of experience in music performance, 8+ years of sound design in AAA games, and 10+ years of audio production. Known for strong analytical, technical, and problem-solving skills, with the ability to work independently or within a team. Experienced in designing and implementing audio across game systems (UI, ambiences, foley, weapons, vehicles, cinematics, gameplay), mixing audio assets for open-world gameplay, and integrating composer scores into missions. Highly organized, responsible, and detail-focused with excellent time management and adaptability.

Amanda Belle

Sound Designer, Audio Engineer, Sound Engineer, +2

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Sound Designer and music professional with 20+ years of experience in music performance, 8+ years of sound design in AAA games, and 10+ years of audio production. Known for strong analytical, technical, and problem-solving skills, with the ability to work independently or within a team. Experienced in designing and implementing audio across game systems (UI, ambiences, foley, weapons, vehicles, cinematics, gameplay), mixing audio assets for open-world gameplay, and integrating composer scores into missions. Highly organized, responsible, and detail-focused with excellent time management and adaptability.…Sound Designer and music professional with 20+ years of experience in music performance, 8+ years of sound design in AAA games, and 10+ years of audio production. Known for strong analytical, technical, and problem-solving skills, with the ability to work independently or within a team. Experienced in designing and implementing audio across game systems (UI, ambiences, foley, weapons, vehicles, cinematics, gameplay), mixing audio assets for open-world gameplay, and integrating composer scores into missions. Highly organized, responsible, and detail-focused with excellent time management and adaptability.

Available to hire

Sound Designer and music professional with 20+ years of experience in music performance, 8+ years of sound design in AAA games, and 10+ years of audio production. Known for strong analytical, technical, and problem-solving skills, with the ability to work independently or within a team.

Experienced in designing and implementing audio across game systems (UI, ambiences, foley, weapons, vehicles, cinematics, gameplay), mixing audio assets for open-world gameplay, and integrating composer scores into missions. Highly organized, responsible, and detail-focused with excellent time management and adaptability.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Beginner

Work Experience

Sound Designer at Ubisoft Toronto

January 1, 2017 - Present

Designed and implemented audio for game design systems including UI, ambiences, foley, weapons, vehicles, cinematics, and gameplay ingredients. Mixed audio assets for an open-world based game. Implemented composer music scores into gameplay missions.

Audio Engineer at Leeds Beckett University

January 1, 2014 - January 1, 2016

Led music work for a national commercial campaign and served as audio engineer for university involvement during national commercial campaigns.

Development Tester at Ubisoft Toronto

January 1, 2012 - January 1, 2013

Ensured games were free from defects by communicating issues to developers, documenting changes across builds, attending meetings for key feature discussions, and auditing audio sessions when invited.