I’m Henry Monk, a production and editorial professional with over six years’ experience across premium documentary and factual television, with a strong focus on post-production workflows and delivering to tight deadlines. I’ve supported major international productions for Netflix through Box to Box Films, where I’ve worked within high-volume media environments using Avid Media Composer and helped keep editorial teams moving smoothly. I’m also a documentary filmmaker and creative production practitioner, with independent projects that explore culturally driven storytelling through film, interviews, and visual montages. Alongside my production coordination and editing experience, I’ve led translation and export workflows for subtitling, built practical research systems using tools like Airtable, and enjoy collaborating across departments—always aiming for clear communication, careful storytelling, and strong final deliveries.

Henry Monk

I’m Henry Monk, a production and editorial professional with over six years’ experience across premium documentary and factual television, with a strong focus on post-production workflows and delivering to tight deadlines. I’ve supported major international productions for Netflix through Box to Box Films, where I’ve worked within high-volume media environments using Avid Media Composer and helped keep editorial teams moving smoothly. I’m also a documentary filmmaker and creative production practitioner, with independent projects that explore culturally driven storytelling through film, interviews, and visual montages. Alongside my production coordination and editing experience, I’ve led translation and export workflows for subtitling, built practical research systems using tools like Airtable, and enjoy collaborating across departments—always aiming for clear communication, careful storytelling, and strong final deliveries.

Available to hire

I’m Henry Monk, a production and editorial professional with over six years’ experience across premium documentary and factual television, with a strong focus on post-production workflows and delivering to tight deadlines. I’ve supported major international productions for Netflix through Box to Box Films, where I’ve worked within high-volume media environments using Avid Media Composer and helped keep editorial teams moving smoothly.

I’m also a documentary filmmaker and creative production practitioner, with independent projects that explore culturally driven storytelling through film, interviews, and visual montages. Alongside my production coordination and editing experience, I’ve led translation and export workflows for subtitling, built practical research systems using tools like Airtable, and enjoy collaborating across departments—always aiming for clear communication, careful storytelling, and strong final deliveries.

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Language

English
Fluent
Spanish; Castilian
Advanced

Work Experience

Video Editor
April 1, 2026 - May 1, 2026
Sole editor for a documentary commissioned by University College London and Islington Council, managing the end-to-end post-production process from assembly to final delivery. Coordinated with graphics designers, producer and curators to shape story and presentation for delivery. Edited and colour graded F-Log footage in DaVinci Resolve.
Video Editor (Sole Editor) at Freelance
April 1, 2026 - May 1, 2026
Sole editor for a documentary commissioned by University College London and Islington Council. Managed the complete post-production process from assembly through to final delivery.
Assistant Editor at Box to Box Films
May 1, 2024 - February 1, 2026
Assistant Editor across Formula 1: Drive to Survive Seasons 7 & 8, supporting an international documentary editorial team through demanding post schedules and high-volume media. Worked closely with editorial and production teams to plan, communicate and organise media and exports, while solving day-to-day workflow challenges collaboratively. Led translations work by creating sequences/exports for translation, pulling/subclipping material, supporting subtitling deliverables, generating EDLs and tracking workflow progress in Excel.
Assistant Editor at Box to Box Film s (Netflix Productions)
May 1, 2024 - February 1, 2026
Supported assistant editor duties across Formula 1: Drive to Survive (Seasons 7 & 8), working closely with editorial and production teams throughout the post-production process. Helped strengthen understanding of production planning and workflow coordination through day-to-day collaboration and problem-solving during edits.
Logger at Box to Box Films
June 1, 2022 - February 1, 2024
Worked across Formula 1: Drive to Survive Season 6 and Tour de France: Unchained. Organised and logged large volumes of media while liaising with the wider post-production team. Supported editorial research with Airtable and AI-assisted transcription tools, strengthening understanding of documentary storytelling, editorial decision-making and large-scale production workflows.
Assistant Editor at Logger, Box to Box Film s (Netflix Productions)
June 1, 2022 - February 1, 2024
Worked across Formula 1: Drive to Survive (Season 6) and Tour de France: Unchained. Developed strong experience in documentary editorial decision-making and large-scale production workflows while supporting post-production activity across teams.
Team Operator at Ricardo Ltd
February 1, 2021 - March 1, 2022
Worked in the Shoreham technical centre on production of McLaren V6 and V8 engines, building experience in structured operational environments, teamwork and disciplined working practices.
Team Operator (Production of racing engines) at Ricardo Ltd
February 1, 2021 - March 1, 2022
Supported production activities for McLaren V6 and V8 engines at the Shoreham technical centre.
Logger at Box to Box Films
August 1, 2019 - December 1, 2019
Supported editorial teams on Formula 1: Drive to Survive Season 2 through media organisation, logging and transcription.
Logger at Box to Box Film s (Netflix Productions)
August 1, 2019 - December 1, 2019
Worked on Formula 1: Drive to Survive (Season 2), supporting editorial teams through media organisation, logging, and transcription to contribute to efficient documentary post-production workflows.

Education

BA (Hons) Film-making – First Class Honours at Kingston School of Art
January 11, 2030 - January 1, 2018
BA (Hons) Filmmaking — First Class Honours at Kingston School of Art
January 1, 2018 - January 1, 2018

Qualifications

Google Data Analytics Certificate
January 11, 2030 - September 2, 2026
First Class Filmmaking graduate
January 11, 2030 - September 2, 2026
Google Data Analytics Certificate
January 11, 2030 - September 2, 2026
Full UK Driving Licence
January 11, 2030 - September 2, 2026

Industry Experience

Media & Entertainment, Education, Government